莲花高台上的佛与法，俗世凡尘间的情与爱。1650年前的丝绸之路上，龟兹国外的古道正驼铃悠悠。初次遇到穿越而来的现代女子艾晴时，鸠摩罗什十三岁。再次见到她时，他二十四岁，已是名扬西域的僧人。对他来说，她是爱而不得的女子；对她来说，他是注定许身佛门的千古高僧。即使早已情根深种，终究羁绊于那一颗坚定的向佛之心。他们之间横亘着的不仅仅是漫长的千年岁月，更有十六国时代满目苍痍的乱世纷争。他与她相识四十年，用三十六年的寂寞等待，换来与她四年相依。她与他相识十年，以穿越的强大辐射为代价，在他遭逢劫难时不弃不离。历经劫难之后，他不再是万人膜拜的皇家上宾，而是冲破戒律与妻子紧紧相依的普通男子，是走过人间地狱仍心怀大爱的慈悲和尚。驼铃悠悠，唱响西域，那段遗落在丝绸之路上的纯真爱情，如何做到不负如来不
The bestselling tale of Romanov intrigue from the author of"The Kitchen Boy" Book groups and historical fiction buffs havemade Robert Alexanderas two previous novels word-of-mouth favoritesand national bestsellers. Set against a backdrop of ImperialRussiaas twilight, "The Romanov Bride" has the same enduringappeal. The Grand Duchess Elisavyetaas story begins like a fairytaleaa German princess renowned for her beauty and kind heartmarries the Grand Duke Sergei of Russia and enters the Romanovaslavish court. Her husband, however, rules his wife as he doesMoscowawith a cold, hard fist. And, after a peaceful demonstrationbecomes a bloodbath, the fires of the revolution link Elisavyetaasdestiny to that of Pavelaa young Bolshevikaforever.
天津卫憨老爷们的家事儿
![殖民与后殖民文学 [英]艾勒克·博埃默 著 9787538253139 辽宁教育出版社](http://img3m6.ddimg.cn/88/19/11972630626-1_l.jpg)
In poems marked by tenderness and mischief, humanity and humor,Yehuda Amichai breaks open the grand diction of revered Jewishverses and casts the light of his own experi-ence upon them. Herehe tells of history, a nation, the self, love, and resurrection.Amichai's last volume is one of medi-tation and hope, and stands asa testament to one of Israel's greatest poets. "Open closed open.Before we are born, everything is open""in the universe without us.For as long as we live, everything is closed""within us. And whenwe die, everything is open again.""Open closed open. That's all weare."--"from" "I WASN'T ONE OF THE SIX MILLION: AND WHAT IS MY LIFESPAN? OPEN CLOSED OPEN"
1988年5月4日，是北大校庆九十周年。整个学校都在狂欢。晚上，我一个人在校园里游荡，碰上高年级的学姐易敏，她和几个作家班的学员在一起，我也跟他们一起去喝咖啡。其中有女诗人伊蕾。我早已听说过她的名字。第一次见到她人，在咖啡厅暗红的光里，我被她的脸震慑住了二十岁了，我还从未见过这样一张被磨损的女人的脸，那脸上有一种被痛苦、被屈辱、被岁月毁坏的无形的痕迹，有一种无意识的、不自觉的痛楚与冶荡。只可惜我当时太小，无法领略那张憔悴的脸上动人的美。相反，坐在她的对面，我替她害羞：她这样堂皇地坐在那里。
