One climbed to the very top of the social ladder, the otherchose to live among tramps. One was a celebrity at twenty-three,the other virtually unknown until his dying days. One wasright-wing and religious, the other a socialist and an atheist.Yet, as this ingenious and important new book reveals, at the heartof their lives and writing, Evelyn Waugh and George Orwell wereessentially the same man. Orwell is best known for "Animal Farm"and "1984," Waugh for "Brideshead Revisited" and comic novels like"Scoop" and "Vile Bodies." How ever different they may seem, thesetwo towering figures of twentieth-century literature are linked forthe first time in this engaging and unconventional biography, whichgoes beyond the story of their amazing lives to reach the core oftheir beliefs-a shared vision that was startlingly prescient aboutour own troubled times. Both Waugh and Orwell were born in 1903,into the same comfortable stratum of England's class-obsessedsociety. But at first glance they seem to have lived

One of America’s finest historians shows us how Bob Dylan, oneof the country’s greatest and most enduring artists, stillsurprises and moves us after all these years. Growing up in Greenwich Village, Sean Wilentz discov??ered themusic of Bob Dylan as a young teenager; almost half a centurylater, he revisits Dylan’s work with the skills of an eminentAmerican historian as well as the passion of a fan. Drawn in partfrom Wilentz’s essays as “historian in residence” of Dylan’sofficial website, Bob Dylan in America is a unique blend of fact,interpretation, and affinity—a book that, much like its subject,shifts gears and changes shape as the occasion warrants. Beginning with his explosion onto the scene in 1961, this bookfollows Dylan as he continues to develop a body of musical andliterary work unique in our cultural history. Wilentz’s approachplaces Dylan’s music in the context of its time, including theearly influences of Popular Front ideology and Beat aesthetics, andoffers a larger critica

From Hermione Lee, the internationally acclaimed, award-winningbiographer of Virginia Woolf and Willa Cather , comesa superb reexamination of one of the most famous American women ofletters. Delving into heretofore untapped sources, Lee does away with theimage of the snobbish bluestocking and gives us a new EdithWharton-tough, startlingly modern, as brilliant and complex as herfiction. Born into a wealthy family, Wharton left America as anadult and eventually chose to create a life in France. Her renownednovels and stories have become classics of American literature, butas Lee shows, Wharton's own life, filled with success and scandal,was as intriguing as those of her heroines. Bridging two centuriesand two very different sensibilities, Wharton here comes to life inthe skillful hands of one of the great literary biographers of ourtime.

The first dual biography of two of the world’s most remarkablewomen—Elizabeth I of England and Mary Queen of Scots—by one ofBritain’s “best biographers” ( The Sunday Times ). In a rich and riveting narrative, Jane Dunn reveals theextraordinary rivalry between the regal cousins. It is the story oftwo queens ruling on one island, each with a claim to the throne ofEngland, each embodying dramatically opposing qualities ofcharacter, ideals of womanliness (and views of sexuality) anddivinely ordained kingship. As regnant queens in an overwhelmingly masculine world, they weredeplored for their femaleness, compared unfavorably with each otherand courted by the same men. By placing their dynamic andever-changing relationship at the center of the book, Dunnilluminates their differences. Elizabeth, inheriting a weak,divided country coveted by all the Catholic monarchs of Europe, isrevolutionary in her insistence on ruling alone and inspired in heruse of celibacy as a political tool—yet also possessed of

The first account—prodigiously researched, richly detailed—ofthe last remarkable twenty-five years of the life and art of one ofAmerica’s greatest and most beloved musical icons. Much has been written about Louis Armstrong, but most of itfocuses on the early and middle stages of his long career. Now,Ricky Riccardi—jazz scholar and musician—takes an in-depth look atthe years in which Armstrong was often dismissed as a buffoon?ish,if popular, entertainer, and shows us instead the inventiveness anddepth of expression that his music evinced during this time. These are the years (from after World War II until his death in1971) when Armstrong entertained crowds around the world andrecorded his highest-charting hits, including “Mack the Knife” and“Hello, Dolly”; years when he collaborated with, among others, EllaFitzgerald, Duke Ellington, and Dave Brubeck; when he recorded withstrings and big bands, and, of course, with the All-Stars, hisprimary performing ensemble for more than

他和R 莱顿合著的《别逗了费曼先生》的这些回忆文字，为这个大人物大致描绘了一生！这是一本很棒的读物：挥霍无忌、惊世骇俗，却仍然温馨，很有人情味儿。 本书仅仅是稍微触及了他的人生根本：科学。我们在这里或那里，能够看到，作为背景材料，科学只是一笔带过，而不是作为他的人生焦点来处理的，但他一代一代的学生和同事，都知道科学在他的生活中的分量。或许本书也只能这样来写。要把关于他和他的工作的那些爽人心神的故事组织起来，或许也真的没有办法：挑战与挫折，得到慧见时的兴奋，科学的理解带来的深深的喜悦，这才是他的人生快乐之源。