Paris. The name alone conjures images of chestnut-linedboulevards, sidewalk cafés, breathtaking fa?ades around everycorner--in short, an exquisite romanticism that has captured theAmerican imagination for as long as there have beenAmericans. In 1995, Adam Gopnik, his wife, and their infant son left thefamiliar comforts and hassles of New York City for the urbaneglamour of the City of Light. Gopnik is a longtime New Yorkerwriter, and the magazine has sent its writers to Paris fordecades--but his was above all a personal pilgrimage to the placethat had for so long been the undisputed capital of everythingcultural and beautiful. It was also the opportunity to raise achild who would know what it was to romp in the Luxembourg Gardens,to enjoy a croque monsieur in a Left Bank café--a child (andperhaps a father, too) who would have a grasp of that Parisiansense of style we Americans find so elusive. So, in the grand tradition of the American abroad, Gopnik walkedthe paths of the Tuileries, enjoy

Emily Dickinson, probably the most loved and certainly the greatest of American poets, continues to be seen as the most elusive. One reason she has become a timeless icon of mystery for many readers is that her developmental phases have not been clarified. In this exhaustively researched biography, Alfred Habegger presents the first thorough account of Dickinson s growth a richly contextualized story of genius in the process of formation and then in the act of overwhelming production.

In this self-portrait by an American genius, Kurt Vonnegutwrites with beguiling wit and poignant wisdom about his favoritecomedians, country music, a dead friend, a dead marriage, andvarious cockamamie aspects of his all-too-human journey throughlife. This is a work that resonates with Vonnegut’s singular voice:the magic sound of a born storyteller mesmerizing us withtruth.

As a child in German-occupied Poland, Roma Ligocka was known forthe bright strawberry-red coat she wore against a tide of gatheringdarkness. Fifty years later, Roma, an artist living in Germany,attended a screening of Steven Spielberg’s Schindler’s List, andinstantly knew that “the girl in the red coat”—the only splash ofcolor in the film—was her. Thus began a harrowing journey into thepast, as Roma Ligocka sought to reclaim her life and put togetherthe pieces of a shattered childhood. The result is this remarkable memoir, a fifty-year chronicle ofsurvival and its aftermath. With brutal honesty, Ligocka recollectsa childhood at the heart of evil: the flashing black boots, thesudden executions, her mother weeping, her father vanished…then herown harrowing escape and the strange twists of fate that allowedher to live on into the haunted years after the war. Powerful,lyrical, and unique among Holocaust memoirs, The Girl in the RedCoat eloquently explores the power of evil to twist our liveslong

When he was 4 years old, spurred by insatiable curiosity andthe beat of a marching drum, Wole Soyinka slipped silently throughthe gate of his parents' yard and followed a police band to adistant village. This was his first journey beyond Aké, Nigeria,and reading his account is akin to witnessing a child'sepiphany: The parsonage wall had vanished forever but it no longermattered. Those token bits and pieces of Aké which had entered ourhome on occasions, or which gave off hints of their nature in thoseSunday encounters at church, were beginning to emerge in theirproper shapes and sizes. He returned, perched upon the handlebars of a policeman'sbicycle, "markedly different from whatever I was before the march."The reader's horizons feel similarly expanded after finishing thisastonishing book. Nobel laureate Soyinka is a prolific playwright, poet, novelist,and critic, but seems to have found his purest voice as anautobiographer. Aké: The Years of Childhood is a memoir of st

One climbed to the very top of the social ladder, the otherchose to live among tramps. One was a celebrity at twenty-three,the other virtually unknown until his dying days. One wasright-wing and religious, the other a socialist and an atheist.Yet, as this ingenious and important new book reveals, at the heartof their lives and writing, Evelyn Waugh and George Orwell wereessentially the same man. Orwell is best known for "Animal Farm"and "1984," Waugh for "Brideshead Revisited" and comic novels like"Scoop" and "Vile Bodies." How ever different they may seem, thesetwo towering figures of twentieth-century literature are linked forthe first time in this engaging and unconventional biography, whichgoes beyond the story of their amazing lives to reach the core oftheir beliefs-a shared vision that was startlingly prescient aboutour own troubled times. Both Waugh and Orwell were born in 1903,into the same comfortable stratum of England's class-obsessedsociety. But at first glance they seem to have lived

From Hermione Lee, the internationally acclaimed, award-winningbiographer of Virginia Woolf and Willa Cather , comesa superb reexamination of one of the most famous American women ofletters. Delving into heretofore untapped sources, Lee does away with theimage of the snobbish bluestocking and gives us a new EdithWharton-tough, startlingly modern, as brilliant and complex as herfiction. Born into a wealthy family, Wharton left America as anadult and eventually chose to create a life in France. Her renownednovels and stories have become classics of American literature, butas Lee shows, Wharton's own life, filled with success and scandal,was as intriguing as those of her heroines. Bridging two centuriesand two very different sensibilities, Wharton here comes to life inthe skillful hands of one of the great literary biographers of ourtime.

“Christopher Hogwood came home on my lap in a shoebox. He wasa creature who would prove in many ways to be more human than Iam.” –from The Good Good Pig A naturalist who spent months at a time living on her own amongwild creatures in remote jungles, Sy Montgomery had always feltmore comfortable with animals than with people. So she gladlyopened her heart to a sick piglet who had been crowded away fromnourishing meals by his stronger siblings. Yet Sy had no inklingthat this piglet, later named Christopher Hogwood, would not onlysurvive but flourish–and she soon found herself engaged with hersmall-town community in ways she had never dreamed possible.Unexpectedly, Christopher provided this peripatetic traveler withsomething she had sought all her life: an anchor (eventuallyweighing 750 pounds) to family and home. The Good Good Pig celebrates Christopher Hogwood in all hisglory, from his inauspicious infancy to hog heaven in rural NewHampshire, where his boundless zest for life a

Extraordinary. A brilliant, painful, and important book. THE NEW YORK TIMES If there was any one man who articulated the anger, the struggle,and the beliefs of African Americans in the 1960s, that man wasMalcolm X. His AUTOBIOGRAPHY is the result of a uniquecollaboration between Alex Haley and Malcolm X, whose voice andphilosophy resonate from every page, just as his experience and hisintelligence continue to speak to millions.

Translated by Audie E. Bock. "A first rate book and a joy to read.... It's doubtful that acomplete understanding of the director's artistry can be obtainedwithout reading this book.... Also indispensable for buddingdirectors are the addenda, in which Kurosawa lays out his beliefson the primacy of a good *, on *writing as an essentialtool for directors, on directing actors, on camera placement, andon the value of steeping oneself in literature, from great novelsto detective fiction." -- Variety "For the lover of Kurosawa's movies...this is nothing short of mustreading...a fitting companion piece to his many dynamic andabsorbing screen entertainments." -- Washington Post Book World

Barbara Leaming's Marilyn Monroe is a complex, sympatheticportrait that will forever change the way we view the most enduringicon of America sexuality. To those who think they have heard allthere is to hear about Marilyn Monroe, think again. Leaming's booktells a brand-new tale of sexual, psychological, and politicalintrigue of the highest order. Told for the first time in all itscomplexity, this is a compelling portrait of a woman at the centerof a drama with immensely high stakes, a drama in which the otherplayers are some of the most fascinating characters from the worldsof movies, theater, and politics. It is a book that shines a brightlight on one of the most tumultuous, frightening, and excitingperiods in American culture. Basing her research on new interviews and on thousands of primarydocuments--including revealing letters by Arthur Miller, EliaKazan, John Huston, Laurence Olivier, Tennessee Williams, DarrylZanuck, Marilyn's psychiatrist Dr. Ralph Greenson, and manyothers--Leaming has rec

Based on ten years' astonishing new research, here is thethrilling story of how a charismatic, dangerous boy became astudent priest, romantic poet, gangster mastermind, prolific lover,murderous revolutionary, and the merciless politician who shapedthe Soviet Empire in his own brutal image: How Stalin becameStalin.

A writer renowned for his insight into the mysteries of the bodynow gives us a lambent and profoundly moving book about themysteries of family. At its center lies Sherwin Nuland’sRembrandtesque portrait of his father, Meyer Nudelman, a Jewishgarment worker who came to America in the early years of the lastcentury but remained an eternal outsider. Awkward in speech andmovement, broken by the premature deaths of a wife and child, Meyerruled his youngest son with a regime of rage, dependency, andhelpless love that outlasted his death. In evoking their relationship, Nuland also summons up the warmthand claustrophobia of a vanished immigrant New York, a world thatimpelled its children toward success yet made them feel liketraitors for leaving it behind. Full of feeling and unwaveringobservation, Lost in America deserves a place alongside suchclassics as Patrimony and Call It Sleep .

The Outsider is an unsentimental yet profoundly moving look atone family’s experience with mental illness. In 1978, CharlesLachenmeyer was a happily married professor of sociology who livedin the New York suburbs with his wife and nine-year-old son,Nathaniel. But within a few short years, schizophrenia–adevastating mental illness with no known cure–would cost himeverything: his sanity, his career, his family, even the roof overhis head. Upon learning of his father’s death in 1995, Nathanielset out to search for the truth behind his father’s haunted,solitary existence. Rich in imagery and poignant symbolism, TheOutsider is a beautifully written memoir of a father’s struggle tosurvive with dignity, and a son’s struggle to know the father helost to schizophrenia long before he finally lost him todeath. The Outsider is a recipient of the Kenneth Johnson MemorialResearch Library Book Award and is the winner of the 2000 Bell ofHope Award, presented annually by the Mental Health Associatio

The first account—prodigiously researched, richly detailed—ofthe last remarkable twenty-five years of the life and art of one ofAmerica’s greatest and most beloved musical icons. Much has been written about Louis Armstrong, but most of itfocuses on the early and middle stages of his long career. Now,Ricky Riccardi—jazz scholar and musician—takes an in-depth look atthe years in which Armstrong was often dismissed as a buffoon?ish,if popular, entertainer, and shows us instead the inventiveness anddepth of expression that his music evinced during this time. These are the years (from after World War II until his death in1971) when Armstrong entertained crowds around the world andrecorded his highest-charting hits, including “Mack the Knife” and“Hello, Dolly”; years when he collaborated with, among others, EllaFitzgerald, Duke Ellington, and Dave Brubeck; when he recorded withstrings and big bands, and, of course, with the All-Stars, hisprimary performing ensemble for more than

The first African to receive the Nobel Prize in Literature, aswell as a political activist of prodigious energies, Wole Soyinkanow follows his modern classic Ake: The Years of Childhood with anequally important chronicle of his turbulent life as an adult in(and in exile from) his beloved, beleaguered homeland. In the tough, humane, and lyrical language that has typified hisplays and novels, Soyinka captures the indomitable spirit ofNigeria itself by bringing to life the friends and family whobolstered and inspired him, and by describing the pioneeringtheater works that defied censure and tradition. Soyinka not onlyrecounts his exile and the terrible reign of General Sani Abacha,but shares vivid memories and playful anecdotes–including hisimprobable friendship with a prominent Nigerian businessman and thetime he smuggled a frozen wildcat into America so that his studentscould experience a proper Nigerian barbecue. More than a major figure in the world of literature, Wole Soyinkais a courag

The author tells the story as told to him of Anne Hobbs, awoman who went to Alaska in the 1920's to teach, but who hadtrouble due to her kindness to the Indians there.

He squared off against Caesar and was friends with youngBrutus. He advised the legendary Pompey on his somewhat botchedtransition from military hero to politician. He lambasted MarkAntony and was master of the smear campaign, as feared for his witas he was for exposing his opponents? sexual peccadilloes.Brilliant, voluble, cranky, a genius of political manipulation butalso a true patriot and idealist, Cicero was Rome?s most fearedpolitician, one of the greatest lawyers and statesmen of all times.Machiavelli, Queen Elizabeth, John Adams and Winston Churchill allstudied his example. No man has loomed larger in the politicalhistory of mankind. In this dynamic and engaging biography, Anthony Everittplunges us into the fascinating, scandal-ridden world of ancientRome in its most glorious heyday. Accessible to us through hislegendary speeches but also through an unrivaled collection ofunguarded letters to his close friend Atticus, Cicero comes to lifein these pages as a witty and cunning political ope

With the utterance of a single line—“Doctor Livingstone, Ipresume?”—a remote meeting in the heart of Africa was transformedinto one of the most famous encounters in exploration history. Butthe true story behind Dr. David Livingstone and journalist HenryMorton Stanley is one that has escaped telling. Into Africa is anextraordinarily researched account of a thrilling adventure—definedby alarming foolishness, intense courage, and raw humanachievement. In the mid-1860s, exploration had reached a plateau. The seasand continents had been mapped, the globe circumnavigated. Yet onevexing puzzle remained unsolved: what was the source of the mightyNile river? Aiming to settle the mystery once and for all, GreatBritain called upon its legendary explorer, Dr. David Livingstone,who had spent years in Africa as a missionary. In March 1866,Livingstone steered a massive expedition into the heart of Africa.In his path lay nearly impenetrable, uncharted terrain, hostilecannibals, and deadly predators. W

Starred Review. With this massive opus, veteran musicjournalist Spitz (Dylan: A Biography) tells the definitive story ofthe band that sparked a cultural revolution. Calling on books,articles, radio programs and primary interviews, Spitz follows theband from each member's family origins in working-class Liverpoolto the band's agonizing final days. Spitz's unflinching biographyreveals that not only did the Beatles pioneer a new era of rock butthey also were on the cutting edge of rock star excess, from their1961 amphetamine-fueled sets in the clubs of Hamburg to theireventual appetites for stronger drugs, including marijuana, LSD,cocaine and, eventually for John Lennon, heroin. Sex was also partof the equation; in 1962, when the band cut its first audition forSir George Martin, all four members had a venereal disease, andboth John's and Paul McCartney's girlfriends were pregnant. Spitzdetails the tangled web of bad business deals that flowed fromnovice manager Brian Epstein (though the heavily conflicted

“Number One” was a phrase my father—and, for that matter, mymother—repeated time and time again. It was a phrase spoken by myparents’ friends and by their friends’ children. Whenever adultsdiscussed the great Chinese painters and sculptors from the ancientdynasties, there was always a single artist named as Number One.There was the Number One leader of a manufacturing plant, theNumber One worker, the Number One scientist, the Number One carmechanic. In the culture of my childhood, being best waseverything. It was the goal that drove us, the motivation that gavelife meaning. And if, by chance or fate or the blessings of thegenerous universe, you were a child in whom talent was evident,Number One became your mantra. It became mine. I never begged myparents to take off the pressure. I accepted it; I even enjoyed it.It was a game, this contest among aspiring pianists, and although Imay have been shy, I was bold, even at age five, when faced with afield of rivals. Born in China to parents whose mu

In this fascinating and meticulously researched book,bestselling historian Arthur Herman sheds new light on two of themost universally recognizable icons of the twentieth century, andreveals how their forty-year rivalry sealed the fate of India andthe British Empire. They were born worlds apart: Winston Churchill to Britain’s mostglamorous aristocratic family, Mohandas Gandhi to a piousmiddle-class household in a provincial town in India. Yet ArthurHerman reveals how their lives and careers became intertwined asthe twentieth century unfolded. Both men would go on to lead theirnations through harrowing trials and two world wars—and becomelocked in a fierce contest of wills that would decide the fates ofcountries, continents, and ultimately an empire. Here is a sweepingepic with a fascinating supporting cast, and a brilliant narrativeparable of two men whose great successes were always haunted bypersonal failure—and whose final moments of triumph wereovershadowed by the loss of what they held

V. S. Naipaul has always faced the challenges of "fitting onecivilization to another." In A Writer's People , he takes usinto this process of creative and intellectual assimilation, whichhas shaped both his writing and his life. Naipaul discussesthe writers to whom he was exposed early on—Derek Walcott, GustaveFlaubert, and his father, among them—and his first encounters withliterary culture. He illuminates the ways in which the writings ofGandhi, Nehru, and other Indian writers both reveal and conceal theauthors themselves and their nation. And he brings the samescrutiny to bear on his own life: his early years in Trinidad; theempty spaces in his family history; his ever-evolving reactions tothe more complicated India he would encounter for the first time atage thirty.