These free-wheeling, often exhilarating dialogues—which grewout of the acclaimed Carnegie Hall Talks—are an exchange betweentwo of the most prominent figures in contemporary culture: DanielBarenboim, internationally renowned conductor and pianist, andEdward W. Said, eminent literary critic and impassioned commentatoron the Middle East. Barenboim is an Argentinian-Israeli and Said aPalestinian-American; they are also close friends. As they range across music, literature, and society, they openup many fields of inquiry: the importance of a sense of place;music as a defiance of silence; the legacies of artists from Mozartand Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; andthe need for “artistic solutions” to the predicament of the MiddleEast—something they both witnessed when they brought young Arab andIsraeli musicians together. Erudite, intimate, thoughtful andspontaneous, Parallels and Paradoxes is a virtuosiccollaboration.

In 1931, Diego Rivera was the subject of The Museum of ModernArt s second monographic exhibition, which set new attendancerecords in its five-week run. The Museum brought Rivera to New Yorksix weeks before the show s opening and gave him on-site studiospace. There he produced five "portable murals" --large blocks offrescoed plaster, slaked lime and wood that feature bold imagesdrawn from Mexican subject matter and address themes of revolutionand class inequity. After the opening, to great publicity, Riveraadded three more murals, now taking on New York subjects throughmonumental images of the urban working class and the city duringthe Great Depression. Published in conjunction with an exhibitionthat brings together key works made for Rivera s 1931 show, thiscatalogue casts the artist as a highly cosmopolitan figure whotraveled between Russia, Mexico and the United States and examinesthe intersection of artmaking and radical politics in the 1930s.Illustrated with reproductions of each panel as well as r

本书的照片都是从国家地理学会超凡的馆藏摄影档案中精心挑选出来的，时间跨越了一个多世纪，反映的题材遍及地球上的每一个角落，也涉及了摄影艺术的每一个层面。这些照片既反映了一些*摄影大师观察生活的独特视角，也代表了我们人类某些共同的情感追求和人性的张扬。 The Collectors Seriesedition of "In Focus" is simply the existing book at a smaller trimsize. This magnificent collection of 280 photographs by many of theworld's greatest photographers tells the tale of portraitphotography over time in page after page of arresting images. Eachphotograph stands proudly on its own, yet taken together, they tella much more complex and subtle story of the ever-evolving art formin constant creative response to new ideas, new eras, and newtechnologies.

A wonderful and original tribute to the curious, comical Dodoand the beautiful island of Mauritius. Award-winning Finnishphotographer Harri Kallio creates the illusion that thesefascinating creatures are alive and abundant, living as they oncedid in their own unspoiled haven, the island of Mauritius.Accompanied by a thorough history of this extraordinary bird,including eyewitness accounts and pictorial sources, the book wasthe winner of the 2004 European Publishers’ Award forPhotography.

The Renaissance holds an undying place in our imagination, itsgreat heroes still our own, from Michelangelo and Leonardo to Danteand Chaucer. This period of profound evolution in European thoughtis credited with transforming the West from medieval to modern andproducing the most astonishing outpouring of artistic creation theworld has ever known. But what was it? In this masterly work, theincomparable Paul Johnson tells us. He explains the economic,technological, and social developments that provide a backdrop tothe age’s achievements and focuses closely on the lives and worksof its most important figures. A commanding short narrative of thisvital period, The Renaissance is also a universally profoundmeditation on the wellsprings of innovation.

The classic art of enameling is experiencing a well-deservedrenaissance—and it’s stunningly captured in this lovingly curatedsurvey. More than 300 international contemporary artists havecontributed museum-worthy pieces, which range in scale from DavidC. Freda’s Green Slipper Brooch and Harlan W. Butt’s Maine Teapotto large sculptures and public art. Some of the creators take aminimalist approach, using only soft colors and matte finishes,while others exploit the material’s vibrant palette and glass-likesurface. The broad technical applications include everything fromsimple sifting and torch firing to complex cloisonné andplique-à-jour.

Just as its title indicates, "National Geographic SimplyBeautiful Photographs" plumbs the depth of National Geographic'srenowned Image Collection to highlight the loveliest and mostappealing photographs from this impressive archive. The result isan experience of visual delight, whether from stunning landscapes,magnificent wildlife, fascinating people, or quaint locales.Award-winning National Geographic photographer Annie Griffiths Belthas chosen remarkable images from all of the Society's core missionareas: exploration, wildlife, cultures, science, nature. Eachchapter showcases a specific aspect of what creates beauty in aphotograph, whether light or color, or motion, and illuminates thatquality in a splash of large-format images --most of which readerswill be able to purchase as prints. Musings on visual beauty fromscholars and poets enhance the experience, making this gorgeouscollection a pleasure to look at again and again.

“The standard of photography is absolutelyamazing.”— Practical Photography The third editionof Reuters: Our World Now captures the key events from2009 in more than 350 powerful photographs. Organized into foursections that represent the four quarters of the year, the imagescover the full range of global reporting: politics, commerce,conflict, the environment, natural disasters, faith andfestivities, entertainment, celebrity, and lifestyle. The photosoffer a fresh take on the year’s most memorable events as well asplenty of less-familiar stories. This completely new edition includes special “Witness” features:in-depth photo essays from around the world, many of them createdby local photographers with unique access and insight. The bookprovides an indispensable visual record of our times. 360 color and10 black-and-white photographs.

What do you getwhen you cross a snail with the Indianapolis 500? If you’reDreamWorks, then the result is Turbo, an uplifting—andgear-shifting—story about the ultimate underdog, delivered with thedigital mastery, storytelling skill, and spellbinding imagery we’vecome to expect from the studio behind the Shrek and Madagascar.

In 1958, the first edition of Robert Frank's TheAmericans was published in Paris. Les Américains contained Frank's 83 photographs in the same sequence as allsubsequent editions, with the image on the right hand page, butjuxtaposed with historical texts about American society andpolitics, gathered by Alain Bosquet. The following year, in thefirst American edition, the French texts were removed and anintroduction by Jack Kerouac was added. Over the subsequent 50years, The Americans has been republished in many editions,in numerous languages, with a variety of cover designs, and even ina range of sizes. It is the most famous photography book everpublished, and it changed the face of the medium forever. Robert Frank discussed with his publisher,Gerhard Steidl, the idea of producing a new edition using modernscanning and the finest tritone printing. The starting point was tobring original prints from New York to G?ttingen, Germany, whereSteidl is based. In July 2007, Frank visited G?ttingen. A new forma

Few artists have created as much controversy or survived itwith greater fame than Edouard Manet. In his day, the avant-gardewas not only a challenge to the traditions of art, but it was alsoa gunshot fired at society as a whole. With his painting Olympia(1869), Manet was to become, to quote Degas, as famous asGaribaldi. Yet how the urbane and diffident son of a bourgeoisfamily became the father of both Realism and Impressionism is acomplex and fascinating story that has too often been reduced totextbook clichés. As Manet has become recognized as a touchstonefor historical change but also for interpretations of how thatchange came about, his individual story has become all the morerelevant to the study of art history. Moreover, far from being anartists to shrink behind his work, one of Manets mostcharacteristic practices was to leave an indelible trace of his ownpersonal identity within his paintings, as illustrated throughoutthe volume by eminent scholar James H. Rubin. This lavishlyillustrated volume

The world of the fashionista is brought to vivid life with 101introductory lessons on such topics as how a designer anticipatescultural trends and "sees" the fashion consumer, the workings ofthe fashion calendar, the ways a designer collection is conceived,the manufacture of fabric, fashion illustration, and more. Illustrated in the distinctly unique packaged style of thebestselling101 THINGS I LEARNED IN ARCHITECTURE SCHOOL, this newbook on fashion design will be a perfect book for any fashionschool wannabe, a recent graduate, or even a seasonedprofessional.

FROM COMIC-BOOK LEGENDS TO SILVER-SCREEN SUPER HEROES! Marvel presents an insider's look into the making of its cinematic universe - assembling three Avengers in one stylish slipcase. Featuring exclusive production artwork, behind-the-scenes photography, and in-depth cast-and-crew interviews, this four-book collection is a must have for any fan of Mighty Marvel movies! Includes IRON MAN: THE ART OF IRON MAN THE MOVIE HC, IRON MAN: THE ART OF IRON MAN 2 HC, THOR: THE ART OF THOR THE MOVIE HC and CAPTAIN AMERICA: THE ART OF CAPTAIN AMERICA - THE FIRST AVENGER HC.

"This book charts my relationship with some of the mosttalented people in fashion throughout my career. It makes me veryproud to see gathered together all the great designers and housesI've worked with over the years. Looking through my personalarchives has been a real trip down memory lane and it is thefashion that brings back moments and memories of the lasttwenty-five years. I can't wait to share this book with the world."(Kylie Minogue). Published as part of the K25 celebrations thisyear, "Kylie / Fashion" is the official book celebratingtwenty-five years since Kylie burst onto the music scene with TheLocomotion and I Should Be So Lucky. From the very beginning, thefashion she has worn has been key to Kylie's persona andperformances: her status as style icon is unassailable. Thisdazzling book celebrates her numerous and ground-breakingcollaborations with the world's great fashion designers. Producedby Kylie in close collaboration with Thames Hudson, anddrawing on her personal archives, it showcases Kyl

The heart of Painters Wild Workshop is the presentation oftwelve gifted artists who take an unusual approach to their art.Readers are invited to workshop demonstrations, lecture sessions,and private lessons that encourage creative experimentation.Whether you are an accomplished artist, an aspiring artist, or anundiscovered artist, you will profit from the wealth of diverseexperiences, materials, and inspirations offered through thesewonderfully wild and creative methods. This is a book for painters,artists, and creative people of all types; its goal is to helpworking painters open up creativity, eliminate self-consciousness,and encourage true artistryeither in their current, chosen medium,or a completely new art medium.

Whether Gould's subject is Boulez, Stokowski, Streisand, orhis own highly individual thoughts on performance and creation ofmusic, the reader will be caught up in his intensity, intelligence,passion and devotion.

The moral of this book is that behind every great engineeringsuccess is a trail of often ignored (but frequently spectacular)engineering failures. Petroski covers many of the best knownexamples of well-intentioned but ultimately failed design in action-- the galloping Tacoma Narrows Bridge (which you've probably seentossing cars willy-nilly in the famous black-and-white footage),the collapse of the Kansas City Hyatt Regency Hotel walkways -- andmany lesser known but equally informative examples. The line ofreasoning Petroski develops in this book were later formalized intohis quasi-Darwinian model of technological evolution in TheEvolution of Useful Things , but this book is arguably the moreilluminating -- and defintely the more enjoyable -- of these twotitles. Highly recommended.

In this compulsively readable, fascinating, and provocativeguide to classical music, Norman Lebrecht, one of the world's mostwidely read cultural commentators tells the story of the rise ofthe classical recording industry from Caruso's first notes to theheyday of Bernstein, Glenn Gould, Callas, and von Karajan. Lebrechtcompellingly demonstrates that classical recording has reached itsend point-but this is not simply an expos? of decline and fall. Itis, for the first time, the full story of a minor art form,analyzing the cultural revolution wrought by Schnabel, Toscanini,Callas, Rattle, the Three Tenors, and Charlotte Church. It is thestory of how stars were made and broken by the record business; howa war criminal conspired with a concentration-camp victim to createa record empire; and how advancing technology, boardroom wars,public credulity and unscrupulous exploitation shaped the musicalbackdrop to our modern lives. The book ends with a suitable shrineto classical recording: the author's critical selectio

Japanese woodblock prints of the Edo period (16151868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published work