Here is the most important autobiography from RenaissanceItaly and one of the most spirited and colorful from any time orplace, in a translation widely recognized as the most faithful tothe energy and spirit of the original. Benvenuto Cellini was both a beloved artist in sixteenth-centuryFlorence and a passionate and temperamental man of action who wascapable of brawling, theft, and murder. He counted popes,cardinals, kings, and dukes among his patrons and was the adoringfriend of—as he described them—the “divine” Michelangelo and the“marvelous” Titian, but was as well known for his violent feuds. Atage twenty-seven he helped defend the Castel Sant’Angelo in Rome,and his account of his imprisonment there (under a mad castellanwho thought he was a bat), his escape, recapture, and confinementin “a cell of tarantulas and venomous worms” is an adventure equalto any other in fact or fiction. But it is only one in a long lifelived on a grand scale. Cellini’s autobiography is n

The extraordinary story of Andrew Jackson—the colorful,dynamic, and forceful president who ushered in the Age of Democracyand set a still young America on its path to greatness—told by thebestselling author of The First American. The most famous American of his time, Andrew Jackson is a seminalfigure in American history. The first “common man” to rise to thepresidency, Jackson embodied the spirit and the vision of theemerging American nation; the term “Jacksonian democracy” isembedded in our national lexicon. With the sweep, passion, and attention to detail that made TheFirst American a Pulitzer Prize finalist and a national bestseller,historian H.W. Brands shapes a historical narrative that’s asfast-paced and compelling as the best fiction. He follows AndrewJackson from his days as rebellious youth, risking execution tofree the Carolinas of the British during the Revolutionary War, tohis years as a young lawyer and congressman from the newly settledfrontier state of Tennessee

This volume provides a systematic overview and comprehensiveassessment of Bernard Williams' contribution to moral philosophy, afield in which Williams was one of the most influential ofcontemporary philosophers. The seven essays, which were speciallycommissioned for this volume, examine his work on moralobjectivity, the nature of practical reason, moral emotion, thecritique of the 'morality system', Williams' assessment of theethical thought of the ancient world, and his later adoption ofNietzsche's method of 'genealogy'. Collectively, the essays notonly engage with Williams' work, but also develop independentphilosophical arguments in connection with those topics that have,over the last thirty years, particularly reflected Williams'influence.

The first dual biography of two of the world’s most remarkablewomen—Elizabeth I of England and Mary Queen of Scots—by one ofBritain’s “best biographers” ( The Sunday Times ). In a rich and riveting narrative, Jane Dunn reveals theextraordinary rivalry between the regal cousins. It is the story oftwo queens ruling on one island, each with a claim to the throne ofEngland, each embodying dramatically opposing qualities ofcharacter, ideals of womanliness (and views of sexuality) anddivinely ordained kingship. As regnant queens in an overwhelmingly masculine world, they weredeplored for their femaleness, compared unfavorably with each otherand courted by the same men. By placing their dynamic andever-changing relationship at the center of the book, Dunnilluminates their differences. Elizabeth, inheriting a weak,divided country coveted by all the Catholic monarchs of Europe, isrevolutionary in her insistence on ruling alone and inspired in heruse of celibacy as a political tool—yet also possessed of

“If my story were ever to be written down truthfully fromstart to finish, it would amaze everyone,” wrote Henri Matisse. Itis hard to believe today that Matisse, whose exhibitions draw hugecrowds worldwide, was once almost universally reviled andridiculed. His response was neither to protest nor to retreat; hesimply pushed on from one innovation to the next, and left theworld to draw its own conclusions. Unfortunately, these weregenerally false and often damaging. Throughout his life andafterward people fantasized about his models and circulatedbaseless fabrications about his private life. Fifty years after his death, Matisse the Master (the second halfof the biography that began with the acclaimed The Unknown Matisse)shows us the painter as he saw himself. With unprecedented andunrestricted access to his voluminous family correspondence, andother new material in private archives, Hilary Spurling documents alifetime of desperation and self-doubt exacerbated by Matisse’sattempts to counterac

One climbed to the very top of the social ladder, the otherchose to live among tramps. One was a celebrity at twenty-three,the other virtually unknown until his dying days. One wasright-wing and religious, the other a socialist and an atheist.Yet, as this ingenious and important new book reveals, at the heartof their lives and writing, Evelyn Waugh and George Orwell wereessentially the same man. Orwell is best known for "Animal Farm"and "1984," Waugh for "Brideshead Revisited" and comic novels like"Scoop" and "Vile Bodies." How ever different they may seem, thesetwo towering figures of twentieth-century literature are linked forthe first time in this engaging and unconventional biography, whichgoes beyond the story of their amazing lives to reach the core oftheir beliefs-a shared vision that was startlingly prescient aboutour own troubled times. Both Waugh and Orwell were born in 1903,into the same comfortable stratum of England's class-obsessedsociety. But at first glance they seem to have lived

Henri Matisse is one of the masters of twentieth-century artand a household word to millions of people who find joy and meaningin his light-filled, colorful images--yet, despite all the booksdevoted to his work, the man himself has remained a mystery. Now,in the hands of the superb biographer Hilary Spurling, the unknownMatisse becomes visible at last. Matisse was born into a family of shopkeepers in 1869, in agloomy textile town in the north of France. His environment wasbrightened only by the sumptuous fabrics produced by the localweavers--magnificent brocades and silks that offered Matisse hisfirst vision of light and color, and which later became a familiarmotif in his paintings. He did not find his artistic vocation untilafter leaving school, when he struggled for years with his father,who wanted him to take over the family seed-store. Escaping toParis, where he was scorned by the French art establishment,Matisse lived for fifteen years in great poverty--an ordeal heshared with other young a

An enraged man abducts his estranged wife and child, holes upin a secluded mountain cabin, threatening to kill them both. Aright wing survivalist amasses a cache of weapons and resists callsto surrender. A drug trafficker barricades himself and his familyin a railroad car, and begins shooting. A cult leader in Waco,Texas faces the FBI in an armed stand-off that leaves many dead ina fiery blaze. A sniper, claiming to be God, terrorizes the DCmetropolitan area. For most of us, these are events we hear abouton the news. For Gary Noesner, head of the FBI’s groundbreakingCrisis Negotiation Unit, it was just another day on the job. In Stalling for Time, Noesner takes readers on a heart-poundingtour through many of the most famous hostage crises of the pastthirty years. Specially trained in non-violent confrontation andcommunication techniques, Noesner’s unit successfully defused manypotentially volatile standoffs, but perhaps their most hard-wonvictory was earning the recognition and respect of the

As he magnificently combines meticulous scholarship withirresistible narrative appeal, Richardson draws on his closefriendship with Picasso, his own diaries, the collaboration ofPicasso's widow Jacqueline, and unprecedented access to Picasso'sstudio and papers to arrive at a profound understanding of theartist and his work. 800 photos.

From Hermione Lee, the internationally acclaimed, award-winningbiographer of Virginia Woolf and Willa Cather , comesa superb reexamination of one of the most famous American women ofletters. Delving into heretofore untapped sources, Lee does away with theimage of the snobbish bluestocking and gives us a new EdithWharton-tough, startlingly modern, as brilliant and complex as herfiction. Born into a wealthy family, Wharton left America as anadult and eventually chose to create a life in France. Her renownednovels and stories have become classics of American literature, butas Lee shows, Wharton's own life, filled with success and scandal,was as intriguing as those of her heroines. Bridging two centuriesand two very different sensibilities, Wharton here comes to life inthe skillful hands of one of the great literary biographers of ourtime.

The first account—prodigiously researched, richly detailed—ofthe last remarkable twenty-five years of the life and art of one ofAmerica’s greatest and most beloved musical icons. Much has been written about Louis Armstrong, but most of itfocuses on the early and middle stages of his long career. Now,Ricky Riccardi—jazz scholar and musician—takes an in-depth look atthe years in which Armstrong was often dismissed as a buffoon?ish,if popular, entertainer, and shows us instead the inventiveness anddepth of expression that his music evinced during this time. These are the years (from after World War II until his death in1971) when Armstrong entertained crowds around the world andrecorded his highest-charting hits, including “Mack the Knife” and“Hello, Dolly”; years when he collaborated with, among others, EllaFitzgerald, Duke Ellington, and Dave Brubeck; when he recorded withstrings and big bands, and, of course, with the All-Stars, hisprimary performing ensemble for more than

This major study of the composer's life and work follows thecourse of Bach's career in rich detail - from his humble beginningsas an organ tuner and self-taught musician, to his role asKapellmeister and cantor of St. Thomas' Church in Leipzig. Itexplores Bach's relations with the German aristocracy, the Churchand contemporary theological debates, his perfectionism, and hisrole as the devoted head of a large family. The author alsocarefully analyses Bach's innovations in harmony and counterpoint,placing them in the context of European musical and socialhistory.

Michael Jackson: The Making of "Thriller" is an illustratedtribute to the King of Pop and his groundbreaking music video, withnever-before-seen photos of its creation. The book features over200 exclusive, behind-the-scenes photographs of the artist on setduring the 1983 production of the Grammy award winning videodirected by John Landis. Considered to be the most successful project of all time,"Thriller" is beloved the world over, inspiring imitation and acult-like following of millions of fans. Documenting the creationof the most popular and iconic music video of all time, this bookcelebrates the artist and his music at the top of his career. Famed photographer Douglas Kirkland and journalist Nancy Griffinwere the only members of the media allowed on the set of the video.The resulting photos capture Jackson both in high performance modeand relaxing on the set and depict his transformation into thecharacters in the video as well capturing the public and privatefaces of Michael Jackson.

He was a brilliant teller of tales, one of the most widelyread authors of the twentieth century, and at one time the mostfamous writer in the world, yet W. Somerset Maugham’s own truestory has never been fully told. At last, the fascinating truth isrevealed in a landmark biography by the award-winning writer SelinaHastings. Granted unprecedented access to Maugham’s personalcorrespondence and to newly uncovered interviews with his onlychild, Hastings portrays the secret loves, betrayals, integrity,and passion that inspired Maugham to create such classics as TheRazor’s Edge and Of Human Bondage. Hastings vividly presents Maugham’s lonely childhood spentwith unloving relatives after the death of his parents, a traumathat resulted in shyness, a stammer, and for the rest of his lifean urgent need for physical tenderness. Here, too, are his adulttriumphs on the stage and page, works that allowed him a glitteringsocial life in which he befriended and sometimes fell out with suchluminaries as Do

An inspiring story of one doctor’s struggle in a war-tornvillage in the heart of Sudan In 2007, James Maskalyk, newly recruited byDoctors Without Borders, set out for the contested border town ofAbyei, Sudan. An emergency physician drawn to the ravaged parts ofthe world, Maskalyk spent six months treating malnourishedchildren, coping with a measles epidemic, watching for war, andstruggling to meet overwhelming needs with few resources. Six Months in Sudan began as a blog thatMaskalyk wrote from his hut in Sudan in an attempt to bring hisfamily and friends closer to his experiences on the medical frontline of one of the poorest and most fragile places on earth. It isthe story of the doctors, nurses, and countless volunteers wholeave their homes behind to ease the suffering of others, and it isthe story of the people of Abyei, who endure its hardship becauseit is the only home they have. A memoir of volunteerism that recalls Three Cupsof Tea, Six Months in Sudan is written with humanity, convicti

Now in paperback: the third volume of John Richardson’smagisterial Life of Picasso. Here is Picasso at the height of his powers in Rome and Naples,producing the sets and costumes with Cocteau for Diaghilev’sBallets Russes, and visiting Pompei where the antique statuary fuelhis obsession with classicism; in Paris, creating some of his mostimportant sculpture and painting as part of a group that includedBraque, Apollinaire, Miró, and Breton; spending summers in theSouth of France in the company of Gerald and Sara Murphy,Hemingway, and Fitzgerald. These are the years of his marriage tothe Russian ballerina Olga Khokhlova—the mother of his onlylegitimate child, Paulo—and of his passionate affair withMarie-Thérèse Walter, who was, as well, his model and muse. A groundbreaking contribution to our understanding of one of thegreatest artists of the twentieth century.

In The Cubist Rebel, 1907–1916 , the second volume of his Life of Picasso , John Richardson reveals the young Picassoin the Baudelairean role of “the painter of modern life”—a rolethat stipulated the brothel as the noblest subject for a modernartist. Hence his great breakthrough painting, Les Demoisellesd’Avignon , with which this book opens. As well as portrayingPicasso as a revolutionary, Richardson analyzes the morecompassionate side of his genius. The misogynist of posthumouslegend turns out to have been surprisingly vulnerable—more oftensinned against than sinning. Heartbroken at the death of hismistress Eva, Picasso tried desperately to find a wife. Richardsonrecounts the untold story of how his two great loves of 1915–17successively turned him down. These disappointments, as well as hishorror at the outbreak of World War I and the wounds it inflictedon his closest friends, Braque and Apollinaire, shadowed hispainting and drove him off to work for the Ballets Russes in Romeand Naples—

She was the first woman to inherit the throneof England, a key player in one of Britain’s stormiest eras, and aleader whose unwavering faith and swift retribution earned her thenickname “Bloody Mary.” Now, in this impassioned and absorbingdebut, historian Anna Whitelock offers a modern perspective on MaryTudor and sets the record straight once and for all on one ofhistory’s most compelling and maligned rulers. Though often overshadowed by her long-reigning sister, ElizabethI, Mary lived a life full of defiance, despair, and triumph. Bornthe daughter of the notorious King Henry VIII and the SpanishKatherine of Aragon, young Mary was a princess in every sense ofthe word—schooled in regal customs, educated by the best scholars,coveted by European royalty, and betrothed before she had reachedthe age of three. Yet in a decade’s time, in the wake of KingHenry’s break with the pope, she was declared a bastard,disinherited, and demoted from “princess” to “lady.” Ever herdeeply devout

Thirty years ago, The Rise of Theodore Roosevelt won both thePulitzer Prize and the National Book Award. A collector’s item inits original edition, it has never been out of print as apaperback. This classic book is now reissued in hardcover, alongwith Theodore Rex, to coincide with the publication of ColonelRoosevelt, the third and concluding volume of Edmund Morris’sdefinitive trilogy on the life of the twenty-sixth President. Although Theodore Rex fully recounts TR’s years in the WhiteHouse (1901–1909), The Rise of Theodore Roosevelt begins with abrilliant Prologue describing the President at the apex of hisinternational prestige. That was on New Year’s Day, 1907, when TR,who had just won the Nobel Peace Prize, threw open the doors of theWhite House to the American people and shook 8,150 hands, more thanany man before him. Morris re-creates the reception with suchauthentic detail that the reader gets almost as vivid an impressionof TR as those who attended. One visitor remarked

When he was born in BIenheim Palace．1mperial B ritainstood at the splendid pinnacle of her power．Yet within a feW yearsthe Empi re would hover on the brink of a catastrophjC new era．Hereare the fi rst fifty—eight years of the remarkable man whose courageous vision guided the destiny of those darkly troubledtimes—and who Iooms today as one of the greatest figu res of ou rcentu ry．

1956 was the year Elvis released his first record, made hisfirst television appearance, and started his movie career. It wasthe year he became a star. Alfred Wertheimer, then a youngfreelance photojournalist, was there to document the extraordinarytransition. "Elvis 1956" features images that are a nationaltreasure, including photographs of Elvis never before published: aunique visual record of one of the most exciting performers of histime, one of the most influential of all time, the first true iconof rock 'n' roll. Here is the first and last unguarded look atElvis, featuring images of him in every aspect of his life - fromperformance and with the fans, to the recording studio and at homewith his family. "Elvis 1956" serves as the catalogue for anationally traveling exhibition exhibition developedcollaboratively by the Smithsonian Institution Traveling ExhibitionService, the Smithsonian's National Portrait Gallery, and theGovinda Gallery to celebrate the 75th anniversary of the legendaryrock star's b

One of America’s finest historians shows us how Bob Dylan, oneof the country’s greatest and most enduring artists, stillsurprises and moves us after all these years. Growing up in Greenwich Village, Sean Wilentz discov??ered themusic of Bob Dylan as a young teenager; almost half a centurylater, he revisits Dylan’s work with the skills of an eminentAmerican historian as well as the passion of a fan. Drawn in partfrom Wilentz’s essays as “historian in residence” of Dylan’sofficial website, Bob Dylan in America is a unique blend of fact,interpretation, and affinity—a book that, much like its subject,shifts gears and changes shape as the occasion warrants. Beginning with his explosion onto the scene in 1961, this bookfollows Dylan as he continues to develop a body of musical andliterary work unique in our cultural history. Wilentz’s approachplaces Dylan’s music in the context of its time, including theearly influences of Popular Front ideology and Beat aesthetics, andoffers a larger critica

One of the most popular and mysterious figures in Americanliterary history, J. D. Salinger eluded fans and journalists formost of his life. Now comes a new biography that Peter Ackroyd inThe Times of London calls “energetic and magnificentlyresearched”—a book from which “a true picture of Salinger emerges.”Filled with new information and revelations—garnered from countlessinterviews, letters, and public records—J. D. Salinger presents anextraordinary life that spanned nearly the entire twentiethcentury. Kenneth Slawenski explores Salinger’s privileged youth, longobscured by misrepresentation and rumor, revealing the brilliant,sarcastic, vulnerable son of a disapproving father and dotingmother and his entrance into a social world where Gloria Vanderbiltdismissively referred to him as “a Jewish boy from New York.” Heretoo are accounts of Salinger’s first broken heart—Eugene O’Neill’sdaughter, Oona, left him for the much older Charlie Chaplin—and thedevastating World W