This is the third and final volume ofthe classic Chinese fantasy novel，Joumey to the West. In it the four pil-grims-the Tang Priest Sanzang andhis three powerful disciples， Monkey，Pig and Friar Sand-have to deal withmany more monsters and misfortunesbefore they finally reach their goal：Thunder Monastery in the westernHeaven where the Lord Buddha lives.Even here their troubles are not at anend. The scriptures they are given atfirst are all blank.On this last part of the journey thedemons come in as wide a range ofshapes and kinds as ever. Among themare spider-women who spin webs fromtheir navels， a pride of lion monstersand a terrlble female spirit who carriesthe Tang Priest down into her bottom-less cave to marry him. These and allthe other fiends test to the very limitMonkey's ingenuity， supernatural pow-ers and connections throughout theuniverse. As in earlier volumes， he ishindered as much as helped by theoafish but loveable Pig.The story is told with the zest， im-aglnation and humour that
水浒传是一部长篇英雄传奇，是以宋江起义故事为线索创作出来的。宋江起义发生在北宋徽宗时期，《宋史》的《徽宗本纪》、《侯蒙传》、《张叔夜传》等都有记载。从南宋起，宋江起义的故事就在民间流传，《醉翁谈录》记载了一些独立的有关水浒英雄的传说，《大宋宣和遗事》把许多水浒故事联缀起来，和长篇小说已经很接近。元代出现了不少水浒戏，一批梁山英雄作为舞台形象出现。《水浒传》（上下）是宋江起义故事在民间长期流传基础上产生出来的，吸收了民间文学的营养。《水浒传》（上下）是我国人民*喜爱的古典长篇白话小说之一。它产生于明代，是在宋、元以来有关水浒的故事、话本、戏曲的基础上，由作者加工整理、创作而成的。全书以宋江领导的农民起义为主要题材，艺术地再现了中国古代人民反抗压迫、英勇斗争的悲壮画卷。作品充分
本部古典名著是由现任烟台南山学院外事翻译学院的资深教授朴正阳以人民出版社1985年5月翻译出版。是国内少见的朝文版《金瓶梅》，对不同名族语言文化的交流有很大的促进作用，同时，对少数民族的文学事业也有很大的推动作用。 《金瓶梅》是我国*部文人独立创作的长篇白话世情章回小说，以"禁书"、"奇书"闻名。本书借《水浒传》中武松杀嫂一段故事为引子，写潘金莲未被武松杀死，嫁给西门庆为妾，由此转入小说的主体，通过对西门庆及其家庭罪恶生活的描述，体现当时民间的生活面貌。以市井人物为主要角色，通过多侧面多层次的描写，将明代封建社会的黑暗腐朽暴露得淋漓尽致。在这一点上，《金瓶梅》远胜过《水浒传》。
Stories about immortals have circulated in China since ancient times. After the appearance of Taoism, such stories became popular, as one of the aims of Taoist discipline was to achieve immortality. The more than 100 stories in this book have been selected from Accounts of the Saints, Stories of Immortals and other classics dealing with this subject. Though the stories in this book are short, they are full of the pithy wit and wisdom of this esoteric branch of Chinese cultural tradition.English/Pinyin
《发现紫禁城:姜国芳与他的宫廷油画》讲述了：在外国读者关注今天的中国艺术市场的同时，著名画家姜国芳先生用写实的方法创作《紫禁城系列》油画获得成功，并名扬海外。《大清尘梦》一书是姜国芳先生放弃创作、用近一年的时间编著的；图书结合姜先生的作品讲述了每幅画的创作过程，其中用更多的笔墨向中外读者介绍中国的宫廷文化、发生在紫禁城的故事。
The MONKEY SERIES are picture books based on the ancient Chinese fantasy novel Journey to the West, a story rich in tales about demons and monsters who try to stop the Tang Priest Xuanzang from reaching the Thunder Monastery in India to fetch Buddhist *ures. The real hero of this novel, loved for four hundred years by Chinese readers, is the resourceful, brave and humorous Monkey.
一套经典图书，长销不衰——《中译经典文库·中华传统文化精粹：许渊冲英译王维诗选》是国内早的双语读物，影响了几代英语和中华文化爱好者，深受读者喜爱。 一批重量级翻译家，阵容强大——学贯中西的译界泰斗许渊冲、辜正坤、谢百魁、丁往道、罗志野…… 一家优秀出版社，品质卓越——中国对外翻译出版有限公司为联合国提供翻译服务四十多年，出版了很多优秀的中外文化交流图书。
本书从《列异传》、《搜神记》、《幽明录》、《世说新语》等汉魏六朝(公元前206—公元589年)小说中遴选90篇，展示了中国古代小说童年期的大致面貌。 汉魏六朝小说大致可分为三种，类是记叙神、仙、鬼、怪的志怪书，如《列异传》、《搜神记》等等，第二类记叙历史人物事件但掺杂了较多怪诞无稽的内容，有人称它们为杂史杂传，如《燕丹子》、《汉武故事》等等，第三类是记叙当时名士的卓然不群的举止言行的志人书，如《世说新语》等等。这些古小说除杂史杂传的篇幅较长之外，大都是丛残小语，故事粗陈梗概，有的还谈不上是故事。它们文字简古，但文约而事丰，用极简练的文字就可以叙说极复杂的事物。 汉魏六朝小说很早就流传到国外。本书选用的英文译本，系中国著名的文学翻译家杨宪益、戴乃迭夫妇所译。这是当今众多英译本中好的一种
Stealing the Golden Bells, tells how Monkey cures the king of Purpuria of his illness. Monkey learns that the queen has been kidnapped by a demon doing harm in the kingdom. He manages to enter the demon's cave, steal his magic golden bells, subdue him and rescue the queen.
中国历来重视家庭教育，地北朝时代（公元420年—589年）颜之推所著《颜氏家训》，就是中国著名的有影响的一部“冢训”，也是一部著名的典籍。该书是儒家思想在家庭教育中的实际应用，是以儒家思想全面阐发修身冶家这道的开发之作。书中告诫子孙要见贤思齐、苦学成才，强调学以致用，报效国家，传业扬名，全书七卷十十篇，内容广博，除谆谆家训外，还我我侧面地反映了当时的历史和社会生活情况。该书论平实，见解独到，思想通博，不落时俗，成书一千多年来，备受推崇，影响深远，被誉为“家训之祖”。
The MONKEY SERIES are picture books based on the ancient Chinese fantasy novel Journey to the West, a story rich in tales about demons and monsters who try to stop the Tang Pdest Xuanzang from reaching the Thunder Monastery in India to fetch Buddhist *ures. The real hero of this novel,loved for four hundred years by Chinese readers, is the resourceful, brave and humorous Monkey.
《牡丹亭》是16世纪中国杰出戏曲家汤显祖的代表作，通过杜丽娘和柳梦梅的浪漫爱情故事，反映了那个时代青年女性对于自由爱情的执著追求，同时揭露了封建礼教的罪恶。《牡丹亭》全本55出，情节恍惚迷离，结构宏大辉煌，尤以刻画人物为佳。该剧曲词优美，对中国后来的戏曲发展有较大的影响。
关汉卿是元代（1206-1368）伟大的戏曲家。他的作品十分贴近现实生活，反映了复杂的社会场景与予盾冲突，尤其反映了当时社会生活中女性的命运以及她们对不平命运的抗争。 关汉卿现存剧作约18部，本书精选了能体现关剧特色的8部戏剧。其中《窦娥冤》是关汉卿著名的作品，该剧以“六月飞雪”这种非现实的、夸张的艺术手段，将窦娥的冤情和她对命运的抗争表现得淋淳尽致，成为中国戏剧的悲剧的代表作。《救风尘》的情节十分新颖，剧中侠妓赵盼儿以风月手段勇救风尘姊妹，有浓厚的喜剧色彩。《单刀会》在艺术上很有特色，十分注重对出场人物的铺垫。 关汉卿的戏剧曾被译成多种文字在全世界流传。本书选用的英文译本，系中国著名的文学翻译家杨宪益、戴乃迭夫妇所译。
This selection of Lu xun's works includes stories,prose poems,reminiscences,polemical writing and essays dealing with many aspects of life and letters.It comprises four volumes,the last three of which contain selected essays.
This is the third and final volume ofthe classic Chinese fantasy novel，Joumey to the West. In it the four pil-grims-the Tang Priest Sanzang andhis three powerful disciples， Monkey，Pig and Friar Sand-have to deal withmany more monsters and misfortunesbefore they finally reach their goal：Thunder Monastery in the westernHeaven where the Lord Buddha lives.Even here their troubles are not at anend. The *ures they are given atfirst are all blank.On this last part of the journey thedemons come in as wide a range ofshapes and kinds as ever. Among themare spider-women who spin webs fromtheir navels， a pride of lion monstersand a terrlble female spirit who carriesthe Tang Priest down into her bottom-less cave to marry him. These and allthe other fiends test to the very limitMonkey's ingenuity， supernatural pow-ers and connections throughout theuniverse. As in earlier volumes， he ishindered as much as helped by theoafish but loveable Pig.The story is told with the zest， im-aglnation and humour that have
Yuan Longping, the renowned and respected Chinese scientist often taken for a farmer, has found the world a way out of famine. Unde-terred by the prevailing ignorance of heterosis in rice and other self-pollinating plants, he has dedicated himself to research into hybrid rice since the 1960s, and his feats have won him the accolade "father of hybrid rice" and earned him the honor of being made foreign associate of the US National Academy of Sciences Why is Yuan so obsessed by hybrid rice research? How did he manage with such simple conditions, scarce aterials, backward technol-ogy and insufficient information? What global impacts will Yuan and his team have? This book may give the answers.
The MONKEY SERIES are picture books based on the ancient Chinese fantasy novel Journey to the West, a story rich in tales about demons and monsters who try to stop the Tang Priest Xuanzang from reaching the Thunder Monastery in India to fetch Buddhist *ures. The real hero of this novel,loved for four hundred years by Chinese readers, is the resourceful, brave and humorous Monkey.
From Emperor to Citien is the autobiography of Pu Yi, the man who was the last emperor of China. A unique memoir of the first half of the 20th century as seen through the eyes of one born to be an absolute monarch, the book begins with the author's vivid account of the last, decadent days of the Ching Dynasty,and closes with an introspective self-portrait of the last Ching emperor transformed into a retiring scholar and citizen of the People's Republic of China. In detailing the events of the fifty years between his ascension to the throne and the final period of his life as a quiet-living resident of Beijing, Pu Yi reveals himself to be first and foremost a survivor, caught up in the torrent of global power struggles and world conflict that played itself out on the Asian continent through many decades of violence and upheaval. This firsthand de*ion of the dramatic events of Pu Yi's life was the basis for the intemationally acclaimed 1987 Bemardo Bertolucci film The Last Emperor which was named Be
本社专事外文图书的编辑出版，几十年来用英文翻译出版了大量的中国文学作品和文化典籍，上自先秦，下迄现当代，力求全面而准确地反映中国文学及中国文化的基本面貌和灿烂成就。这些英译图书均取自相关领域著名的、权威的作品，英译则出自国内外译界名家。每本图书的编选、翻译过程均极其审慎严肃，精雕细琢，中文作品及相应的英译版本均堪称经典。 我们意识到，这些英译精晶，不单有对外译介的意义，而且对国内英文学习者、爱好者及英译工作者，也是极有价值的读本。为此，我们对这些英译精品做了认真的遴选，编排成汉英对照的形式，陆续推出，以飨读者。
Peking Opera, known as Jing Ju (Capital Opera), has a history of more than 200 years. Because of its patronage by the ruling Qing,or Manchu, dynasty, Peking Opera grew from a local folk art .to the standard bearer of theatrical art. It attained the prominent status of Guo Ju or National Opera of China. After the Qing Dynasty was overthrown in 1911, Peking Opera continued to gain popularity not only with the upper classes but also with students and intellectuals. By the 1920s, it had developed into a splendid art form and a popular means-of entertainment as well. In the capital alone, numerous theaters were established solely for op- era performances,and there were at least, three academies for training young performers and several pr0fess!onal opera troupes that performed every week.
《红楼梦》是中国伟大的一部古典长篇小说。它描写了一个由盛而衰的贵族大家庭中的爱情婚姻悲剧，并以此为中心，展开了一幅广阔而生动的社会历史生活画面，塑造出贾宝玉、林黛玉等众多光彩夺目、令人难以忘怀的人物形象。《红楼梦》以其宏大精致的小说结构，博大精深的文化内涵，以及出色的语言艺术，被公认为中国古典小说艺术的*。 《红楼梦》成书于18世纪中叶，作者曹雪芹性格傲岸、才华横溢，使这部小说的个性色彩十分浓厚。小说历经10年写成，八十回以后惜未传，现存后四十回由高鹗续成。《红楼梦》成书后流传极广，版本极多，从成书伊始，它就吸引了一大批知名的文人学者去评论和研究它，并形成至今仍很活跃的一门专学——“红学”。 《红楼梦》从19世纪至今，已被译成多种文字在全世界流传。本译本系中国著名的文学翻译家杨宪
