《中国近代翻译文学概论（修订本）》内容包括：中国历史上三次大的翻译活动；近代的西学翻译；翻译文学始于近代；中国近代翻译文学的发展脉络及其主要特点；中国近代翻译文学理论；中国近代翻译诗歌鸟瞰等。
1988年5月4日，是北大校庆九十周年。整个学校都在狂欢。晚上，我一个人在校园里游荡，碰上高年级的学姐易敏，她和几个作家班的学员在一起，我也跟他们一起去喝咖啡。其中有女诗人伊蕾。我早已听说过她的名字。第一次见到她人，在咖啡厅暗红的光里，我被她的脸震慑住了二十岁了，我还从未见过这样一张被磨损的女人的脸，那脸上有一种被痛苦、被屈辱、被岁月毁坏的无形的痕迹，有一种无意识的、不自觉的痛楚与冶荡。只可惜我当时太小，无法领略那张憔悴的脸上动人的美。相反，坐在她的对面，我替她害羞：她这样堂皇地坐在那里。??
夏天结束了。十六岁的，的夏天。在这个夏天我究竟都做了些什么呢？无比焦急的横寺阳人今天也依旧是空忙活。被月子甩，被小豆甩，被胖太甩连自己的家都被消灭了。为什么！怎么会这样？到底是怎么一回事?!独自一人身处雷雨之中，失去了一切，无处可去。“那么，学长。今晚要到我家去住吗？”“啊，嗯。嗯？”……夏日末尾的台风天。在最后的最后，等待着我的是最棒的全垒打机会！浴室的裸体。绑起来的棉被。掉落的手铐。扯破的衣服。还有躲在仓库里的猫？人气迅速沸腾的爽朗系变态青春恋爱喜剧第二弹！再见，我的次
夏天结束了。十六岁的，的夏天。在这个夏天我究竟都做了些什么呢？无比焦急的横寺阳人今天也依旧是空忙活。被月子甩，被小豆甩，被胖太甩连自己的家都被消灭了。为什么！怎么会这样？到底是怎么一回事?!独自一人身处雷雨之中，失去了一切，无处可去。“那么，学长。今晚要到我家去住吗？”“啊，嗯。嗯？”……夏日末尾的台风天。在最后的最后，等待着我的是最棒的全垒打机会！浴室的裸体。绑起来的棉被。掉落的手铐。扯破的衣服。还有躲在仓库里的猫？人气迅速沸腾的爽朗系变态青春恋爱喜剧第二弹！再见，我的次
Robert Prentice has spent all his life attempting to escape hismother's stifling presence. His mother, Alice, for her part,struggles with her own demons as she attempts to realize her dreamsof prosperity and success as a sculptor. As Robert goes off tofight in Europe, hoping to become his own man, Richard Yatesportrays a soldier in the depths of war striving to live up to hisheroic ideals. With haunting clarity, Yates crafts an unforgettableportrait of two people who cannot help but hope for more even aslife challenges them both.
夏天结束了。十六岁的，的夏天。在这个夏天我究竟都做了些什么呢？无比焦急的横寺阳人今天也依旧是空忙活。被月子甩，被小豆甩，被胖太甩连自己的家都被消灭了。为什么！怎么会这样？到底是怎么一回事?!独自一人身处雷雨之中，失去了一切，无处可去。“那么，学长。今晚要到我家去住吗？”“啊，嗯。嗯？”……夏日末尾的台风天。在最后的最后，等待着我的是最棒的全垒打机会！浴室的裸体。绑起来的棉被。掉落的手铐。扯破的衣服。还有躲在仓库里的猫？人气迅速沸腾的爽朗系变态青春恋爱喜剧第二弹！再见，我的次
Martin Simmonds’ father tells him, “Never trust a musicianwhen he speaks about love.” The advice comes too late. Martinalready loves Dovidl Rapoport, an eerily gifted Polish violinprodigy whose parents left him in the Simmonds’s care before theyperished in the Holocaust. For a time the two boys are closer thanbrothers. But on the day he is to make his official debut, Dovidldisappears. Only 40 years later does Martin get his first clueabout what happened to him. In this ravishing novel of music and suspense, Norman Lebrechtunravels the strands of love, envy and exploitation that knotgeniuses to their admirers. In doing so he also evokes the fragilebubble of Jewish life in prewar London; the fearful carnival of theBlitz, and the gray new world that emerged from its ashes.Bristling with ideas, lambent with feeling, The Song ofNames is a masterful work of the imagination.
