新媒介、新艺术和新图像被引入本书，与不同时代和多元文化的作品一起，诠释设计的基本知识。每一章都加入了新的内容。第二章和第三章增加了图形设计的新案例。第四章，介绍了当代艺术家的新作。第五章，以人类的脸为例，讨论了对称问题。第六章，用两张爵士乐海报阐述节奏的变化。第七章，新添了很多关于线的图例。第八章，从不同的艺术和设计原则出发，为我们提供了更多的视角。第九章，谈到艺术家是如何发现材料并且将它的纹理转换为装饰的。第十章，通过透视作品，比如达·芬奇未完成的绘画作品，以及弗兰克·劳埃德·赖特的图纸，呈现一场关于空间的讨论。第十一章，进一步将我们的讨论拓展到运动，比如卡地亚·布列松的“决定性时刻”，还有艾略特·巴纳森所制作的舞者的数字图像。第十二章，利用罗曼·欧帕尔卡的绘画作品，探索了我

《中国美术院校教材：潘思同水彩画直观教材选》所介绍的是潘思同20世纪五、六十年代在浙江美术学院水彩画教学中使用的部分直观教材。所谓直观教材就是上课时的图示和示范作品。由于上课的教学时间有限，不可能在课堂里做大量示范，所以在每堂课上课之前，作为备课，潘思同都要针对一、二个问题，画一些直观教材，上面配备必要的文字说明，一方面为了节省时间，另一方面也为了取得视觉效果。在直观教材中，有些图本身就是独立的作品，因此，下课后学生常常争先恐后地拿去观摩、临摹。对这些直观教材，学生反应很好，有些青年教师也常借去作为参考。当时许多同行建议让这些教材印刷出版，但由于当时彩色印刷费用高昂，会大大提高书价，而且印刷质量也大有问题，如果采用黑白图版则大大削弱教材的直观效果，因而始终未能出版面世1993年，“

在艾利斯的请求之下，艾一行人前往艾利斯与蒂伊的故乡——欧斯提亚。那里是一个封闭的空间，无止尽地重复着十四年前的那一年。他们试图解开时间循环的怪圈，后来得知这个怪圈与一名学生的死有关。艾锲而不舍地追寻真相，没想到那名死去的学生竟然是……艾利斯渴望“外界”，艾与他有着同样的目标。而蒂伊尽管一直追随艾利斯的脚步，最后仍与他诀别——

With tender affection, Maitena points out the obsessions of today’s women. Hilarious. Her stories remind us of Woody Allen’s little tragedies and comedies and Bridget Jones’s subtle and sarcastic sense of humor.

Before his untimely death in 1982, Lester Bangs was inarguablythe most influential critic of rock and roll. Writing inhyper-intelligent Benzedrine prose that calls to mind Jack Kerouacand Hunter S. Thompson, he eschewed all conventional thinking as hediscussed everything from Black Sabbath being the first trulyCatholic band to Anne Murray’s smoldering sexuality. In Mainlines,Blood Feasts, Bad Taste fellow rock critic John Morthland hascompiled a companion volume to Psychotic Reactions and CarburetorDung, the first, now classic collection of Bangs’s work. Here areexcerpts from an autobiographical piece Bangs wrote as a teenager,travel essays, and, of course, the music pieces, essays, andcriticism covering everything from titans like Miles Davis, LouReed, and the Rolling Stones to esoteric musicians like Brian Enoand Captain Beefheart. Singularly entertaining, this book is anabsolute must for anyone interested in the history of rock.

The Editors of |LIFE America's favorite picture magazine,published a complete retrospective, organized chronologically andfilled with more than 150 photographs.

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With Peter Jackson's Acadamy Award-winning epic motion picture trilogy drawing to a spectacular and triumphant close, Gary Russell's detailed research takes us back into the world of Middle-earth, to relive all the visual drama and excitement of The Return of the King. The Art of The Return of the King illustrates the creative development of the film from sketch to special effect and features 600 images, most appearing nowhere else. This fully authorized book includes pencil sketches by Alan Lee and John Howe, costume designes by Ngila Dickson, magnificent full-color paintings by Jeremy Bennett, and prop designs, concepts, sculptures and digital artwork from Weta Workshop and Weta Digital. From Minas Tirith to Mount Doom, from the Army of the Dead to Shelob the monstrous spider, all the spectacular landscapes, characters and creatures are covered in stunning detail, including concepts that did not make it into the final film. To accompany this wealth of imagery, detailed and informative commentari

In this compelling book, Robert Coles, the celebrated Harvardprofessor and Pulitzer Prize–winning author, turns his attention topopular music legend Bruce Springsteen, and to the powerful impactSpringsteen’s work has had both on the lives of his audience and onthis country’s literary tradition. Coles places Springsteen in thepantheon of American artists—Walt Whitman, William Carlos Williams,Dorothea Lange, and Walker Percy, among others—who understood andwere inspired by their “traveling companions in time,” the ordinarypeople of their eras. With wisdom and a unique personal perspective, Coles exploresSpringsteen’s words as contemporary American poetry, and offersfirsthand accounts of how people interact with them: A truckerlistens to “Blinded by the Light” during long, lonely nights andreminisces about his mother; a schoolteacher is astonished when ausually silent student offers a comparison between “Nebraska” andConrad’s Heart of Darkness; a policeman responds to “Am

In this beautiful book, Pulitzer Prize--winning musician andcomposer Wynton Marsalis draws upon lessons he's learned from alifetime in jazz-lessons that can help us all move to higherground. With wit and candor he demystifies the music that is thebirthright of every American and demonstrates how a realunderstanding of the central idea of jazz-the unique balancebetween self-expression and sacrifice for the common goodexemplified on the bandstand-can enrich every aspect of our lives,from the bedroom to the boardroom, from the schoolroom to CityHall. Along the way, Marsalis helps us understand the life-changingmessage of the blues, reveals secrets about playing-andlistening-and passes on wisdom he has gleaned from working withthree generations of great musicians. Illuminating and inspiring,Moving to Higher Ground is a master class on jazz and life,conducted by a brilliant American artist.

Hirshenson and Jenkins got their start casting for Francis Ford Coppola's Zoetrope Studios. When the studio went bust, they opened their own office, the Casting Company, and their book reminisces about the many films they've cast, including Harry Potter and A Beautiful Mind; the actors they've discovered, such as Tom Cruise, Leonardo DiCaprio and Scarlett Johansson; and some of the A-list directors, like Ron Howard and Steven Spielberg, who hired them. Given the authors' credentials (they have been casting partners since 1981), consider the advice they offer blue-chip. They cover everything from how to handle a call-back to telling actors to send head shots "that actually look like you." Most important, never take anything personally. A great audition doesn't always translate into a role: there are many factors that determine the final decision, such as chemistry, preference and competition. These veteran insiders have a passion for casting major motion pictures, and they use meetings with famous people to il

Breaking up is hard to do - and when a relationship turnssour, nothing provides more comfort than the cheesy pop hits of the'70s and '80s. Just as Quirk's I Can't Fight This Feeling was ananthology of classic love poetry, You Give Love a Bad Name featurespoetic writings on breaking up - and moving on - from The Bee Gees,Michael Bolton, Pat Benatar, Hall and Oates, and many others.Packaged in an elegant hardcover volume with a deluxe ribbonmarker, it's the perfect gift for anyone seeking to mend a brokenheart. Includes these timeless classics: - Is She Really Going Out with Him? - Joe Jackson - She's Gone - Hall and Oates - Cold Hearted - Paula Abdul - Alone - Heart - Goodbye to You - Scandal

Clubs by their definition offer 'exclusivity': to be a member ofa club you have to meet the selected criteria, whatever that mightbe. The image of a club becomes the key to how its members identifywith it - be it the relaxed wholesome logos of health clubs; or thesleek aerodynamic images found in business-class airline lounges.This issue of AD sets out to examine how architects and interiordesigners effectively use the physical spaces of clubs to enforceimages of exclusivity and collective belonging. Traditionalgentlemen's clubs are looked at alongside a new generation ofsports, media, commercial and night clubs that are springing upacross the world. It also features interviews with Nigel Coates andDavid Adjaye.

You won t find poems by Emily Dickinson or Robert Browning inthis anthology but you will find heartfelt verse from suchluminaries as Olivia Newton-John, REO Speedwagon, Axl Rose, BarryWhite, The Partridge Family, and many others. I Can t Fight ThisFeeling showcases their most passionate lyrics in an eleganthardcover volume, with classy paper stock and a deluxe ribbonmarker. It s the perfect Valentine s Day gift for music-lovers anda literary heirloom that your family will cherish for generations.Includes these timeless classics: Hot Stuff Donna Sumer The Lady inRed Chris DeBurgh I Honestly Love You Olivia Newton-John MorningTrain Sheena Easton Bad Medicine Bon Jovi and many, many more!

British embroiderer Blackburn has taught creative embroideryfor many years and especially enjoys working with beginningstudents of the art. This book distills the content of her classesand is an ideal textbook for the aspiring embroiderer workingalone. Beginning with a chapter on simple stitches, she moves to"pure embroidery," which she defines as "the execution of neatstitching for the sake of the stitch, without the interruption ofadded fabrics or other techniques." Successive chapters coverJacobean embroidery (crewel work), cut work, shadow work, quilting,texture and manipulation, design and presentation, design sources,and free-machine embroidery. Especially interesting are thechapters on painting fabric and on using gardens as inspiration fordesigning original pieces. Ideas for learning projects abound andare illustrated most effectively in full-color photographs. Highlyrecommended for large public library and academic textilecollections. Copyright 2000 Reed Business Information, Inc.

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PAUL C?ZANNE (1839-1906) is an important figure in the progressof modern European painting. In his dedicated concern with form andstructure, he stands apart from the mainstream of Impressionistpainting, extending its range into a new art of visualanalysis. Cézanne, sensitive and shy, shunned the Parisian café society ofhis fellow artists, preferring to live and work alone in his nativeProvence which provided the inspiration for so many of hispaintings. Less immediately appealing to a wider audience than, forexample, Monet and Degas, Cézanne is nonetheless of immenseimportance through the influence he exerted on so many of theartists who followed him, such as Picasso and Matisse. Blessed with financial independence through the efforts of hisbanker father, he fortunately enjoyed a freedom to pursue his artwithout the demands of making a living felt by so many of hisfellow artists.

John M. Gottman ha revolucionado el estudio del matrimonioutilizando procesos rigurosamente científicos para la observaciónde los hábitos de las parejas a través de muchos a?os en un detallesin precedentes. Aquí está la culminación de una vida de trabajo:los siete principios que guían a las parejas en el camino haciarelaciones duraderas y armoniosas. Directo en su método, pero a lavez profundo en sus resultados, estos principios ense?an asombrosasnuevas estrategias para hacer que el matrimonio funcione. Gottmanayuda a las parejas a concentrarse el uno en el otro, a prestaratención al día a día y a los peque?os detalles que, puestosjuntos, forman el corazón y el alma de cualquier relación.Acompa?ado de ejercicios y cuestionarios prácticos Los sieteprincipios para hacer que el matrimonio funcione es la guíadefinitiva para cualquiera que quiera que su relación alcance sumáximo potencial.

Rem Koolhaas (Rotterdam,1944)studied architecture at the AA in London--where he went on tobecome a lecturer--and at the IAUS in New York, during PeterEisenman's time there. Koolhaas has always been connected with thetheory of architecture, as lecturer at the innovative AA, as aspeaker, and with his published work: Delirious New York, aretrospective manifesto for Manhattan (1978) and the recent S, M,L, XL (1995). In 1972 Koolhaas set up the OMA (Office forMetropolitan Architecture), whose name clearly expresses theplanning intentions of the team, comprising Koolhaas, Elia and ZoeZenghelis, and Madelon Vriessendorp.

A New York Times Book Review Editor's Pick Long before "women in rock" became a media catchphrase, AfricanAmerican guitar virtuoso Rosetta Tharpe proved in spectacularfashion that women could rock. Born in Cotton Plant, Arkansas, in1915, Tharpe was gospel's first superstar and the preeminentcrossover figure of its golden age (1945–1965). Shout, Sister, Shout! is the first biography of this trailblazingperformer who influenced scores of popular musicians, from ElvisPresley and Little Richard to Eric Clapton and Etta James. Tharpewas raised in the Pentecostal Church, steeped in the gospeltradition, but she produced music that crossed boundaries, defiedclassification, and disregarded the social and cultural norms ofthe age; incorporating elements of gospel, blues, jazz, popularballads, folk, country, rhythm and blues, and rock and roll. Tharpewent electric early on, captivating both white and black audiencesin the North and South, in the U.S. and internationally, with hercharisma and skill.