《复频弹性律学：李曙明音律文集》收录了我国音乐美学家、律学家李曙明先生的七篇律学论文。《复频弹性律学：李曙明音律文集》的特色是从美学和哲学的高度来重新看待和审视律学问题，这无疑为律学的未来发展提供了一个崭新的视角。作者以2音分的“小微音差”和14音分的“弹律音差”为工具，运用传统文化中的“和律”智慧将五度相生律、纯律和十二平均律融合为一个自洽的完整体系，使得三律之美兼而有之。全书既大胆借鉴当前律学研究的新成果，又充分吸收了古代易学、律学精髓，体现出“技”、“艺”与“道”的统一，把律学从造律.听律、算律的历史推向了唱（奏）律的艺术实践新阶段，对音乐理论、音乐表演及中国十二音作曲法具有高屋建瓴般的指导意义。全书简洁精炼，逻辑清晰，不仅是律学研究者的重要参考书目，也适合专业音乐院校和师
Parents, grandparents, teachers, and parents-to-be will delight in this collection of pictures of children from around the world. This charming CubeBook compendium of photographs follows the path of childhood from the cradle to first steps, from relationships with parents and siblings to attempts at independence, from games in the neighborhood to studies in school. Heartfelt and infinitely appealing in their unembellished charm, these lovely images—both candid and posed—express emotions and experiences shared by children everywhere, and also reveal the fascinating differences in children around the world. A vast range of cultures is represented in these pages, and the photographs convey in fascinating detail the traditional games, school environments, and family settings of each. From the irresistibly chubby legs of an infant to the tentative first steps of a toddler, from the proud gap-toothed grin of a young child to the shy smile of a preteen, these photographs embody the true essence of childhood.
On the occasion of the 125th anniversary of the automobile, Daimler presents this comprehensive chronicle of the worlds oldest automotive manufacturer. The fascinating history of the car and its impact on society are here to be discovered in word and text: from Carl Benzs gas engine drive prototype of 1883, to the sleek Mercedes Benz racing cars of the 1930s, and todays progressive designs for the future. Whether luxury sedan, sports car, truck or bus, this book provides an in-depth overview of every make of car produced by Daimler. Beginning with historical portraits of the auto motive pioneers Carl Benz, Gottlieb Daimler and Wilhelm Maybach, the reader explores the evolution of the Mercedes Benz over time and how it has earned its place in our cultural imagination.
Andreas Gurskys new Bangkok series forms the basis of this book. Gurskys photos depict the dark, moving water of Thailands Chao Phraya river, whose shimmering surface possesses the qualities of abstract painting. Indeed these photos are reminiscent of some of the most recognisable examples of Modernist Abstraction such as the work of Hans Arp, but they also echo the more hostile patterns of military camouflage. Seductively beautiful on the first glance, it is only in time that the rubbish of civilisation becomes recognisable floating on the surface of the river the flotsam of a threatening reality moving upon colourful reflections. Gursky alludes to the ecological problems that jeopardise Bangkok, and which shortly after these images were made, culminated in the widespread flooding that devastated great parts of Thailand. Andreas Gursky, born in 1955 in Leipzig, is one of the most important contemporary photographers. He studied at the Folkwangschule in Essen, and at the Kunstakademie Du?sseldorf under
Rolling Stones 50 x 20 celebrates the remarkablefifty-year career of “The World’s Greatest Rock ’n’ Roll Band” withimages captured by twenty of the world’s greatest musicphotographers. Featured are more than eighty exceptionalphotographs that document the longevity of one of the mostinfluential, enduring, and controversial bands in rockhistory. Photographers include Fernando Aceves, Bob Bonis, Gus Coral,Michael Cooper, William Coupon, Barry Feinstein, David Fenton,Claude Gassian, Bob Gruen, Ross Halfin, Michael Joseph, EddieKramer, Chris Makos, Gered Mankowitz, Jan Olofsson, MichaelPutland, Mark Seliger, Eric Swayne, Mark Weiss, and BaronWolman.
《复频弹性律学：李曙明音律文集》收录了我国音乐美学家、律学家李曙明先生的七篇律学论文。《复频弹性律学：李曙明音律文集》的特色是从美学和哲学的高度来重新看待和审视律学问题，这无疑为律学的未来发展提供了一个崭新的视角。作者以2音分的“小微音差”和14音分的“弹律音差”为工具，运用传统文化中的“和律”智慧将五度相生律、纯律和十二平均律融合为一个自洽的完整体系，使得三律之美兼而有之。全书既大胆借鉴当前律学研究的新成果，又充分吸收了古代易学、律学精髓，体现出“技”、“艺”与“道”的统一，把律学从造律.听律、算律的历史推向了唱（奏）律的艺术实践新阶段，对音乐理论、音乐表演及中国十二音作曲法具有高屋建瓴般的指导意义。全书简洁精炼，逻辑清晰，不仅是律学研究者的重要参考书目，也适合专业音乐院校和师
法国印象派绘画虽然在有些人看来分别存有或片面追求光学的客观主义，或把科学原理与艺术创作有机结合，以及自我表现的个体主义倾向等，但在西方传统绘画的历史性超越、对西方现代主义艺术的精神启迪等方面，提出了许多关键性的问题并进行了有益的探索性实验。因此可以说，法国印象派绘画扭转了西方美术的发展方向，开启了美术的新纪元。
This progressive book object combines twovolumes and covers the sweep and depth of Lewis Baltz's influentialoeuvre. Rule Without Exception is a re-issue of Baltz'saward-winning mid-career retrospective book which accompanied atravelling exhibition of the same name in 1991. The book surveysBaltz's work from "The Prototype Works" of 1967 through to "Sitesof Technology" of 1991, showing the range of his images ofindustrialised landscapes and technological sites. Each section ofthe book is accompanied by installation views as well as texts bydistinguished writers, some newly commissioned for this edition.Only Exceptions is a new book chronicling Baltz's work - nowusually site-generated commissioned works - from 1992 to thepresent and is published on the occasion of an exhibition organizedby the Kunstmuseum, Bonn. Only Exceptions includes Baltz's work inCalifornia, Leipzig's "Black Triangle", Reggio Emilia, Groningen,Rome, Venice, and two projects with Jean Nouvel in France andItaly.
Third Life is the new monograph by the photographers photographer, Norbert Schoerner. Assembled as a cinematic narrative, this book collects new and previously unseen work produced over the last seven years. In equal measures a photographic diary and a sequence of remarkable tableaux, Third Life traces Schoerners journeys across the globe. Through the juxtaposition of carefully chosen urban and rural landscapes with images from his photographic sketchbooks, Schoerner explores representation in the context of mass availability and re-purposing of digital images in the www environment.
ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum ofAdams' work in a single volume for the first time, offering thelargest available compilation from his legendary photographiccareer. Beautifully produced and presented in an attractivelandscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to ageneral gift-book audience as well as Adams' legions of dedicatedfans and students. The photographs are arranged chronologically into five majorperiods, from his first photographs made in Yosemite and the HighSierra in 1916 to his work in the National Parks in the 1940s up tohis last important photographs from the 1960s. An introduction andbrief essays on selected images provide information aboutAdams'life, document the evolution of his technique, and give voice tohis artistic vision. Few artists of any era can claim to have produced four hundredimages of lasting beauty and significance. It is a testament toAdams' vision and lifetime of hard work that a book of this scalecan be compiled. ANSEL
《复频弹性律学：李曙明音律文集》收录了我国音乐美学家、律学家李曙明先生的七篇律学论文。《复频弹性律学：李曙明音律文集》的特色是从美学和哲学的高度来重新看待和审视律学问题，这无疑为律学的未来发展提供了一个崭新的视角。作者以2音分的“小微音差”和14音分的“弹律音差”为工具，运用传统文化中的“和律”智慧将五度相生律、纯律和十二平均律融合为一个自洽的完整体系，使得三律之美兼而有之。全书既大胆借鉴当前律学研究的新成果，又充分吸收了古代易学、律学精髓，体现出“技”、“艺”与“道”的统一，把律学从造律.听律、算律的历史推向了唱（奏）律的艺术实践新阶段，对音乐理论、音乐表演及中国十二音作曲法具有高屋建瓴般的指导意义。全书简洁精炼，逻辑清晰，不仅是律学研究者的重要参考书目，也适合专业音乐院校和师
《复频弹性律学：李曙明音律文集》收录了我国音乐美学家、律学家李曙明先生的七篇律学论文。《复频弹性律学：李曙明音律文集》的特色是从美学和哲学的高度来重新看待和审视律学问题，这无疑为律学的未来发展提供了一个崭新的视角。作者以2音分的“小微音差”和14音分的“弹律音差”为工具，运用传统文化中的“和律”智慧将五度相生律、纯律和十二平均律融合为一个自洽的完整体系，使得三律之美兼而有之。全书既大胆借鉴当前律学研究的新成果，又充分吸收了古代易学、律学精髓，体现出“技”、“艺”与“道”的统一，把律学从造律.听律、算律的历史推向了唱（奏）律的艺术实践新阶段，对音乐理论、音乐表演及中国十二音作曲法具有高屋建瓴般的指导意义。全书简洁精炼，逻辑清晰，不仅是律学研究者的重要参考书目，也适合专业音乐院校和师
In 1950, Robert Frank left his job as a photographer in NewYork to travel through Europe with his family. That summer hearrived in Valencia, Spain, which was at the time a humble, bleakplace enduring the austere conditions of the postwar period likethe rest of the country. The pictures Frank took of Valencia depictthe daily life of a fishing village. His portrayal is so naturaland clear that further verbal explanation seems superfluous; theysimply reflect, in the photo graphers words, the humanity of themoment. The photographs in this book, many of which have never beenpublished before, allow dignity to override poverty. Robert Frank,a key figure in photographic history, was born in Zurich in 1924and immigrated to the United States in 1947. He is best known forhis seminal book The Americans, first published in 1959, which gaverise to a distinct new form in the photobook, and his experimentalfilm Pull My Daisy (1959). Franks other projects include the booksBlack White and Things (1954) and The Lines of
