水墨画鱼类，虽看似粗略几笔，齐白石对原物却观察得异常仔细，并抓住其主要特征进行刻画。他晚年曾对弟子胡絮青说：“鲫鱼腮旁有一条灰白的线，直通鱼尾，从这条线可以计算它身上有若干鳞片……画画的人如能这么仔细地去研究它，在画它时就不会马虎的了。”齐白石画虾享誉于世。他早期画虾，基本上是青虾（河虾）的造型，且多是游动的群虾，用小号羊毫笔，其质感和透明度不强，虾的腿和须画得短密且欠弹性，后腿呈排列状且多至八九条。为求神似，老人70岁后画虾，一改早年画法，加大并明确了虾身的起伏角度，同时对虾的游足也一删早年时的繁多，始而画游足五只，虾壳的质感和透明感也得到加强。80岁后他删繁就简，已不再画繁复的虾群，只为几只虾传神。画虾变化明显的是他把虾头前面的短须省去，仅画六条大须。虾须的简化，使得画幅的空
This progressive book object combines twovolumes and covers the sweep and depth of Lewis Baltz's influentialoeuvre. Rule Without Exception is a re-issue of Baltz'saward-winning mid-career retrospective book which accompanied atravelling exhibition of the same name in 1991. The book surveysBaltz's work from "The Prototype Works" of 1967 through to "Sitesof Technology" of 1991, showing the range of his images ofindustrialised landscapes and technological sites. Each section ofthe book is accompanied by installation views as well as texts bydistinguished writers, some newly commissioned for this edition.Only Exceptions is a new book chronicling Baltz's work - nowusually site-generated commissioned works - from 1992 to thepresent and is published on the occasion of an exhibition organizedby the Kunstmuseum, Bonn. Only Exceptions includes Baltz's work inCalifornia, Leipzig's "Black Triangle", Reggio Emilia, Groningen,Rome, Venice, and two projects with Jean Nouvel in France andItaly.
丰子恺曾把自己的创作时代划分四个时期："一是描写古诗句的时代；二是描写儿童的时代；三是描写社会的时代；四是描写自然的时代。”本漫画作品集揉和了他各个时代的作品，以“初心”为主题，精选漫画64幅，旨在通过这些或简单有趣好玩或寄予情感投射的漫画来表达作者的一颗赤子之心。他笔下儿童的天真烂漫生动、自然生活丰富而多趣、在社会时代下的现实中也透露出坚实的情感。?
水墨画鱼类，虽看似粗略几笔，齐白石对原物却观察得异常仔细，并抓住其主要特征进行刻画。他晚年曾对弟子胡絮青说：“鲫鱼腮旁有一条灰白的线，直通鱼尾，从这条线可以计算它身上有若干鳞片……画画的人如能这么仔细地去研究它，在画它时就不会马虎的了。”齐白石画虾享誉于世。他早期画虾，基本上是青虾（河虾）的造型，且多是游动的群虾，用小号羊毫笔，其质感和透明度不强，虾的腿和须画得短密且欠弹性，后腿呈排列状且多至八九条。为求神似，老人70岁后画虾，一改早年画法，加大并明确了虾身的起伏角度，同时对虾的游足也一删早年时的繁多，始而画游足五只，虾壳的质感和透明感也得到加强。80岁后他删繁就简，已不再画繁复的虾群，只为几只虾传神。画虾变化明显的是他把虾头前面的短须省去，仅画六条大须。虾须的简化，使得画幅的空
The classic Photofile series brings together the best work ofthe world's greatest photographers in an attractive format and at areasonable price. Handsome and collectible, the books each containsome sixty reproductions, plus a critical introduction and abibliography. With his focus on the "disagreeable beauty" of the anomalous andthe transgressive, Joel-Peter Witkin's images are edgy anddisturbing. Influenced by artists from Giotto to the Surrealists,by daguerreotypes and the work of Bellocq, his portraits andcomplex tableaux incorporating corpses, hermaphrodites, masks, andmutilation provoke and challenge the viewer. 64 illustrations incolor and duotone.
《复频弹性律学：李曙明音律文集》收录了我国音乐美学家、律学家李曙明先生的七篇律学论文。《复频弹性律学：李曙明音律文集》的特色是从美学和哲学的高度来重新看待和审视律学问题，这无疑为律学的未来发展提供了一个崭新的视角。作者以2音分的“小微音差”和14音分的“弹律音差”为工具，运用传统文化中的“和律”智慧将五度相生律、纯律和十二平均律融合为一个自洽的完整体系，使得三律之美兼而有之。全书既大胆借鉴当前律学研究的新成果，又充分吸收了古代易学、律学精髓，体现出“技”、“艺”与“道”的统一，把律学从造律.听律、算律的历史推向了唱（奏）律的艺术实践新阶段，对音乐理论、音乐表演及中国十二音作曲法具有高屋建瓴般的指导意义。全书简洁精炼，逻辑清晰，不仅是律学研究者的重要参考书目，也适合专业音乐院校和师
Third Life is the new monograph by the photographers photographer, Norbert Schoerner. Assembled as a cinematic narrative, this book collects new and previously unseen work produced over the last seven years. In equal measures a photographic diary and a sequence of remarkable tableaux, Third Life traces Schoerners journeys across the globe. Through the juxtaposition of carefully chosen urban and rural landscapes with images from his photographic sketchbooks, Schoerner explores representation in the context of mass availability and re-purposing of digital images in the www environment.
Andreas Gurskys new Bangkok series forms the basis of this book. Gurskys photos depict the dark, moving water of Thailands Chao Phraya river, whose shimmering surface possesses the qualities of abstract painting. Indeed these photos are reminiscent of some of the most recognisable examples of Modernist Abstraction such as the work of Hans Arp, but they also echo the more hostile patterns of military camouflage. Seductively beautiful on the first glance, it is only in time that the rubbish of civilisation becomes recognisable floating on the surface of the river the flotsam of a threatening reality moving upon colourful reflections. Gursky alludes to the ecological problems that jeopardise Bangkok, and which shortly after these images were made, culminated in the widespread flooding that devastated great parts of Thailand. Andreas Gursky, born in 1955 in Leipzig, is one of the most important contemporary photographers. He studied at the Folkwangschule in Essen, and at the Kunstakademie Du?sseldorf under
Bollywood movies are glorious, colorful spectacles of romance,action, drama, song, and dance. The biggest film industry in theworld, Bollywood puts out some nine hundred movies a year, whichare watched by passionate fans around the globe. Stephen Alter--awriter who grew up in India and has inside access toBollywood--acts as translator and tour guide in this firsthand lookinto the world of Bombay films. Following the making of a Bollywoodversion of Othello, he explores the enormous popularity of Hindimovies and reveals the actors, directors, musicians, and feats ofartifice that make them so compelling and unique. From the blessingceremony performed each time a movie starts shooting to the secretsbehind the song- and-dance extravaganzas, Fantasies of a BollywoodLove-Thief is a beguiling introduction to the rituals and cultureof a moviemaking industry so similar to and yet utterly differentfrom our own.
《复频弹性律学：李曙明音律文集》收录了我国音乐美学家、律学家李曙明先生的七篇律学论文。《复频弹性律学：李曙明音律文集》的特色是从美学和哲学的高度来重新看待和审视律学问题，这无疑为律学的未来发展提供了一个崭新的视角。作者以2音分的“小微音差”和14音分的“弹律音差”为工具，运用传统文化中的“和律”智慧将五度相生律、纯律和十二平均律融合为一个自洽的完整体系，使得三律之美兼而有之。全书既大胆借鉴当前律学研究的新成果，又充分吸收了古代易学、律学精髓，体现出“技”、“艺”与“道”的统一，把律学从造律.听律、算律的历史推向了唱（奏）律的艺术实践新阶段，对音乐理论、音乐表演及中国十二音作曲法具有高屋建瓴般的指导意义。全书简洁精炼，逻辑清晰，不仅是律学研究者的重要参考书目，也适合专业音乐院校和师
In 2001, Rinko Kawauchi launched her career with the simultaneous publication of three astonishing photobooks--Utatane, Hanabi and Hanako--firmly establishing herself as one of the most innovative newcomers to contemporary photography, not just in Japan, but across the globe. In the years that followed, she published other notable monographs, including Aila (2004), The Eyes, the Ear (2005) and Semear (2007). And now, ten years after her precipitous entry onto the international stage, Aperture has published Illuminance, the latest volume of Kawauchi's work and the first to be published outside of Japan. Kawauchi's photography has frequently been lauded for its nuanced palette and offhand compositional mastery, as well as
On the occasion of the 125th anniversary of the automobile, Daimler presents this comprehensive chronicle of the worlds oldest automotive manufacturer. The fascinating history of the car and its impact on society are here to be discovered in word and text: from Carl Benzs gas engine drive prototype of 1883, to the sleek Mercedes Benz racing cars of the 1930s, and todays progressive designs for the future. Whether luxury sedan, sports car, truck or bus, this book provides an in-depth overview of every make of car produced by Daimler. Beginning with historical portraits of the auto motive pioneers Carl Benz, Gottlieb Daimler and Wilhelm Maybach, the reader explores the evolution of the Mercedes Benz over time and how it has earned its place in our cultural imagination.
丰子恺曾把自己的创作时代划分四个时期："一是描写古诗句的时代；二是描写儿童的时代；三是描写社会的时代；四是描写自然的时代。”本漫画作品集揉和了他各个时代的作品，以“初心”为主题，精选漫画64幅，旨在通过这些或简单有趣好玩或寄予情感投射的漫画来表达作者的一颗赤子之心。他笔下儿童的天真烂漫生动、自然生活丰富而多趣、在社会时代下的现实中也透露出坚实的情感。?
ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum ofAdams' work in a single volume for the first time, offering thelargest available compilation from his legendary photographiccareer. Beautifully produced and presented in an attractivelandscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to ageneral gift-book audience as well as Adams' legions of dedicatedfans and students. The photographs are arranged chronologically into five majorperiods, from his first photographs made in Yosemite and the HighSierra in 1916 to his work in the National Parks in the 1940s up tohis last important photographs from the 1960s. An introduction andbrief essays on selected images provide information aboutAdams'life, document the evolution of his technique, and give voice tohis artistic vision. Few artists of any era can claim to have produced four hundredimages of lasting beauty and significance. It is a testament toAdams' vision and lifetime of hard work that a book of this scalecan be compiled. ANSEL
In 1950, Robert Frank left his job as a photographer in NewYork to travel through Europe with his family. That summer hearrived in Valencia, Spain, which was at the time a humble, bleakplace enduring the austere conditions of the postwar period likethe rest of the country. The pictures Frank took of Valencia depictthe daily life of a fishing village. His portrayal is so naturaland clear that further verbal explanation seems superfluous; theysimply reflect, in the photo graphers words, the humanity of themoment. The photographs in this book, many of which have never beenpublished before, allow dignity to override poverty. Robert Frank,a key figure in photographic history, was born in Zurich in 1924and immigrated to the United States in 1947. He is best known forhis seminal book The Americans, first published in 1959, which gaverise to a distinct new form in the photobook, and his experimentalfilm Pull My Daisy (1959). Franks other projects include the booksBlack White and Things (1954) and The Lines of
