‘The Bitter Years’ was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its 50th anniversary. The show featured 209 images by photographers who worked under the aegis of the US Farm Security Administration (FSA) in 1935–41 as part of Roosevelt’s New Deal. The Great Depression of the 1930s defined a generation in modern American history and was still a vivid memory in 1962. The FSA, set up to combat rural poverty, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography – testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms. The Bitter Years celebrates some of the m

This is an elegant book, designed and printed in Germany, with an essay by Terence Pitts, of the Center for Creative Photography in Tucson, Arizona. It presents 180 of Weston's finest images, including many--such as the pines of Point Lobos, the sand dunes of Oceano, and his stark, unadorned nudes--that have become icons. Whereas the photographs of Man Ray and Moholy-Nagy were, to Weston's eyes, hopelessly mannered, his images are elemental, organic, and in harmony with nature's rhythms. Weston spent most of his working life in Mexico and California, and much of his work, replete with shadows, is illuminated with the harsh light of those places. In 1932, he and Ansel Adams founded the influential photographic collective Group f/64, named after the lens-aperture size that exposed an image at its most detailed and clear. This was Weston's aesthetic: to show the real world in its unrelieved integrity rather than create an imaginary construct. He was concerned with visual truth, not with character or storytelling

Whether they are of Abu Dhabi, California, Egypt or Emilia, all of the images he produces are lit with a constant physical light and elements that this photographer seems to always have with him the way he does with his camera bag, and through which all he wants to do is observe the world. I find such an aesthetic to be more that of a painter than a photographer somehow. Better yet, that of a post-documentary or neo-pictorialist photographer, who experiences and conceives his work to be the exprssive gesture of an artist for whom the subject is above all the opportunity for a tremendous but constant variation in his view of the world.

Images of the century (TASCHEN's 25th anniversaryspecial edition) The history of photography began some 150 yearsago, but only relatively recently has it been fully recognised as amedium in its own right. Cologne's Museum Ludwig was the firstmuseum of contemporary art to devote a substantial section tointernational photography. The L. Fritz Gruber collection, fromwhich this book is drawn, is one of the most important in Germanyand one of the most representative anywhere in the world,constituting the core of the museum's holdings. This book providesa fascinating insight into the collection's rich diversity; fromconceptual art to abstraction to reportage, all of the majormovements and genres are represented via a vast selection of thecentury's most remarkable photographs. From Ansel Adams to PietZwart, over 850 works are presented in alphabetical order byphotographer, with de*ive texts and photographers'biographical details, providing a comprehensive and indispensableoverview of 20th century photography

This compelling book chronicles the most influential ideasthat have shaped photography from the invention of thedaguerreotype in the early 19th century up to the digitalrevolution and beyond. Entertaining and intelligent, it provides afascinating resource to dip into. Arranged in a broadlychronological order to show the development of photography, theideas that comprise the book include innovative concepts, culturaland social incidents, technologies and movements. Each idea ispresented through lively text and arresting visuals, and exploreswhen the idea first evolved and its subsequent impact onphotography.

It's simple question,but there's no simple answer-indeed,each of the 280 photographs in this wonderful book offers its own,unique answer,distilling subject,setting,and cerative skill into a single arresting moment that cap-tures the viewer's imagination.And though we may find this elusive quality hard to define,we recognze is imme-diately and instinctively. William Albert Allard,one of the essayists in the book,writes,A fine portrait has the potential to tell something about the spirit of the subject that can be sensed by someone half a world and a different language away.something universal and simple:This is another person in our world and I'd like you to meet him or her. Culled from National Geographic's extraordinary archive,this collection spans more than a century and explores every cornetr of the globe and every aspect of the portraitist's art.The pictures here represent both the special visions of some of the world's finest photographers and the universal appeal of our shared humanity in all i

Already well-established in the fields of fashion, journalistic, and portrait photography in his native Berlin, Bernd Obermann moved to New York City in 1996 to experience the city’s vibrant mix of culture, ethnicity, and race. For the next five years he ventured out of his apartment nearly every day, camera in hand, to explore what New York had to offer. The results of these walks through city streets, parks, and neighborhoods are collected in this paean to a place whose energy and spirit are as palpable as they are memorable. "When I take a photograph of somebody I am also making a photo of a deeper level of myself." Says Obermann, "I believe in acceptance and not in analysis." From the Bronx to the Battery, from poor to rich, young to old, Obermann’s images reflect his own fascination and sense of discovery.

Adult/High School–The enormous variety of things that people do for survival and sustenance is impressively represented in this book. Neither doctor nor lawyer is included, and only a small number of white-collar jobs make the cut. Instead, readers see clover collectors in Yemen, bootblacks in Portugal, ice fishermen in Russia, coal miners in West Virginia, and salt miners in Ukraine. The volume is arranged in geographic sections: Europe, Asia, Africa, Middle East, Americas, and Islands. Interspersed among them are three thematic portfolios: agriculture, extraction (mining), and manufacturing. Protzman contributes engaging and helpful introductions to each geographic section, as well as brief notes introducing the thematic portfolios. With few exceptions the photos are captivating and of high technical quality. Most were taken within the past 20 years, although some are historical, including a few early-20th-century images by Lewis Hine. Many of the images display poverty, hardship, and oppression (especial

In 1950, Robert Frank left his job as a photographer in NewYork to travel through Europe with his family. That summer hearrived in Valencia, Spain, which was at the time a humble, bleakplace enduring the austere conditions of the postwar period likethe rest of the country. The pictures Frank took of Valencia depictthe daily life of a fishing village. His portrayal is so naturaland clear that further verbal explanation seems superfluous; theysimply reflect, in the photo graphers words, the humanity of themoment. The photographs in this book, many of which have never beenpublished before, allow dignity to override poverty. Robert Frank,a key figure in photographic history, was born in Zurich in 1924and immigrated to the United States in 1947. He is best known forhis seminal book The Americans, first published in 1959, which gaverise to a distinct new form in the photobook, and his experimentalfilm Pull My Daisy (1959). Franks other projects include the booksBlack White and Things (1954) and The Lines of

Revised and updated, the new edition of the best-selling classic: over 500,000 copies of previous editions in print worldwide Every new generation of digital cameras offers more photographic possibilities, and the options can be baffling. This completely updated edition of Michael Freemans best-selling Complete Guide to Digital Photography introduces all the knowledge youll need to cut to the chase and create perfect photographs every time. You'll gain a thorough understanding of how today's cameras work, an introduction to digital editing techniques that make the most of the technology's capabilities, and a grounding in photography's all the expertise that Michael Freeman has gained in his successful career as a professional assignment photographer. With over 600 examples, a no-nonsense, jargon-busting glossary of terms and a full index for easy reference, it is an indispensable onestop source of photographic information and expertise.

Birds have been a source of fascination and mystery for humans throughout the world, and throughout time.The Encyclopedia of Birds reveals in striking detail the rich variety of bird life,from the exotic to the common that we can see everyday in our locality; birds whose songs and silhouettes in flight we often take for granted. But you will also find, photographed close-up with stunning clarity, occasional visitors to these shores, together with images of birds from all over the world.Splendidly illustrated, featuring more than 400 species in a highly informative text,The Encyclopedia of Birds offers a window on the world of the extraordinary diversity of birds on our planet.

In this extraordinary collection of color images, noted landscape and wildlife photographer Jeff Drewitz presents Australia's natural beauty in all its stunning diversity. Whether photographs of dry outback or breathtaking coastline, the lush woods of Tasmania or the rainforests and wildlife of the tropical north, these pictures reveal a landscape that offers beauty and diversity in spades. The cities scattered along Australia's coasts are also covered. Here is a portrait of a vast land of extremes that will be the perfect keepsake for any traveler. Superb collection of photographs that captures the natural beauty and diversity of Australia’s landscape and wildlife. Also includes urban scenes. The fifth in teNeues’ successful color version of its Photopockets series, this will be the perfect keepsake for any traveler.

From her virtually sub-tropical climate in the north to her almost sub-antarctic south New Zealand offers a fascinat-ing variety of landscapes:bubbling vol canos geysers and hot springs Alpine mountatin ranges giant lakes and fjords and bathing beaches that are like a scene from paradise. Vom annahernd subtropischen Norden bis zum fast subantarktischen Suden bietet Neuseeland eine faszinierende Landschaftsvielfalt:brodelnde Vulkane Geysire und heiBe Quellen Alpen rie sige Seen und Fjorde dazu traumhafte Badestrande. Du Nord du pays quasiment subtropi cal au Sud preque subantarctique la Nouvelle-Zelande offre un paysage a la diversite fascinante:volcans bouilon nants geysers et sources chaudes lacs et fjords gigantesques les Alpes sans oublier des plages de reve. Desde el norte aproximadamente sub tropical hasta el sur casi subantartico Nueva Zeland ofrece una fascinante variedad en su paisaje:gorgoteantes volcanes geiseres y fuentes de agua caliente Alpes gigantescos lagos fior dos y playas de ens

The photographic act is an event that occurs in real timewith irrevocable consequences.The end result can be modified thoughpost-production,but it is necessarily dependent upon,and influencedby,the image that was recorded in the camera.

This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took him to the Ukraine and Romania. The photos evidence brief stops at the side of the road and present subjects that fall into two distinct categories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or small and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were road casualties. The similarity between each composition the landscape format, the colourful centred arrangement, the consistent distance between photographer and subject belies a deeper message: the produce suggests sustenance, growth and while the memorials are signs of tragedy and grief. Karpaten / Carpathians is thus not only a collection of travel photos, but a reflection of the human need to shape events, and a succinct story of life and death both realities along the metaphorical road on which we all travel. Born in 1938 in Appenzell, Switzerl

The photography community has been among the earliest and most enthusiastic adopters of Apple’s revolutionary iPad. With its crystal-clear display, powerful graphical capabilities and intuitive interface, it’s certainly an effective way to show off photographs. But what else can it do? In this, the first book on the subject, Ben Harvell explains how the iPad is revolutionising the way that pro photographers work. There are powerful photo editing applications, easy-to-use photo sharing and display programs, and useful tethered-shooting this book explains all, and will be a must-read for digital photographers everywhere.