米歇尔·图尔尼埃(1924-)，法国当代文学大师，当代著名的新寓言派文学的主将。他不仅是才华横溢的小说家，而且是睿智深刻的哲学家。西方批评界对他的小说以及融汇在小说中的现代哲学思想推崇备至，评价极高，认为他以自己独特的风格为法国小说开创了新局面。《礼拜五或太平洋上的灵薄狱》是他的代表作之一，发表当年即获法兰西学院文学大奖。 《礼拜五或太平洋上的灵薄狱》是一篇“现代文明衰亡记”的寓言，它戏仿笛福的名著《鲁滨孙漂流记》的题材，在主题上却反其道而行之。鲁滨孙孤独一人被弃荒岛后，按西方文明社会的模式将荒岛治理得井井有条。礼拜五来到荒岛后，非但没有被驯化为鲁滨孙的奴隶，反而以其自然的天性将文明的迹象破坏得一干二净，同时也慢慢影响了鲁滨孙，使这个西方文明的代表逐步抛弃了原有的文化传统，变成了一个
悟空传，ISBN：9787539139999，作者：
三分天下归一晋n一部司马家族创业史nn司马师去世前，将大将军之职传位司马昭，在父兄创立的基业上，司马昭在魏国独揽朝纲。n魏帝曹髦见威权日去，意欲讨伐权臣，事情泄漏后，太子舍人成济在贾充的授意下将曹髦刺死。n司马昭闻讯后将成济斩首谢罪，又用太后的名义，以不敬太后、自寻死路的罪名将曹髦的皇帝名位废掉。n曹魏实权落入司马昭手中。n
Against the backdrop of the Korean War, a young man faceslife's unimagined chances and terrifying consequences. It is 1951in America, the second year of the Korean War. A studious,law-abiding, intense youngster from Newark, New Jersey, MarcusMessner, is beginning his sophomore year on the pastoral,conservative campus of Ohio's Winesburg College. And why is hethere and not at the local college in Newark where he originallyenrolled? Because his father, the sturdy, hard-working neighborhoodbutcher, seems to have gone mad -- mad with fear and apprehensionof the dangers of adult life, the dangers of the world, the dangershe sees in every corner for his beloved boy. As the long-suffering,desperately harassed mother tells her son, the father's fear arisesfrom love and pride. Perhaps, but it produces too much anger inMarcus for him to endure living with his parents any longer. Heleaves them and, far from Newark, in the midwestern college, has tofind his way amid the customs and constrictions of another America
The Law Yearbook of China is alarge，comprehensive and req ui—slte publication for readers at homeand abroad to understand and studv the basic information about thesocialist legal system construction in China．The Yearbook，withabundant information，focuses on legisla—tion and j ustice in Chinaand reflects the comprehensive situations of L；hma’S socialistlegal system construction from such aspects as lawmaking，lawenforcement，legal publicity and education．and re-search on theoriesOf legal science．A1l materials appeared in the Year—book areprovided by related central and local government sectors so thatthe content is complete，accurate and authoritative． The I．，aw Yearbook of China(English Version2007--2008)main—ly retlects the legal system construction in Chinain 2006--2007．It in—cludes the following columns：SpecialReports；Legislature，J udicature and Arbitration；Laws of thePeople’s Republic of China；Treaties and Legal Aspects of China’sDiplomacy Work；
It is 1998, the year in which America is whipped into a frenzyof prurience by the impeachment of a president, and in a small NewEngland town, an aging classics professor, Coleman Silk, is forcedto retire when his colleagues decree that he is a racist. Thecharge is a lie, but the real truth about Silk would haveastonished his most virulent accuser. Coleman Silk has a secret.But it's not the secret of his affair, at seventy-one, with FauniaFarley, a woman half his age with a savagely wrecked past - apart-time farmhand and a janitor at the college where, untilrecently, he was the powerful dean of faculty. And it's not thesecret of Coleman's alleged racism, which provoked the collegewitch-hunt that cost him his job and, to his mind, killed his wife.Nor is it the secret of misogyny, despite the best efforts of hisambitious young colleague, Professor Delphine Roux, to expose himas a fiend. Coleman's secret has been kept for fifty years: fromhis wife, his four children, his colleagues, and his friends,includi
Cecil Beaton was one of the great twentieth-centurytastemakers. A photographer, artist, writer and designer for morethan fifty years, he was at the center of the worlds of fashion,society, theater and film. The Unexpurgated Beaton bringstogether for the first time the never-before-published diaries from1970 to 1980 and, unlike the six slim volumes of diaries publishedduring his lifetime, these have been left uniquely unedited. Hugo Vickers, the executor of Beaton’s estate and the author ofhis acclaimed biography, has added extensive and fascinating notesthat are as lively as the diary entries themselves. As one Londonreviewer wrote, “Vickers’ waspish footnotes are the salt on theside of the dish.” Beaton treated his other published diaries likehis photographs, endlessly retouching them, but, for this volume,Vickers went back to the original manu*s to find the unediteddiaries. Here is the photographer for British and American Vogue, designer of the sets and costumes for the play a
In the "stifling heat of equatorial Newark," a terrifyingepidemic is raging, threatening the children of the New Jersey citywith maiming, paralysis, life-long disability, and even death. Thisis the startling and surprising theme of Roth's wrenching new book:a wartime polio epidemic in the summer of 1944 and the effect ithas on a closely knit, family-oriented Newark community and itschildren. At the center of NEMISIS is a vigorous, dutiful, twenty-threeyear old playground director, Bucky Cantor, a javelin thrower andweightlifter, who is devoted to his charges and disappointed withhimself because his weak eyes have excluded him from serving in thewar alongside his contemporaries. Focusing on Cantor's dilemmas aspolio begins to ravage his playground--and on the everday realitieshe faces--Roth leads us through every inch of emotion such apestilence can breed: the fear, the panic, the anger, thebewilderment, the suffering, and the pain. Moving between the smoldering, malodorous streets of besieg
米歇尔·图尔尼埃(1924-)，法国当代文学大师，当代著名的新寓言派文学的主将。他不仅是才华横溢的小说家，而且是睿智深刻的哲学家。西方批评界对他的小说以及融汇在小说中的现代哲学思想推崇备至，评价极高，认为他以自己独特的风格为法国小说开创了新局面。《礼拜五或太平洋上的灵薄狱》是他的代表作之一，发表当年即获法兰西学院文学大奖。 《礼拜五或太平洋上的灵薄狱》是一篇“现代文明衰亡记”的寓言，它戏仿笛福的名著《鲁滨孙漂流记》的题材，在主题上却反其道而行之。鲁滨孙孤独一人被弃荒岛后，按西方文明社会的模式将荒岛治理得井井有条。礼拜五来到荒岛后，非但没有被驯化为鲁滨孙的奴隶，反而以其自然的天性将文明的迹象破坏得一干二净，同时也慢慢影响了鲁滨孙，使这个西方文明的代表逐步抛弃了原有的文化传统，变成了一个
