作品再现日军在侵华战争中，对中国进行的大规模领土侵略、文化侵略、烧杀抢掠和资源掠夺……本书图文并茂，力争退却偏激的感情色彩，理性挖掘从1931年到1945年14年间，日本轻而易举对中国900多座城市功城掠地的内因与外因。书中使用的图片均为作者个人藏品照片，有些购于境外。选材角度新鲜，独特，说服力强，是日本侵华史的有力物证和对“公共记忆”的丰富和补充。

“苏州老行当”画稿表现的是20世纪各个时期苏州市面上所见的诸业行当。随着经济的发展，人们生活方式的改变，有些已经消失，只能从图中得见，而其中大部分仍是家居生活中不可或缺的。这些画作既不像“北京民间生活彩图”那样，只给人物和器具，也不同于吴友如只用墨线勾勒的画作，而是将经营各种行当的特定场景都一一表现出来，如卖白兰花的姑娘行走在幽深的小巷中，剃头摊、小吃店没在跨河的拱桥畔，油漆匠在富家花园内劳作，渔夫、菜贩摇着般儿穿行于水巷叫志，采菱女泛舟于绿荷田田的湖上……画家采用了表现江南烟雨蒙蒙景色的彩墨渲染技法，使得画中的小桥、流水、粉墙黛瓦、街巷、人物似乎都被浸得湿漉漉的，尽显水乡屡动、婉丽的情境，令人想起8世纪诗人白居易咏呤江南的词句：“江南好，风景旧曾谙。日出江花红胜火，春来江水绿

The rapidity of China’s high-speed railwaydevelopment symbolizes the “China Speed” which is manifesting itself during theera of Reform and Opening Up. China’s high-speed railways are known forsafety, convenience and fort – the top choice for people on the move. Withthe “Four South-North” and “Four East-West” high-speed rail work takingshape in China, the zooming high-speed trains are changing the ways people workand live. The whole world haeen amazed at the speedwith which China has developed its railways. Even US President Obama once said,“There is no reason why Europe or China should have the fastest trains.” Chinais petitive worldwide in railway transportation infrastructure on thestrength of its quality production capacity, advanced technology and deliveryof value for money. The result is a brand-new calling card for Chinesemanufacturing. As a witness to and participant in thedevelopment of high-speed railways in China, the author has extensivelyconsulted archives, held in-depth inte

胡同是北京特有的一种古老的城市小巷，已有800多年的历史。纵横交错的胡同不仅仅是城市的交通络，更是百姓生活的场所。作为北京历史文化发展的舞台，它见证了历史的变迁、时代的风貌，留下了许多社会生活的印记，保留了原滋原味的老北京民俗风情。

Peking Opera, known as Jing Ju (Capital Opera), has a history of more than 200 years. Because of its patronage by the ruling Qing,or Manchu, dynasty, Peking Opera grew from a local folk art .to the standard bearer of theatrical art. It attained the prominent status of Guo Ju or National Opera of China. After the Qing Dynasty was overthrown in 1911, Peking Opera continued to gain popularity not only with the upper classes but also with students and intellectuals. By the 1920s, it had developed into a splendid art form and a popular means-of entertainment as well. In the capital alone, numerous theaters were established solely for op- era performances,and there were at least, three academies for training young performers and several pr0fess!onal opera troupes that performed every week.

Las estampas de a?o nuevo son una forma artística folclórica de mucho arraigo en China. Se trata de una variedad independiente de pintura tradicional que llama mucho la atención por su colorido. Por estampas de a?o nuevo se entienden las obras pintadas y pegadas en las fachadas e interiores de las residencias chinas en vísperas de a?o nuevo, confeccionadas por talleres locales de artesanía. Desde el punto de vista genérico, las estampas se refieren a toda pintura creada por artesanos folclóricos, reproducida a través de la escultura, que refleja la vida urbana y rural. Las estampas folclóricas de a?o nuevo de China no sólo son vistosas y ricas en contenido y formas de expresión, sino también en significación cultural e histórica. El presente libro divide la presentación de las distintas estampas en cinco grupos: dioses de la puerta, dioses folclóricos, ni?os y beldades, costumbres y festividades, y cuentos y representaciones teatrales. Todas las ilustraciones, cuya gran parte es obra de grande

The Chinese nation evolevd between two rivers,the Yellow and Yangtze,basins of wheat and rice,giving Chinese people characterstics of thrift and persistence,sirvival and an innate understanding of the forces of change which e with teh revolving seasons and ever harmonious cycles of naure.

红色是北京的颜色，也是中国的象征。红色的宫墙，红色的灯笼，红色的婚礼，红色的春联，从古至今，北京的生活中充满红色的装饰主题。红色，构成了人们认同北京的颜色。红色是激情和运动的颜色；红色是喜庆与祥和的颜色；红色是民俗与文化的颜色；红色也是北京奥运会会徽颜色的主色。 本书为法文版《中国红》，内中详细介绍了中国历代使用红色的风俗习惯。

This selection of Lu xun's works includes stories,prose poems,reminiscences,polemical writing and essays dealing with many aspects of life and letters.It prises four volumes,the last three of which contain selected essays.

China is one of the earliest ancient civilizations in the world. Chinese civilization is the only ancient civilization in humanhistory without any interruption. This book outlines the developmenttrajectory of Chinese history, represents the demeanor andcharacteristics of Chinese civilization and interprets the secrecy ofthe continuity and rejuvenation of the densely populated ancientcivilization after several thousand years of vicissitudes.

Huang Hua just celebrated his 96th birthday. A graduate of Yenching University, he is a typical Chinese progressive intellectual of his time. In old China the suffering of the mon people and the pressing danger of losing the sovereignty of the entire nation led Huang Hua and millions of young people to join the struggle for China’s liberation. Huang Hua’s memoir is a book describing his more than 70 years of activities as a revolutionary and a diplomat. It reflects also many significant aspects of China’s modern political history. In his posts as ambassador and foreign minister he witnessed a great range of events in international relations and participated in the realization of the foreign policy of New China. As to the book’s style of writing, it is just like the character of the author-clear and straightforward, so it is easy to read and prehend.

旗袍，线条简洁、色彩灵动、性感迷人，能巧妙地衬托出女性的曲线美。女人穿上旗袍，既能散发出古典的优雅气质，又能展现当今社会的时尚气息；既不失清纯，又极具性感。《中国红?旗袍(汉英对照)(典藏版)》全面展示了旗袍的独特魅力，期待旗袍的美，由你来演绎。

“汉字书写本” 是《轻松学中文》（少儿版）（第二版）系列教材的配套产品。？此书写本的作用是帮助学生打好学习汉字的基础，因为反复抄写能促进记忆。？学生要按照汉字的笔画、笔顺来写，从一开始就养成准确、工整书写汉字的好习惯。？鼓励学生一边书写，一边把字、词读出来，同时记住字、词的意思。书写本包含了每课的生字和生词。一些笔画多的字，不必要求所有学生都抄写，但是老师可以鼓励有能力的学生完成描红，并试着写一下。