Back on the job after an involuntary leave of absence, LAPDhomicide detective Harry Bosch is ready for a challenge. But hisfirst case is a little more than he bargained for. It starts with the body of a Hollywood producer in the trunk of aRolls-Royce, shot twice in the head at close range - what lookslike "trunk music," a Mafia hit. But the LAPD's organized crimeunit is curiously uninterested, and when Harry follows a trail ofgambling debts to Las Vegas, the case suddenly becomes more complex- and much more personal. A rekindled romance with an old girlfriend opens new perspectiveson the murder, and he begins to glimpse a shocking triangle ofcorruption and collusion. Yanked off the case, Harry himself issoon the one being investigated. But only a bullet can stop Harrywhen he's searching for the truth . . .
Hirshenson and Jenkins got their start casting for Francis Ford Coppola's Zoetrope Studios. When the studio went bust, they opened their own office, the Casting Company, and their book reminisces about the many films they've cast, including Harry Potter and A Beautiful Mind; the actors they've discovered, such as Tom Cruise, Leonardo DiCaprio and Scarlett Johansson; and some of the A-list directors, like Ron Howard and Steven Spielberg, who hired them. Given the authors' credentials (they have been casting partners since 1981), consider the advice they offer blue-chip. They cover everything from how to handle a call-back to telling actors to send head shots "that actually look like you." Most important, never take anything personally. A great audition doesn't always translate into a role: there are many factors that determine the final decision, such as chemistry, preference and competition. These veteran insiders have a passion for casting major motion pictures, and they use meetings with famous people to il
