作品再现日军在侵华战争中，对中国进行的大规模领土侵略、文化侵略、烧杀抢掠和资源掠夺……本书图文并茂，力争退却偏激的感情色彩，理性挖掘从1931年到1945年14年间，日本轻而易举对中国900多座城市功城掠地的内因与外因。书中使用的图片均为作者个人藏品照片，有些购于境外。选材角度新鲜，独特，说服力强，是日本侵华史的有力物证和对“公共记忆”的丰富和补充。
Acupuncture and mobustion are indispensable parts of traditiona[Chinses medicine in the prevention and control of disease.Since the founding of the People's Republic of China these arts have beendeveloped and are highly regarded by the international, academic community. Based upon Essentials of Chinese Acupuncture, used as a textbook by the International. Acupuncture Training Centers in Beijng, Shanghai and Nanjing, Chinese Acupuncture and Mobustion incorporates the rich experience of class teaching and clinical, practice and the results of acupuncture research, retaining the characteristic features ofthe traditional theory of acupuncture and stressing the integration of theory and practice.The book consists of eighteen chapters and four appendices. Chinese Acupuncture and Mobustion was compiled by the International Acupuncture Training Centers and Acupuncture Institute of China, Academy of Traditional. Chinese Medicine, on commission of the Ministry of Public Health. It is published by Foreign Languages Pres
Der volkstümliche Silberschmuck geh?rt zu den repr?sentativsten Kunstwerken des chinesischen Volkes. Er stammt aus dem allt?glichen Leben der einfachen Leute und bezieht daraus seine sprudelnde Lebenskraft. Alle in diesem Buch enthaltenen Silberschmuckwaren (darunter einige Silberschmuckwaren der adligen Oberschicht) weisen eine starke volkstümliche F?rbung auf und sind Ausdruck der Essenz der traditionellen chinesischen Kunst. Eine grosse Rolle bei der Auswahl der Motive spielen Homonym und Konnotation, um dem Wunsch nach Glück und Wohlstand bildhaft Gestalt zu verleihen. Das Buch umfasst mehr als 200 Abbildungen volkstümlicher Silberschmuckwaren, die in Kategorien unterteilt sind. Zu jeder Abbildung gibt es eine kurze Erkl?rung.
许渊冲先生从事翻译工作70年，他被称为将中国诗词译成英法韵文的专家，经他的妙手，许多中国经典诗文被译成出色的英文和法文韵语。这套“许译中国经典诗文集”荟萃许先生代表性的英文译作，既包括《论语》《老子》这样的经典著作，又包括《西厢记》《牡丹亭》《长生殿》《桃花扇》等戏曲剧本，数量最多的则是历代诗歌选集。这些诗歌选集包括诗、词、散曲等多种体裁，所选作品上起先秦，下至清代，几乎涵盖了中国古典诗歌的整个历史。阅读和了解这些作品，即可尽览中国文化的“源头活水”。《牡丹亭》是丛书分册之一。
Yuan Longping, the renowned and respected Chinese scientist often taken for a farmer, has found the world a way out of famine. Unde-terred by the prevailing ignorance of heterosis in rice and other self-pollinating plants, he has dedicated himself to research into hybrid rice since the 1960s, and his feats have won him the accolade "father of hybrid rice" and earned him the honor of being made foreign associate of the US National Academy of Sciences Why is Yuan so obsessed by hybrid rice research? How did he manage with such simple conditions, scarce aterials, backward technol-ogy and insufficient information? What global impacts will Yuan and his team have? This book may give the answers.
Traditional Chinese painting was fundamentally an abstract art form.Although there were no absolute abstract Chinese paintings in its original meaning, objects in a painting were not a direct copy of the nature world following the principle of perspective. It was rather a bination or harmony between the nature world and human emotion, a product of "heaven (nature) and human". The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of objects in their paintings was no means accurate and few concerned about such factors as colors, principle of perspective, anatomy, surface feel, and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world.
Para el presente libro se han seleccionado mils de doscientos terminos clave relacionados con la politica, la economia, la sociedad, la cultura, la ciencia, la teologia, la protecci6n medioambiental, entre otros dominios, de la China contemporanea. Cada uno de ellos transmite precisas y convincentes informaciones sobre la actualidad en este pals asiatico. A traves de ellos no solo se puede conocer la sociedad contemporanea de China, sino que tambien facilita la prensi6n de la tendencia de su desarrollo economico. En la redacci6n del presente libro se ha consultado una gran cantidad de datos y se han incluido nuevos terminos muy de moda en la China actual que, con caracteristicas nacionales y faciles de entender, permiten un mayor y mils exacto acercamiento a este inmenso pals en su coniunto.
This book is not meant to be a general history of Tibet, nor a Tibetan adventureor folklore monograph. It focuses on the attempts being made today to solve the riddles and confusion surrounding Tibet, including contemplations, reflections, in-depth discussions, and plain narrations in a language of honesty and sincerity. It also expresses a feeling of fraternity towards Tibetan patriots and a longing for a beautiful tomorrow for Tibet. Careful readers may be inspired and moved by its content.
Peking Opera, known as Jing Ju (Capital Opera), has a history of more than 200 years. Because of its patronage by the ruling Qing,or Manchu, dynasty, Peking Opera grew from a local folk art .to the standard bearer of theatrical art. It attained the prominent status of Guo Ju or National Opera of China. After the Qing Dynasty was overthrown in 1911, Peking Opera continued to gain popularity not only with the upper classes but also with students and intellectuals. By the 1920s, it had developed into a splendid art form and a popular means-of entertainment as well. In the capital alone, numerous theaters were established solely for op- era performances,and there were at least, three academies for training young performers and several pr0fess!onal opera troupes that performed every week.
Las estampas de a?o nuevo son una forma artística folclórica de mucho arraigo en China. Se trata de una variedad independiente de pintura tradicional que llama mucho la atención por su colorido. Por estampas de a?o nuevo se entienden las obras pintadas y pegadas en las fachadas e interiores de las residencias chinas en vísperas de a?o nuevo, confeccionadas por talleres locales de artesanía. Desde el punto de vista genérico, las estampas se refieren a toda pintura creada por artesanos folclóricos, reproducida a través de la escultura, que refleja la vida urbana y rural. Las estampas folclóricas de a?o nuevo de China no sólo son vistosas y ricas en contenido y formas de expresión, sino también en significación cultural e histórica. El presente libro divide la presentación de las distintas estampas en cinco grupos: dioses de la puerta, dioses folclóricos, ni?os y beldades, costumbres y festividades, y cuentos y representaciones teatrales. Todas las ilustraciones, cuya gran parte es obra de grande
Thiook gives a brief introductionto the Chinese Buddhist beliefs,history, sects, art, architecture, pagodas,monasteries, and sutras translated into Chi-nese from the original Sanskrit and otherIndian languages. It also describes the foursacred Buddhist mountains and five majorgrottoes travelers may wish to see, the orga-nization of the Buddhist monasteries and lifein the cloisters, Buddhist festivals and majorBuddhist activities, as well as relationsbetween Chinese and foreign Buddhist soci-eties and organizations. Written in a livelyand conversational style, with accurate his-torical references and fascinating legends andstories, thiook is not only suitable for touristsat home and abroad, but also worth readingby anyone interested in the past and presentof Buddhism in China.
Ein Journalisttcam yon Radio China International reiste sieben Wochen lang durch Tibet.Sie legten insgesamt fiber zehntausend Kilonmcter zurfick, z. T. inden entlegensten Regionen des Autonomen Gebietes. Ihrc Eindrfickc schildert sic in Reportagen ffir denRadiosender. Gleichzeitig fuhrten sie Tageb/icher. Dieses Buch enthalt sechzig dieser Tagebucheintrage undzahlreiche eindrucksvolle Fotos.
About 460,000 years ago, Beijing was merely a primitive settlement. Later it grew into a political center of Yan and Ji, two kingdoms in north China, then the Capital of six feudaldynasties. Today, the capital of the People's Republic of China is an everexpanding international cosmopolis. As a city, Beijing has an uninterrupted history of over 3,000 years, which makes it unique in the world. The cultural antiques and historical artifacts bestowed by each era were passed down from one generation to another, turning the city into a huge museum itself. There are some 130 officially registered museums in Beijing, preserving 3.2 million artifacts in total.
Beijing ist eine alte, geheimnisumwobene Stadt. Sie birgt den weltberuhmten Kaiserpalast, viele kaiserliche Palaste und Garten und auch die besondere Hutong-Kultur. Die Hutongs haben einen eigenen Architekturstil. Hier haben viele beruhmte Personlichkeiten gewohnt, historische Ereignisse haben sich in diesen Hutongs abgespielt, viele Anekdoten sind zuruckgeblieben.
《中国家常菜（英文版）》主要内容包括：Author‘sForeword、ChineseCookingTechniques、Chopsticks、BasicEquipmentforaChineseHome、Kitchen、Recipes、PorkDishes、BeefandMuttonDishes、PoultryandEggDishes、FishandSeafoodDishes、VegetableandBeanCurdDishes、SweetDishes、Soups等。
