本书由三个文本组成。 *个文本是D（狄亚努斯）的日志，它构成了被称为 鼠的故事 的*部分。这部分以D的视角展开，记述了他与B的情乱，同时，在这场混乱的激情中，A（阿尔法主教）作为一个衔接D与B之关系的人物在场。 *部分也涉及了D与E的情乱，而这构成了第二个文本的记述核心。第二部分被称为 狄亚努斯 ，是A的笔记。这部分以A的视角展开。 这两个文本共同结构了本书的故事。被称为 俄瑞斯忒斯 的第三部分则更像是一个总的视角，或者说，一则诗性概述。它由诗歌和诗论组成。巴塔耶写道： 为了在一片明显的不可能中抓住一丝可能，我必须首先想象相反的情境。
Set in late 1980s Europe at the time of the fall of the BerlinWall, Black Dogs is the intimate story of the crumbling of amarriage, as witnessed by an outsider. Jeremy is the son-in-law ofBernard and June Tremaine, whose union and estrangement beganalmost simultaneously. Seeking to comprehend how their deep lovecould be defeated by ideological differences Bernard and Junecannot reconcile, Jeremy undertakes writing June's memoirs, only tobe led back again and again to one terrifying encouner forty yearsearlier--a moment that, for June, was as devastating andirreversible in its consequences as the changes sweeping Europe inJeremy's own time. In a finely crafted, compelling examination ofevil and grace, Ian McEwan weaves the sinister reality ofciviliation's darkest moods--its black dogs--with the tensions thatboth create love and destroy it.
The "Guermantes Way," in this the third volume of "In Searchof Lost Time," refers to the path that leads to the Duc and Duchessde Guermantes's chateau near Combray. It also represents thenarrator's passage into the rarefied "social kaleidoscope" of theGuermantes's Paris salon, an important intellectual playground forParisian society, where he becomes a party to the wit and mannersof the Guermantes's drawing room. Here he encounters nobles,officers, socialites, and assorted consorts, including Robert deSaint Loup and his prostitute mistress Rachel, the Baron deCharlus, and the Prince de Borodino. For this authoritativeEnglish-language edition, D. J. Enright has revised the lateTerence Kilmartin's acclaimed reworking of C. K. Scott Moncrieff'stranslation to take into account the new definitive French editionsof "A la recherche du temps perdu" (the final volume of these neweditions was published by the Bibliotheque de la Pleiade in1989).
Sixteen-year-old suburbanite Chris Lloyd and his mate Tonispend their free time wishing they were French, making up storiesabout strangers, and pretending to be fl?neurs. When they grow upthey'd like to be "artists-in-residence at a nudist colony." Ifyouthful voyeurism figures heavily in their everyday lives, so,too, do the pleasures of analogy, metaphor, and deliberatemisprision. Sauntering into one store that dares to call itself MANSHOP, Toni demands: "One man and two small boys, please." Julian Barnes could probably fill several books with these boys'clever misadventures, but in his first novel he attempts somethingmore daring--the curve from youthful scorn to adult contentment. In1968, when Chris goes off to Paris, he misses the May événementsbut manages, more importantly, to fall in love and learn thepleasures of openness: "The key to Annick's candour was that therewas no key. It was like the atom bomb: the secret is that there isno secret." The final section finds Chris back in suburb
In Barcelona, an aging Brazilian prostitute trains her dog toweep at the grave she has chosen for herself. In Vienna, a womanparlays her gift for seeing the future into a fortunetellingposition with a wealthy family. In Geneva, an ambulance driver andhis wife take in the lonely, apparently dying ex-President of aCaribbean country, only to discover that his political ambition isvery much intact. In these twelve masterly stories about the livesof Latin Americans in Europe, Garcia Marquez conveys the peculiaramalgam of melancholy, tenacity, sorrow, and aspiration that is theemigre experience.
Fashioned from the same experiences that would inspire themasterpiece Huckleberry Finn, Life on the Mississippi isMark Twain’s most brilliant and most personal nonfiction work. Itis at once an affectionate evocation of the vital river life in thesteamboat era and a melancholy reminiscence of its passing afterthe Civil War, a priceless collection of humorous anecdotes andfolktales, and a unique glimpse into Twain’s life before he beganto write. Written in a prose style that has been hailed as among thegreatest in English literature, Life on the Mississippi established Twain as not only the most popular humorist of his timebut also America’s most profound chronicler of the humancomedy.
First published in 1919, "Within a Budding Grove" was awardedthe Prix Goncourt, bringing the author immediate fame. In thissecond volume of "In Search of Lost Time," the narrator turns fromthe childhood reminiscences of "Swann's Way" to memories of hisadolescence. Having gradually become indifferent to Swann'sdaughter Gilberte, the narrator visits the seaside resort of Balbecwith his grandmother and meets a new object ofattention--Albertine, "a girl with brilliant, laughing eyes andplump, matt cheeks." For this authoritative English-languageedition, D. J. Enright has revised the late Terence Kilmartin'sacclaimed reworking of C. K. Scott Moncrieff's translation to takeinto account the new definitive French editions of "A la recherchedu temps perdu" (the final volume of these new editions waspublished by the Bibliotheque de la Pleiade in 1989).
In this classic collision of the New World with Old Europe,James weaves a fable of thwarted desire that shifts between comedy,tragedy, romance, and melodrama.
Vintage Readers are a perfect introduction to some of thegreatest modern writers presented in attractive, accessiblepaperback editions. “It was Nabokov’s gift to bring paradise wherever he alighted.”—John Updike, The New York Review of Books Novelist, poet, critic, translator, and, above all, a peerlessimaginer, Vladimir Nabokov was arguably the most dazzling prosestylist of the twentieth century. In novels like Lolita, Pale Fire,and Ada, or Ardor, he turned language into an instrument ofecstasy. Vintage Nabokov includes sections 1-10 of his most famous andcontroversial novel, Lolita; the stories “The Return of Chorb,”“The Aurelian,” “A Forgotten Poet,” “Time and Ebb,” “Signs andSymbols,” “The Vane Sisters,” and “Lance”; and chapter 12 from hismemoir Speak, Memory.
Eminent Shakespearean scholars Jonathan Bate and EricRasmussen provide a fresh new edition of Richard II,chronologically the first of the eight plays in Shakespeare’sHistory Cycle, which marks the beginning of a great schism withinthe nobility of England that will leave the nation riven by bloodyconflict for the next hundred years. This volume also includes morethan a hundred pages of exclusive features, including: ? an original Introduction to Richard II ? incisive scene-by-scene synopsis and analysis with vital factsabout the work ? commentary on past and current productions based on interviewswith leading directors, actors, and designers ? photographs of key RSC productions ? an overview of Shakespeare’s theatrical career and chronologyof his plays Ideal for students, theater professionals, and general readers,these modern and accessible editions from the Royal ShakespeareCompany set a new standard in Shakespearean literature for thetwenty-first
On the 150th anniversary of its publication, a new edition ofthe nature classic First published in 1854, Henry David Thoreau'sgroundbreaking book has influenced generations of readers andcontinues to inspire and inform anyone with an open mind and a loveof nature. With Bill McKibben providing a newly revisedIntroduction and helpful annotations that place Thoreau firmly inhis role as cultural and spiritual seer, this beautiful edition ofWalden for the new millennium is more accessible and relevant thanever. " Thoreau] says so many pithy and brilliant things, andoffers so many piquant, and, we may add, so many just, comments onsociety as it is, that this book is well worth the reading, bothfor its actual contents and its suggestive capacity." --A. P.Peabody, North American Review, 1854 " Walden] still seems to methe best youth's companion yet written by an American, for itcarries a solemn warning against the loss of one's valuables, itadvances a good argument for traveling light and trying newadventures,
This all-new Signet Classic contains many of T.S. Eliot's mostimportant early peoms, leading to perhaps his greatest masterpiece,The Waste Land, which has long been regarded as one of thefundamental texts of modernism. By combining poetic elements frommany diverse sources with bits of popular culture and common speechlinked in a fragmented narrative, Eliot recreated the chaos anddisillusionment of Europe in the aftermath of WWI. * The Waste Land is a modernist literary masterpiece. * Contains a number of early poems, including Spleen, The Deathof St. Narcissus, The Love Song of J. Prufrock, Preludes,Gerontion, The Hippopotmaus, and Sweeny Among theNightingales. * T.S Eliot is the winner of the 1948 Nobel Prize for Literature,and is one of America's greatest poets. * Edited and with an Introduction by Helen Vendler, a foremostscholar of moderism at Harvard University who writes regularly forthe New Yorker and The New Republic. * Vendler is also the author of books on other
NATIONAL BESTSELLER In 1951, the second year of the KoreanWar, a studious, law-abiding, and intense youngster from Newark,New Jersey, Marcus Messner, begins his sophomore year on thepastoral, conservative campus of Ohio's Winesburg College. And whyis he there and not at a local college in Newark where heoriginally enrolled? Because his father, the sturdy, hardworkingneighborhood butcher, seems to have gone mad-mad with fear andapprehension of the dangers of adult life, the dangers of theworld, the dangers he sees in every corner for his beloved boy. Farfrom Newark, Marcus has to find his way amid the customs andconstrictions of another American world. Indignation, Philip Roth'stwenty-ninth book, is a startling departure from the hauntednarratives of old age and experience in Roth's recent books and apowerful exploration of a remarkable moment in Americanhistory.
Philip Roth’s instant New York Times hardcover bestseller nowavailable in mass market paperback!
The series of which this title forms a part examines the wayin which all the major editions of Shakespeare's plays have beeninterpolated by a series of editors who have been systematicallychanging Shakespeare's texts from the 18th century onwards. Thistext looks at "Measure for Measure". --This text refers to anout of print or unavailable edition of this title.
In a small Pennsylvania town in the late 1940s, schoolteacherGeorge Caldwell yearns to find some meaning in his life. Alone withhis teenage son for three days in a blizzard, Caldwell sees his songrow and change as he himself begins to lost touch with his life.Interwoven with the myth of Chiron, the noblest centaur, and hisown relationship to Prometheus, The Centaur one of John Updike'smost brilliant and unusual novels.
After traveling the world to exotic lands, Alexandra, Jane,and Sukie–now widowed but still witches–return to the Rhode Islandseaside t own of Eastwick, “the scene of their primes,” site oftheir enchanted mischief more than three decades ago. DiabolicalDarryl Van Horne is gone, and what was once a center of license andliberation is now a “haven of wholesomeness” populated by hockeymoms and househusbands acting out against the old ways of their ownabsent, experimenting parents. With spirits still willing but fleshweaker, the three women must confront a powerful new counterspellof conformity. In this wicked and wonderful novel, John Updike isat his very best–a legendary master of literary magic up to his olddelightful tricks.
(Book Jacket Status: Jacketed) Dostoevsky's toweringreputation as one of the handful of thinkers who forged the modernsensibility has sometimes obscured the purely novelisticvirtues-brilliant characterizations, flair for suspense andmelodrama, instinctive theatricality-that made his work soimmensely popular in nineteenth-century Russia. "The BrothersKaramazov," his last and greatest novel, published just before hisdeath in 1881, chronicles the bitter love-hate struggle between theoutsized Fyodor Karamazov and his three very different sons. It isabove all the story of a murder, told with hair-raisingintellectual clarity and a feeling for the human conditionunsurpassed in world literature. This award-winning translation byRichard Pevear and Larissa Volokhonsky-the definitive version inEnglish-magnificently captures the rich and subtle energies ofDostoevsky's masterpiece.
“Never did any novelist make more use of an impeccable sense ofhuman values.”
