《中国美术院校教材:潘思同水彩画直观教材选》所介绍的是潘思同20世纪五、六十年代在浙江美术学院水彩画教学中使用的部分直观教材。所谓直观教材就是上课时的图示和示范作品。由于上课的教学时间有限,不可能在课堂里做大量示范,所以在每堂课上课之前,作为备课,潘思同都要针对一、二个问题,画一些直观教材,上面配备必要的文字说明,一方面为了节省时间,另一方面也为了取得视觉效果。在直观教材中,有些图本身就是独立的作品,因此,下课后学生常常争先恐后地拿去观摩、临摹。对这些直观教材,学生反应很好,有些青年教师也常借去作为参考。当时许多同行建议让这些教材印刷出版,但由于当时彩色印刷费用高昂,会大大提高书价,而且印刷质量也大有问题,如果采用黑白图版则大大削弱教材的直观效果,因而始终未能出版面世1993年,“
Clubs by their definition offer 'exclusivity': to be a member ofa club you have to meet the selected criteria, whatever that mightbe. The image of a club becomes the key to how its members identifywith it - be it the relaxed wholesome logos of health clubs; or thesleek aerodynamic images found in business-class airline lounges.This issue of AD sets out to examine how architects and interiordesigners effectively use the physical spaces of clubs to enforceimages of exclusivity and collective belonging. Traditionalgentlemen's clubs are looked at alongside a new generation ofsports, media, commercial and night clubs that are springing upacross the world. It also features interviews with Nigel Coates andDavid Adjaye.
In the newest book from acclaimed Cats in the Sun photographerHans Silvester, the dogs of the Greek islands get their moment inthe sun. Frolicking in the town square, romping on the beaches, andprowling hillsides, alleys, and rooftops in Search of adventure,these ragtag Vagabonds clearly make the most of their magnificentisland home in the Mediterranean. An unusual portrait of dogsenjoying their freedom in one of the most enticing settingsimaginable, Dogs in the Sun offers dog lovers a spectacular look atmutts in paradise. Along the way it also offers a breathtaking viewof marvelous Greece and its unforgettable landscape, towns, andvistas.
Rem Koolhaas (Rotterdam,1944)studied architecture at the AA in London--where he went on tobecome a lecturer--and at the IAUS in New York, during PeterEisenman's time there. Koolhaas has always been connected with thetheory of architecture, as lecturer at the innovative AA, as aspeaker, and with his published work: Delirious New York, aretrospective manifesto for Manhattan (1978) and the recent S, M,L, XL (1995). In 1972 Koolhaas set up the OMA (Office forMetropolitan Architecture), whose name clearly expresses theplanning intentions of the team, comprising Koolhaas, Elia and ZoeZenghelis, and Madelon Vriessendorp.
《中国美术院校教材:潘思同水彩画直观教材选》所介绍的是潘思同20世纪五、六十年代在浙江美术学院水彩画教学中使用的部分直观教材。所谓直观教材就是上课时的图示和示范作品。由于上课的教学时间有限,不可能在课堂里做大量示范,所以在每堂课上课之前,作为备课,潘思同都要针对一、二个问题,画一些直观教材,上面配备必要的文字说明,一方面为了节省时间,另一方面也为了取得视觉效果。在直观教材中,有些图本身就是独立的作品,因此,下课后学生常常争先恐后地拿去观摩、临摹。对这些直观教材,学生反应很好,有些青年教师也常借去作为参考。当时许多同行建议让这些教材印刷出版,但由于当时彩色印刷费用高昂,会大大提高书价,而且印刷质量也大有问题,如果采用黑白图版则大大削弱教材的直观效果,因而始终未能出版面世1993年,“
在艾利斯的请求之下,艾一行人前往艾利斯与蒂伊的故乡——欧斯提亚。那里是一个封闭的空间,无止尽地重复着十四年前的那一年。他们试图解开时间循环的怪圈,后来得知这个怪圈与一名学生的死有关。艾锲而不舍地追寻真相,没想到那名死去的学生竟然是……艾利斯渴望“外界”,艾与他有着同样的目标。而蒂伊尽管一直追随艾利斯的脚步,最后仍与他诀别——
PAUL C?ZANNE (1839-1906) is an important figure in the progressof modern European painting. In his dedicated concern with form andstructure, he stands apart from the mainstream of Impressionistpainting, extending its range into a new art of visualanalysis. Cézanne, sensitive and shy, shunned the Parisian café society ofhis fellow artists, preferring to live and work alone in his nativeProvence which provided the inspiration for so many of hispaintings. Less immediately appealing to a wider audience than, forexample, Monet and Degas, Cézanne is nonetheless of immenseimportance through the influence he exerted on so many of theartists who followed him, such as Picasso and Matisse. Blessed with financial independence through the efforts of hisbanker father, he fortunately enjoyed a freedom to pursue his artwithout the demands of making a living felt by so many of hisfellow artists.
Villanueva was born in London, he grew up and was educated inParis at the Ecole des Beaux Arts and was acquainted with thecontemporary artists of the Parisian Avant-garde. In 1929 hefounded his own architectural office in Caracas, where he designedand realised many large buildings including the university campusin Caracas which consists of approximately 100 buildings; thelecture theatre with its curved white ceiling from which largecolored tiles from Calder are suspended is particularly remarkable.In addition he designed the Olympic stadium and housing estates.Villanueva's architecture combines the radical style of Modernismwith a dynamic and personal use of color and form. Concrete is muchin evidence in his work and he lays great value on allowing thestructural elements to become visible in expressive forms. Incooperation with Tanais Ediciones, Princeton Architectural Pressand Logos Art.
Cuando la gente se reúne para tomar una copa o un café y parabailar escoge el local bajo impulsos que tienen poco que ver con laconsumición que tomarán. La decoración del lugar, la música o, ensu defecto, el silencio y el ambiente que deviene a partir deltránsito de personas es lo que se rescata como imagenimperdurable.
EVERYTHING YOU NEEDTO KNOWABOUTCULTIVATING CACTI IN THE HOMEDETAILED DENTIFICATION OF 150 SPECIES INCLUDING INFORMATIVE SYMBOLS OVER 180 COLORPICTURES
The Editors of |LIFE America's favorite picture magazine,published a complete retrospective, organized chronologically andfilled with more than 150 photographs.
Back on the job after an involuntary leave of absence, LAPDhomicide detective Harry Bosch is ready for a challenge. But hisfirst case is a little more than he bargained for. It starts with the body of a Hollywood producer in the trunk of aRolls-Royce, shot twice in the head at close range - what lookslike "trunk music," a Mafia hit. But the LAPD's organized crimeunit is curiously uninterested, and when Harry follows a trail ofgambling debts to Las Vegas, the case suddenly becomes more complex- and much more personal. A rekindled romance with an old girlfriend opens new perspectiveson the murder, and he begins to glimpse a shocking triangle ofcorruption and collusion. Yanked off the case, Harry himself issoon the one being investigated. But only a bullet can stop Harrywhen he's searching for the truth . . .
数千年的农耕时代,在看似单调的百姓生活里,深藏着博大沉雄的文化因子。构成了绵延不断的历史信息链,无所不包地传递着中华民族心理的密码,编织出中侉民族所特有的审美追求和伟大的创造精神,至今仍闪烁着璀璨的光华,为当代文化提供着无尽的营养、彰明的昭示和有益的启迪。??????本书着眼于儿童成长的认知规律,在浩瀚的民间美术领域中,根据学科特点,选取了部分“中国民间吉祥纹样”作为美术教育资源之一,从中发掘出一些可被转换成具有现代审美价值和创造意味的美术教育形式,力求以丰富的文化知识内涵发儿童在“读图时代”中的感悟能力,使他们自幼在本民族特质文化的熏陶中,以文化自尊的态度去面对扑逆迷离的信息社会。此书的出版,无疑是对美术课程改革的一次突破性探索,为构建具有中国民族特色的少儿教育带来了许多有益的启
新媒介、新艺术和新图像被引入本书,与不同时代和多元文化的作品一起,诠释设计的基本知识。每一章都加入了新的内容。第二章和第三章增加了图形设计的新案例。第四章,介绍了当代艺术家的新作。第五章,以人类的脸为例,讨论了对称问题。第六章,用两张爵士乐海报阐述节奏的变化。第七章,新添了很多关于线的图例。第八章,从不同的艺术和设计原则出发,为我们提供了更多的视角。第九章,谈到艺术家是如何发现材料并且将它的纹理转换为装饰的。第十章,通过透视作品,比如达·芬奇未完成的绘画作品,以及弗兰克·劳埃德·赖特的图纸,呈现一场关于空间的讨论。第十一章,进一步将我们的讨论拓展到运动,比如卡地亚·布列松的“决定性时刻”,还有艾略特·巴纳森所制作的舞者的数字图像。第十二章,利用罗曼·欧帕尔卡的绘画作品,探索了我
British embroiderer Blackburn has taught creative embroideryfor many years and especially enjoys working with beginningstudents of the art. This book distills the content of her classesand is an ideal textbook for the aspiring embroiderer workingalone. Beginning with a chapter on simple stitches, she moves to"pure embroidery," which she defines as "the execution of neatstitching for the sake of the stitch, without the interruption ofadded fabrics or other techniques." Successive chapters coverJacobean embroidery (crewel work), cut work, shadow work, quilting,texture and manipulation, design and presentation, design sources,and free-machine embroidery. Especially interesting are thechapters on painting fabric and on using gardens as inspiration fordesigning original pieces. Ideas for learning projects abound andare illustrated most effectively in full-color photographs. Highlyrecommended for large public library and academic textilecollections. Copyright 2000 Reed Business Information, Inc.
In this beautiful book, Pulitzer Prize--winning musician andcomposer Wynton Marsalis draws upon lessons he's learned from alifetime in jazz-lessons that can help us all move to higherground. With wit and candor he demystifies the music that is thebirthright of every American and demonstrates how a realunderstanding of the central idea of jazz-the unique balancebetween self-expression and sacrifice for the common goodexemplified on the bandstand-can enrich every aspect of our lives,from the bedroom to the boardroom, from the schoolroom to CityHall. Along the way, Marsalis helps us understand the life-changingmessage of the blues, reveals secrets about playing-andlistening-and passes on wisdom he has gleaned from working withthree generations of great musicians. Illuminating and inspiring,Moving to Higher Ground is a master class on jazz and life,conducted by a brilliant American artist.
Pennington tells a terrific story of the rise and fallofornamental vegetable gardening between the seventeenth andnineteenth centuries, andits comeback in the twentieth. The allureof her book is in its seamless lamination ofscholarship and lucidnarrative. The cast of supporting characters is made up ofbothfamiliar figures (Thomas Jefferson, Alexander Pope, etc.) andobscure heroes of horticul-ture and landscape architecture.Captivating and inspiring, this book will appeal to anyonewho evertried to grow something and eat it."Dean MacCannell, author of TheTourist