“Buried as a g while tha whole world remembers me” –Tupac Shakur, from “Until the End ofTime” Tupac Shakur was larger than life. A giftedrapper, actor, and poet, he was fearless, prolific, andcontroversial–and often said that he never expected to live pastthe age of thirty. He was right. On September 13, 1996, he died ofgunshot wounds at age twenty-five. But even ten years after Tupac’stragic passing, the impact of his life and talent continues toflourish. Lauded as one of the greatest hip-hop artists of alltime, Tupac has sold more than sixty-seven million recordsworldwide, making him the top-selling rapper ever. How Long Will They Mourn Me? celebrates Tupac’sunforgettable life–his rise to fame; his tumultuous dark sidemarked by sex, drugs, and violence; and the indelible legacy heleft behind. Although Tupac’s murder remains unsolved, the spiritof this legendary artist is far from forgotten. How long will wemourn him? Fans worldwide will grieve his untimely death for a longti
In this extraordinary memoir, Nobel Prizewinning author GnterGrass remembers his early life, from his boyhood in a crampedtwo-room apartment in Danzig through the late 1950s, when The TinDrum was published. During the Second World War, Grass volunteeredfor the submarine corps at the age of fifteen but was rejected; twoyears later, in 1944, he was instead drafted into the Waffen-SS.Taken prisoner by American forces as he was recovering fromshrapnel wounds, he spent the final weeks of the war in an AmericanPOW camp. After the war, Grass resolved to become an artist andmoved with his first wife to Paris, where he began to write thenovel that would make him famous. Full of the bravado of youth, therubble of postwar Germany, the thrill of wild love affairs, and theexhilaration of Paris in the early fifties, Peeling the Onionwhichcaused great controversy when it was published in GermanyrevealsGrass at his most intimate.
The first account—prodigiously researched, richly detailed—ofthe last remarkable twenty-five years of the life and art of one ofAmerica’s greatest and most beloved musical icons. Much has been written about Louis Armstrong, but most of itfocuses on the early and middle stages of his long career. Now,Ricky Riccardi—jazz scholar and musician—takes an in-depth look atthe years in which Armstrong was often dismissed as a buffoon?ish,if popular, entertainer, and shows us instead the inventiveness anddepth of expression that his music evinced during this time. These are the years (from after World War II until his death in1971) when Armstrong entertained crowds around the world andrecorded his highest-charting hits, including “Mack the Knife” and“Hello, Dolly”; years when he collaborated with, among others, EllaFitzgerald, Duke Ellington, and Dave Brubeck; when he recorded withstrings and big bands, and, of course, with the All-Stars, hisprimary performing ensemble for more than
他和R 莱顿合著的《别逗了费曼先生》的这些回忆文字，为这个大人物大致描绘了一生！这是一本很棒的读物：挥霍无忌、惊世骇俗，却仍然温馨，很有人情味儿。 本书仅仅是稍微触及了他的人生根本：科学。我们在这里或那里，能够看到，作为背景材料，科学只是一笔带过，而不是作为他的人生焦点来处理的，但他一代一代的学生和同事，都知道科学在他的生活中的分量。或许本书也只能这样来写。要把关于他和他的工作的那些爽人心神的故事组织起来，或许也真的没有办法：挑战与挫折，得到慧见时的兴奋，科学的理解带来的深深的喜悦，这才是他的人生快乐之源。
Soon after the fall of the Taliban, in 2001, Deborah Rodriguezwent to Afghanistan as part of a group offering humanitarian aid tothis war-torn nation. Surrounded by men and women whose skills–asdoctors, nurses, and therapists–seemed eminently more practicalthan her own, Rodriguez, a hairdresser and mother of two fromMichigan, despaired of being of any real use. Yet she soon foundshe had a gift for befriending Afghans, and once her professionbecame known she was eagerly sought out by Westerners desperate fora good haircut and by Afghan women, who have a long and proudtradition of running their own beauty salons. Thus an idea wasborn. With the help of corporate and international sponsors, the KabulBeauty School welcomed its first class in 2003. Well meaning butsometimes brazen, Rodriguez stumbled through language barriers,overstepped cultural customs, and constantly juggled the challengesof a postwar nation even as she learned how to empower her studentsto become their families’ breadwinners
In a book that is both biography and the most exciting form ofhistory, here are eighteen years in the life of a man, AlbertEinstein, and a city, Berlin, that were in many ways the definingyears of the twentieth century. Einstein in Berlin In the spring of 1913 two of the giants of modern sciencetraveled to Zurich. Their mission: to offer the most prestigiousposition in the very center of European scientific life to a manwho had just six years before been a mere patent clerk. AlbertEinstein accepted, arriving in Berlin in March 1914 to take up hisnew post. In December 1932 he left Berlin forever. “Take a goodlook,” he said to his wife as they walked away from their house.“You will never see it again.” In between, Einstein’s Berlin years capture in microcosm theodyssey of the twentieth century. It is a century that opens withextravagant hopes--and climaxes in unparalleled calamity. These aretumultuous times, seen through the life of one man who is at oncewitness to and architect of his day--and
