A vibrant, new complete Shakespeare that brings readers closerthan ever before possible top Shakespeare's plays as they werefirst acted. The Norton Shakespeare, Based on the Oxford Editioninvites readers to rediscover Shakespeare-the working man of thetheater, not the universal bard-and to rediscover his plays as*s to be performed, not works to be immortalized. Combiningthe freshly edited texts of the Oxford Edition with livelyintroductions by Stephen Greenblatt and his co-editors, glossariesand annotations, and an elegant single-column page (that of theNorton Anthologies), this complete Shakespeare invites contemporaryreaders to see and read Shakespeare afresh. Greenblatt's fullintroduction creates a window into Shakespeare world-the culture,demographics, commerce, politics, and religion of early-modernEngland-Shakespeare's family background and professional life, theElizabethan industries of theater and printing, and the subsequentcenturies of Shakespeare textual editing.

《The Norton Anthology of English Literature : Roman》讲述了：Readby millions of students over seven editions, The Norton Anthologyof English Literature remains the most trusted undergraduate surveyof English literature available and one of the most successfulcollege texts ever published. Firmly grounded by the hallmarkstrengths of all Norton Anthologies—thorough and helpfulintroductory matter, judicious annotation, complete texts whereverpossible—The Norton Anthology of English Literature has beenrevitalized in this Eighth Edition through the collaborationbetween six new editors and six seasoned ones. Under the directionof Stephen Greenblatt, General Editor, the editors havereconsidered all aspects of the anthology to make it an even betterteaching tool.

Book De*ion Read by millions of students over seven editions, The NortonAnthology of English Literature remains the most trustedundergraduate survey of English literature available and one of themost successful college texts ever published. Firmly grounded bythe hallmark strengths of all Norton Anthologies—thorough andhelpful introductory matter, judicious annotation, complete textswherever possible—The Norton Anthology of English Literature hasbeen revitalized in this Eighth Edition through the collaborationbetween six new editors and six seasoned ones. Under the directionof Stephen Greenblatt, General Editor, the editors havereconsidered all aspects of the anthology to make it an even betterteaching tool. About Author Stephen Greenblatt (Ph.D. Yale), is Cogan University Professor ofthe Humanities at Harvard University. Also General Editor of TheNorton Shakespeare, he is the author of nine books, including Willin the World: How Shakespeare Became Shakespeare, Hamlet inPurgatory, Practicing New Historic

Along with Blake and Dickens, Mark Twain was one of the nineteenth century s greatest chroniclers of childhood. These two novels reveal different aspects of his genius: Tom Sawyer is a much-loved story about the sheer pleasure of being a boy; Huckleberry Finn , the book Hemingway said was the source of all the American fiction that followed it, is both a hilarious account of an incorrigible truant and a tremendous parable of innocence in conflict with the fallen adult world.

George Eliot's last and most unconventional novel isconsidered by many to be her greatest. First published ininstallments in 1874-76, "Daniel Deronda" is a richly imagined epicwith a mysterious hero at its heart. Deronda, a high-minded youngman searching for his path in life, finds himself drawn by a seriesof dramatic encounters into two contrasting worlds: the Englishcountry-house life of Gwendolen Harleth, a high-spirited beautytrapped in an oppressive marriage, and the very different lives ofa poor Jewish girl, Mirah, and her family. As Deronda uncovers thelong-hidden secret of his own parentage, Eliot's moving andsuspenseful narrative opens up a world of Jewish experiencepreviously unknown to the Victorian novel.

(Book Jacket Status: Jacketed) Three classic crime novels by amaster of the macabre appear here together in hardcover for thefirst time. Suave, agreeable, and completely amoral, PatriciaHighsmith's hero, the inimitable Tom Ripley, stops at nothing--noteven murder-- to accomplish his goals. In achieving for himself theopulent life that he was denied as a child, Ripley shows himself tobe a master of illusion and manipulation and a disturbinglysympathetic combination of genius and psychopath. As Highsmithnavigates the mesmerizing tangle of Ripley's deadly and sinistergames, she turns the mystery genre inside out and takes us into themind of a man utterly indifferent to evil. The Talented Mr.RipleyIn a chilling literary hall of mirrors, Patricia Highsmithintroduces Tom Ripley. Like a hero in a latter-day Henry Jamesnovel, is sent to Italy with a commission to coax a prodigal youngAmerican back to his wealthy father. But Ripley finds himself veryfond of Dickie Greenleaf. He wants to be like him--exactly likehim.

Jane Austen chronicles the subtleties and nuances of- and theaspirations and machinations at work in - her own social milieu.Through the stories of her spirited heroines and their circles,their interactions and rituals, their movements from ballrooms todrawing rooms, from London and Bath to parklands and gardens, sherecreates the life of The English gentry that she observed in thelate eighteenth and early nineteenth centuries. Each of her novels is a love story and a story about marriage -marriage for love, for financial security, for social status. Butthey are not romances; ironic, comic, wise and penetrating, theyare brilliant portrayals of the society Jane Austen knew.

(Book Jacket Status: Jacketed) From one of the most brilliantand influential thinkers of the twentieth century-two novels, sixshort stories, and a pair of essays in a single volume. In both hisessays and his fiction, Albert Camus (1913--1960) de-ployed hislyric eloquence in defense against despair, providing anaffirmation of the brave assertion of humanity in the face of auniverse devoid of order or meaning. "The Plague"-written in 1947and still profoundly relevant-is a riveting tale of horror,survival, and resilience in the face of a devastating epidemic."The Fall" (1956), which takes the form of an astonishingconfession by a French lawyer in a seedy Amsterdam bar, is ahaunting parable of modern conscience in the face of evil. The sixstories of "Exile and the Kingdom "(1957) represent Camus at theheight of his narrative powers, masterfully depicting hischaracters-from a renegade missionary to an adulterous wife -atdecisive moments of revelation. Set beside their fictionalcounterparts, Camus's famous essays

(Book Jacket Status: Jacketed) Naguib Mahfouz's magnificentepic trilogy of colonial Egypt appears here in one volume for thefirst time. The Nobel Prize--winning writer's masterwork is theengrossing story of a Muslim family in Cairo during Britain'soccupation of Egypt in the early decades of the twentieth century.The novels of "The Cairo Trilogy" trace three generations of thefamily of tyrannical patriarch Al-Sayyid Ahmad Abd al-Jawad, whorules his household with a strict hand while living a secret lifeof self-indulgence. "Palace Walk" introduces us to his gentle,oppressed wife, Amina, his cloistered daughters, Aisha and Khadija,and his three sons-the tragic and idealistic Fahmy, the dissolutehedonist Yasin, and the soul-searching intellectual Kamal.Al-Sayyid Ahmad's rebellious children struggle to move beyond hisdomination in "Palace of Desire," as the world around them opens tothe currents of modernity and political and domestic turmoilbrought by the 1920s. "Sugar Street" brings Mahfouz's vividtapestr

(Book Jacket Status: Jacketed) A famous legend surrounding thecreation of "Anna Karenina" tells us that Tolstoy began writing acautionary tale about adultery and ended up falling in love withhis magnificent heroine. It is rare to find a reader of the bookwho doesn't experience the same kind of emotional upheaval. AnnaKarenina is filled with major and minor characters who exist intheir own right and fully embody their mid-nineteenth-centuryRussian milieu, but it still belongs entirely to the woman whosename it bears, whose portrait is one of the truest ever made by awriter. Translated by Louise and Aylmer Maude

From one of the most beloved authors of our time—more than six million copies of his books have been sold inthis country alone—a fascinating excursion into the history behindthe place we call home. “Houses aren’t refuges from history. They are wherehistory ends up.” Bill Bryson and his family live in a Victorian parsonage in a partof England where nothing of any great significance has happenedsince the Romans decamped. Yet one day, he began to consider howvery little he knew about the ordinary things of life as he foundit in that comfortable home. To remedy this, he formed the idea ofjourneying about his house from room to room to “write a history ofthe world without leaving home.” The bathroom provides the occasionfor a history of hygiene; the bedroom, sex, death, and sleep; thekitchen, nutrition and the spice trade; and so on, as Bryson showshow each has fig?ured in the evolution of private life. Whateverhappens in the world, he demonstrates, ends up in our house, in thepaint and the pi

Gathered together in one hardcover volume: three timeless novelsfrom the founding father of science fiction. The first great novelto imagine time travel, "The Time Machine" (1895) follows itsscientist narrator on an incredible journey that takes him finallyto Earth's last moments--and perhaps his own. The scientist whodiscovers how to transform himself in "The Invisible Man" (1897)will also discover, too late, that he has become unmoored fromsociety and from his own sanity. "The War of the Worlds"(1898)--the seminal masterpiece of alien invasion adapted by OrsonWelles for his notorious 1938 radio drama, and subsequently byseveral filmmakers--imagines a fierce race of Martians whodevastate Earth and feed on their human victims while theirvoracious vegetation, the red weed, spreads over the ruined planet.Here are three classic science fiction novels that, more than acentury after their original publication, show no sign of losingtheir grip on readers' imaginations.

Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published. Firmly grounded by the hallmark strengths of all Norton Anthologies—thorough and helpful introductory matter, judicious annotation, complete texts wherever possible—The Norton Anthology of English Literature has been revitalized in this Eighth Edition through the collaboration between six new editors and six seasoned ones. Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

Our Mutual Friend was the last novel Charles Dickenscompleted and is, arguably, his darkest and most complex. The basicplot is vintage Dickens: an inheritance up for grabs, a murder, arocky romance or two, plenty of skullduggery, and a host ofunforgettable secondary characters. But in this final outing theauthor's heroes are more flawed, his villains more sympathetic, andthe story as a whole more harrowing and less sentimental. The moodis set in the opening scene in which a riverman, Gaffer Hexam, andhis daughter Lizzie troll the Thames searching for drowned menwhose pockets Gaffer will rifle before turning the body over to theauthorities. On this particular night Gaffer finds a corpse that islater identified as that of John Harmon, who was returning fromabroad to claim a large fortune when he was apparently murdered andthrown into the river. Harmon's death is the catalyst for everything else that happensin the novel. It seems the fortune was left to the young man on thecondition that he marry a girl he'd

(Book Jacket Status: Jacketed) Our ceaseless human quest forsomething larger than ourselves has never been represented withmore insight and love than in this story of "Don Quixote"-pursuinghis vision of glory in a ?mercantile age-and his shrewd, skepticalman?servant, Sancho Panza. As they set out to right the world'swrongs in knightly combat, the narrative moves from philosophicalspeculation to broad comedy, taking in pastoral, farce, and fantasyon the way. The first and still the greatest of all Europeannovels, "Don Quixote" has been as important for the modern world asthe poems of Homer were for the ancients. Translated by P. A.Motteux

(Book Jacket Status: Jacketed) Dostoevsky's toweringreputation as one of the handful of thinkers who forged the modernsensibility has sometimes obscured the purely novelisticvirtues-brilliant characterizations, flair for suspense andmelodrama, instinctive theatricality-that made his work soimmensely popular in nineteenth-century Russia. "The BrothersKaramazov," his last and greatest novel, published just before hisdeath in 1881, chronicles the bitter love-hate struggle between theoutsized Fyodor Karamazov and his three very different sons. It isabove all the story of a murder, told with hair-raisingintellectual clarity and a feeling for the human conditionunsurpassed in world literature. This award-winning translation byRichard Pevear and Larissa Volokhonsky-the definitive version inEnglish-magnificently captures the rich and subtle energies ofDostoevsky's masterpiece.

FROM THE WORLD FAMOUS ROYAL SHAKESPEARE COMPANY, THE FIRSTAUTHORITATIVE, MODERNIZED, AND CORRECTED EDITION OF SHAKESPEARE’SFIRST FOLIO IN THREE CENTURIES. Skillfully assembled by Shakespeare’s fellow actors in 1623,the First Folio was the original Complete Works. It is arguably themost important literary work in the English language. But startingwith Nicholas Rowe in 1709 and continuing to the present day,Shakespeare editors have mixed Folio and Quarto texts, graduallycorrupting the original Complete Works with errors and conflatedtextual variations. Now Jonathan Bate and Eric Rasmussen, two of today’s mostaccomplished Shakespearean scholars, have edited the First Folio asa complete book, resulting in a definitive Complete Works for thetwenty-first century. Combining innovative scholarship with brilliant commentary andtextual analysis that emphasizes performance history and values,this landmark edition will be indispensable to students, theaterprofessionals, and general readers alik