《转型时代与幽暗意识》作为张灏教授的自选集，收入了他研究近现代中国思想史的一些代表性文章。全书分为“轴心时代”“幽暗意识”、“近代思想史上的转型时代”、“五四与大革命”、“传统与现代化”五个部分。该书讨论了中国思想史上的一些重要问题，如转型时代、幽暗意识与民主传统、儒家的经世思想和道德理想主义、关于五四思想的两歧性、二十世纪中国革命的起源等等，这些问题无一不与中国知识分子近二十年的思想焦点密切相关。

(Book Jacket Status: Jacketed) Charles Dickens's firsthistorical novel-set during the anti-Catholic riots of 1780-is anunparalleled portrayal of the terror of a rampaging mob, seenthrough the eyes of the individuals swept up in the chaos. Thoseindividuals include Emma, a Catholic, and Edward, a Protestant,whose forbidden love weaves through the heart of the story; and thesimpleminded Barnaby, one of the riot leaders, whose fate is tiedto a mysterious murder and whose beloved pet raven, Grip, embodiesthe mystical power of innocence. The story encompasses both therarified aristocratic world and the volatile streets andnightmarish underbelly of London, which Dickens characteristicallyportrays in vivid, pulsating detail. But the real focus of the bookis on the riots themselves, depicted with an extraordinary energyand redolent of the dangers, the mindlessness, and thepossibilities-both beneficial and brutal-of the mob. One of thelesser-known novels, "Barnaby Rudge" is nonetheless among the mostbrilliant-and most

《The Norton Anthology of English Literature : Roman》讲述了：Readby millions of students over seven editions, The Norton Anthologyof English Literature remains the most trusted undergraduate surveyof English literature available and one of the most successfulcollege texts ever published. Firmly grounded by the hallmarkstrengths of all Norton Anthologies—thorough and helpfulintroductory matter, judicious annotation, complete texts whereverpossible—The Norton Anthology of English Literature has beenrevitalized in this Eighth Edition through the collaborationbetween six new editors and six seasoned ones. Under the directionof Stephen Greenblatt, General Editor, the editors havereconsidered all aspects of the anthology to make it an even betterteaching tool.

(Book Jacket Status: Jacketed) Three classic crime novels by amaster of the macabre appear here together in hardcover for thefirst time. Suave, agreeable, and completely amoral, PatriciaHighsmith's hero, the inimitable Tom Ripley, stops at nothing--noteven murder-- to accomplish his goals. In achieving for himself theopulent life that he was denied as a child, Ripley shows himself tobe a master of illusion and manipulation and a disturbinglysympathetic combination of genius and psychopath. As Highsmithnavigates the mesmerizing tangle of Ripley's deadly and sinistergames, she turns the mystery genre inside out and takes us into themind of a man utterly indifferent to evil. The Talented Mr.RipleyIn a chilling literary hall of mirrors, Patricia Highsmithintroduces Tom Ripley. Like a hero in a latter-day Henry Jamesnovel, is sent to Italy with a commission to coax a prodigal youngAmerican back to his wealthy father. But Ripley finds himself veryfond of Dickie Greenleaf. He wants to be like him--exactly likehim.

A vibrant, new complete Shakespeare that brings readers closerthan ever before possible top Shakespeare's plays as they werefirst acted. The Norton Shakespeare, Based on the Oxford Editioninvites readers to rediscover Shakespeare-the working man of thetheater, not the universal bard-and to rediscover his plays as*s to be performed, not works to be immortalized. Combiningthe freshly edited texts of the Oxford Edition with livelyintroductions by Stephen Greenblatt and his co-editors, glossariesand annotations, and an elegant single-column page (that of theNorton Anthologies), this complete Shakespeare invites contemporaryreaders to see and read Shakespeare afresh. Greenblatt's fullintroduction creates a window into Shakespeare world-the culture,demographics, commerce, politics, and religion of early-modernEngland-Shakespeare's family background and professional life, theElizabethan industries of theater and printing, and the subsequentcenturies of Shakespeare textual editing.

Along with Blake and Dickens, Mark Twain was one of the nineteenth century s greatest chroniclers of childhood. These two novels reveal different aspects of his genius: Tom Sawyer is a much-loved story about the sheer pleasure of being a boy; Huckleberry Finn , the book Hemingway said was the source of all the American fiction that followed it, is both a hilarious account of an incorrigible truant and a tremendous parable of innocence in conflict with the fallen adult world.

(Book Jacket Status: Jacketed) It has been said that VictorHugo has a street named after him in virtually every town inFrance. A major reason for the singular celebrity of this mostpopular and versatile of the great French writers is "LesMiserables "(1862). In this story of the trials of the peasant JeanValjean--a man unjustly imprisoned, baffled by destiny, and houndedby his nemesis, the magnificently realized, ambiguously malevolentpolice detective Javert--Hugo achieves the sort of rare imaginativeresonance that allows a work of art to transcend its genre. "LesMiserables "is at once a tense thriller that contains one of themost compelling chase scenes in all literature, an epic portrayalof the nineteenth-century French citizenry, and a vitaldrama--highly particularized and poetic in its rendition butuniversal in its implications--of the redemption of one humanbeing.

(Book Jacket Status: Jacketed) Alexandre Dumas's epic novel ofjustice, retribution, and self-discovery--one of the mostenduringly popular adventure tales ever written--in a newly revisedtranslation. This beloved novel tells the story of Edmond Dantes,wrongfully imprisoned for life in the supposedly impregnable seafortress, the Chateau d'If. After a daring escape, and afterunearthing a hidden treasure revealed to him by a fellow prisoner,he devotes the rest of his life to tracking down and punishing theenemies who wronged him. Though a brilliant storyteller, Dumas wasgiven to repetitions and redundancies; this slightly streamlinedversion of the original 1846 English translation speeds thenarrative flow while retaining most of the rich pictorialde*ions and all the essential details of Dumas's intricatelyplotted and thrilling masterpiece.

(Book Jacket Status: Jacketed) Naguib Mahfouz's magnificentepic trilogy of colonial Egypt appears here in one volume for thefirst time. The Nobel Prize--winning writer's masterwork is theengrossing story of a Muslim family in Cairo during Britain'soccupation of Egypt in the early decades of the twentieth century.The novels of "The Cairo Trilogy" trace three generations of thefamily of tyrannical patriarch Al-Sayyid Ahmad Abd al-Jawad, whorules his household with a strict hand while living a secret lifeof self-indulgence. "Palace Walk" introduces us to his gentle,oppressed wife, Amina, his cloistered daughters, Aisha and Khadija,and his three sons-the tragic and idealistic Fahmy, the dissolutehedonist Yasin, and the soul-searching intellectual Kamal.Al-Sayyid Ahmad's rebellious children struggle to move beyond hisdomination in "Palace of Desire," as the world around them opens tothe currents of modernity and political and domestic turmoilbrought by the 1920s. "Sugar Street" brings Mahfouz's vividtapestr

FROM THE WORLD FAMOUS ROYAL SHAKESPEARE COMPANY, THE FIRSTAUTHORITATIVE, MODERNIZED, AND CORRECTED EDITION OF SHAKESPEARE’SFIRST FOLIO IN THREE CENTURIES. Skillfully assembled by Shakespeare’s fellow actors in 1623,the First Folio was the original Complete Works. It is arguably themost important literary work in the English language. But startingwith Nicholas Rowe in 1709 and continuing to the present day,Shakespeare editors have mixed Folio and Quarto texts, graduallycorrupting the original Complete Works with errors and conflatedtextual variations. Now Jonathan Bate and Eric Rasmussen, two of today’s mostaccomplished Shakespearean scholars, have edited the First Folio asa complete book, resulting in a definitive Complete Works for thetwenty-first century. Combining innovative scholarship with brilliant commentary andtextual analysis that emphasizes performance history and values,this landmark edition will be indispensable to students, theaterprofessionals, and general readers alik

Gathered together in one hardcover volume: three timeless novelsfrom the founding father of science fiction. The first great novelto imagine time travel, "The Time Machine" (1895) follows itsscientist narrator on an incredible journey that takes him finallyto Earth's last moments--and perhaps his own. The scientist whodiscovers how to transform himself in "The Invisible Man" (1897)will also discover, too late, that he has become unmoored fromsociety and from his own sanity. "The War of the Worlds"(1898)--the seminal masterpiece of alien invasion adapted by OrsonWelles for his notorious 1938 radio drama, and subsequently byseveral filmmakers--imagines a fierce race of Martians whodevastate Earth and feed on their human victims while theirvoracious vegetation, the red weed, spreads over the ruined planet.Here are three classic science fiction novels that, more than acentury after their original publication, show no sign of losingtheir grip on readers' imaginations.

From one of the most beloved authors of our time—more than six million copies of his books have been sold inthis country alone—a fascinating excursion into the history behindthe place we call home. “Houses aren’t refuges from history. They are wherehistory ends up.” Bill Bryson and his family live in a Victorian parsonage in a partof England where nothing of any great significance has happenedsince the Romans decamped. Yet one day, he began to consider howvery little he knew about the ordinary things of life as he foundit in that comfortable home. To remedy this, he formed the idea ofjourneying about his house from room to room to “write a history ofthe world without leaving home.” The bathroom provides the occasionfor a history of hygiene; the bedroom, sex, death, and sleep; thekitchen, nutrition and the spice trade; and so on, as Bryson showshow each has fig?ured in the evolution of private life. Whateverhappens in the world, he demonstrates, ends up in our house, in thepaint and the pi

(Book Jacket Status: Jacketed) A famous legend surrounding thecreation of "Anna Karenina" tells us that Tolstoy began writing acautionary tale about adultery and ended up falling in love withhis magnificent heroine. It is rare to find a reader of the bookwho doesn't experience the same kind of emotional upheaval. AnnaKarenina is filled with major and minor characters who exist intheir own right and fully embody their mid-nineteenth-centuryRussian milieu, but it still belongs entirely to the woman whosename it bears, whose portrait is one of the truest ever made by awriter. Translated by Louise and Aylmer Maude

Our Mutual Friend was the last novel Charles Dickenscompleted and is, arguably, his darkest and most complex. The basicplot is vintage Dickens: an inheritance up for grabs, a murder, arocky romance or two, plenty of skullduggery, and a host ofunforgettable secondary characters. But in this final outing theauthor's heroes are more flawed, his villains more sympathetic, andthe story as a whole more harrowing and less sentimental. The moodis set in the opening scene in which a riverman, Gaffer Hexam, andhis daughter Lizzie troll the Thames searching for drowned menwhose pockets Gaffer will rifle before turning the body over to theauthorities. On this particular night Gaffer finds a corpse that islater identified as that of John Harmon, who was returning fromabroad to claim a large fortune when he was apparently murdered andthrown into the river. Harmon's death is the catalyst for everything else that happensin the novel. It seems the fortune was left to the young man on thecondition that he marry a girl he'd

Jane Austen chronicles the subtleties and nuances of- and theaspirations and machinations at work in - her own social milieu.Through the stories of her spirited heroines and their circles,their interactions and rituals, their movements from ballrooms todrawing rooms, from London and Bath to parklands and gardens, sherecreates the life of The English gentry that she observed in thelate eighteenth and early nineteenth centuries. Each of her novels is a love story and a story about marriage -marriage for love, for financial security, for social status. Butthey are not romances; ironic, comic, wise and penetrating, theyare brilliant portrayals of the society Jane Austen knew.

George Eliot's last and most unconventional novel isconsidered by many to be her greatest. First published ininstallments in 1874-76, "Daniel Deronda" is a richly imagined epicwith a mysterious hero at its heart. Deronda, a high-minded youngman searching for his path in life, finds himself drawn by a seriesof dramatic encounters into two contrasting worlds: the Englishcountry-house life of Gwendolen Harleth, a high-spirited beautytrapped in an oppressive marriage, and the very different lives ofa poor Jewish girl, Mirah, and her family. As Deronda uncovers thelong-hidden secret of his own parentage, Eliot's moving andsuspenseful narrative opens up a world of Jewish experiencepreviously unknown to the Victorian novel.

(Book Jacket Status: Jacketed) Dostoevsky's toweringreputation as one of the handful of thinkers who forged the modernsensibility has sometimes obscured the purely novelisticvirtues-brilliant characterizations, flair for suspense andmelodrama, instinctive theatricality-that made his work soimmensely popular in nineteenth-century Russia. "The BrothersKaramazov," his last and greatest novel, published just before hisdeath in 1881, chronicles the bitter love-hate struggle between theoutsized Fyodor Karamazov and his three very different sons. It isabove all the story of a murder, told with hair-raisingintellectual clarity and a feeling for the human conditionunsurpassed in world literature. This award-winning translation byRichard Pevear and Larissa Volokhonsky-the definitive version inEnglish-magnificently captures the rich and subtle energies ofDostoevsky's masterpiece.