From the camera lucida to the latest in digital image makingand computer manipulation, photographic technology has dramaticallychanged throughout its nearly 200-year history, as succinctlyexplained and powerfully illustrated in "A World History ofPhotography". Thanks to the unique immediacy with which photographycaptures perspective and history, the popularity and use of thecamera spread rapidly around the globe. Today, photography isubiquitous: from newspapers and fashion magazines to billboards andthe film industry, cultures worldwide have embraced this malleableartistic medium for a limitless variety of purposes. NaomiRosenblum's classic text investigates all aspects of photography -aesthetic, documentary, commercial, and technical - while placingphotos in their historical context. Included among the more than800 photographs by men and women are both little-known andcelebrated masterpieces, arranged in stimulating juxtapositionsthat illuminate their visual power. Authoritative and unbiased,Rosenblum's chr
Martin Munkacsi was never at a loss for self-confidence and was proud to be the best-paid photographer of his time. One of the most significant photographers of the twentieth century, Munkacsi shaped the beginnings of modern photojournalism and set into motion the previously static medium of photography. Munkacsi combined journalistic accuracy with a highly formal aesthetic standard, and was an outstanding representative of the Neues Sehen, arguably photographys weightiest contribution to advanced art. He defied convention by incorporating motion, dramatic camera angles and whimsy into his work, creating fashion and sports photography that was groundbreaking and unmatched. Munkacsis work unfortunately did not remain intact: scattered throughout the world, it was to an extent lost. Only the Ullstein Archive in Berlin maintains a fairly extensive collection of his lifes work from his days in Hungary and Germany. This second-edition of Martin Munkacsi combines pictures from all Munkacsis artistic phases w
This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took him to the Ukraine and Romania. The photos evidence brief stops at the side of the road and present subjects that fall into two distinct categories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or small and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were road casualties. The similarity between each composition the landscape format, the colourful centred arrangement, the consistent distance between photographer and subject belies a deeper message: the produce suggests sustenance, growth and while the memorials are signs of tragedy and grief. Karpaten / Carpathians is thus not only a collection of travel photos, but a reflection of the human need to shape events, and a succinct story of life and death both realities along the metaphorical road on which we all travel. Born in 1938 in Appenzell, Switzerl
Whether they are of Abu Dhabi, California, Egypt or Emilia, all of the images he produces are lit with a constant physical light and elements that this photographer seems to always have with him the way he does with his camera bag, and through which all he wants to do is observe the world. I find such an aesthetic to be more that of a painter than a photographer somehow. Better yet, that of a post-documentary or neo-pictorialist photographer, who experiences and conceives his work to be the exprssive gesture of an artist for whom the subject is above all the opportunity for a tremendous but constant variation in his view of the world.
铁托南斯拉夫共chan主义极简主义狂野世界指南 Spomenik-- Serbo-Croat /斯洛文尼亚语中的纪念碑 - 指的是20世纪60年代至80年代在铁托的南斯拉夫共和国建造的纪念碑,标志着第二次世界大战期间占领的恐怖和轴心国的失败。全国各地都有数百座建筑,从沿海度假胜地到偏远山区。通过这些富有想象力的混凝土和钢铁形式,设想了一个没有种族紧张局势的无阶级,前瞻性的社会主义社会。而不是寻求意识形态一致的苏联的艺术灵感,铁托转向西方和抽象表现主义和极简主义的作品。这使得南斯拉夫能够通过纪念碑发展自己独特的身份,将它们变成政治工具,阐明铁托对新明天的个人愿景。 今天,在该国解体和随后的1990年代南斯拉夫战争之后,一些人被摧毁或被遗弃。许多人遭受了种族紧张局势的后果:一旦被视为希望的象征,他们现在成为怨恨和愤怒的焦点。 本
It's simple question,but there's no simple answer-indeed,each of the 280 photographs in this wonderful book offers its own,unique answer,distilling subject,setting,and cerative skill into a single arresting moment that cap-tures the viewer's imagination.And though we may find this elusive quality hard to define,we recognze is imme-diately and instinctively. William Albert Allard,one of the essayists in the book,writes,A fine portrait has the potential to tell something about the spirit of the subject that can be sensed by someone half a world and a different language away.something universal and simple:This is another person in our world and I'd like you to meet him or her. Culled from National Geographic's extraordinary archive,this collection spans more than a century and explores every cornetr of the globe and every aspect of the portraitist's art.The pictures here represent both the special visions of some of the world's finest photographers and the universal appeal of our shared humanity in all i
Birds have been a source of fascination and mystery for humans throughout the world, and throughout time.The Encyclopedia of Birds reveals in striking detail the rich variety of bird life,from the exotic to the common that we can see everyday in our locality; birds whose songs and silhouettes in flight we often take for granted. But you will also find, photographed close-up with stunning clarity, occasional visitors to these shores, together with images of birds from all over the world.Splendidly illustrated, featuring more than 400 species in a highly informative text,The Encyclopedia of Birds offers a window on the world of the extraordinary diversity of birds on our planet.
Previously unpublished colour photographs of London's East End showing a time before great change. When a local photographer was invited to examine 1,000s of David Granick's colour slides in early 2017, he knew he'd seen something special. These images capture the post-war streets of Stepney, Whitechapel, Spitalfields and beyond in the warm hues of Kodachrome film at a time when black and white photography was the norm. Acquired by Tower Hamlets Local History Library Archives in the early 1980s and preserved there safely since, these photographs show an East London on the cusp of social change.
克里斯 多利 - 布朗记录了1986年和1987年期间东伦敦交通堵塞中的40多名司机。这些在各种无聊、沮丧或放松状态下展示的面孔照片既有趣又幽默,他巧妙地捕捉了一个非常特别的情绪和场景。克里斯 多利 布朗是一位英国摄影师,在伦敦东区生活和工作了30年。在他作为摄影师的职业生涯中,他记录了哈克尼及其多元社区生活的许多方面。 Chris Dorley-Brown has documented more than 40 drivers stuck in traffic jams in East London during 1986 and 1987. The images, showing faces in various states of boredom, frustration or relaxation are as fascinating as they are humorous and subtly capture the mood and fashion of a very distinct era. Chris Dorley-Brown is a British photographer who has lived and worked in the East End for the last 30 years. During his career as a photographer he has documented many aspects of life in Hackney and its diverse community.
Best known for his striking photographs of people on the fringes of South African society, Roger Ballen makes images that are ambiguous and often disturbing, but also shot through with flashes of dark humour. The photographs in Shadow Chamber blur the boundaries between documentary photography and art forms such as painting, theatre and sculpture, challenging the ways in which we perceive the 'reality' of photography. Ballen's images are completely honest, yet also fabricated. The mysterious, cell-like rooms that Ballen photographs are actual places, but they are unsettling and strange, logical but impossible: their walls are covered with scribbled drawings, stains and dangling wires, the floors are strewn with bizarre props and artefacts. Dogs, rabbits and kittens wander into the frame or are stuffed into unlikely containers. The humans and animals in Ballen's photographs appear isolated and lost, yet strangely empowered at the same time. The resulting images are allegories of lived experiences and surre
Sidestepping the tragic figure presented in other books,"Marilyn Monroe: Platinum Fox" provides a light-hearted andhumorous look at a legend like no other! Sixty years after herimage first flickered on the screen, Marilyn Monroe remains theultimate Hollywood star, a face and name more recognizable thancurrent performers. What remains to be explored about 'Marilyn'?Here we celebrate what first made her a star. Profusely illustratedwith colour and black and white stills from the 20th Century Foxarchives - some of which will be seen for the first time in thisbook - "Marilyn Monroe: Platinum Fox" focuses on quintessentialMarilyn in classics like "Gentleman Prefer Blondes", "The SevenYear Itch" and her other Fox films. The text is filled withbehind-the-scenes stories, memorable movie quotes, film facts,trivia, plotlines, character profiles and highlights of the mostMarilyn moments.
Revised and updated, the new edition of the best-selling classic: over 500,000 copies of previous editions in print worldwide Every new generation of digital cameras offers more photographic possibilities, and the options can be baffling. This completely updated edition of Michael Freemans best-selling Complete Guide to Digital Photography introduces all the knowledge youll need to cut to the chase and create perfect photographs every time. You'll gain a thorough understanding of how today's cameras work, an introduction to digital editing techniques that make the most of the technology's capabilities, and a grounding in photography's all the expertise that Michael Freeman has gained in his successful career as a professional assignment photographer. With over 600 examples, a no-nonsense, jargon-busting glossary of terms and a full index for easy reference, it is an indispensable onestop source of photographic information and expertise.