Review 'Must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms.' - The Guardian Must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms. - The Guardian Product De*ion "... must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms." The Guardian "The majority of the following poems are to be considered as experiments. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure." --William Wordsworth, from the Advertisement prefacing the original 1798 edition When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (a

Sun Tsu's Art of War is perhaps thebest-known and most highly regarded treatise on military strategyyet written. Compiled well over 200 years ago, its principles areas applicable to the boardroom as they are to thebattlefield. Unlike many contemporary translations that havefocused too heavily on applying this military classic to corporateconflicts, this definitive interpretation maintains the impact ofthe original. Free of academic commentary and ambiguous metaphors,Kaufman's translation uses straightforward prose to explain SunTzu's message. Like the original, this new interpretation isdivided into thirteen sections, each presenting vital informationon military strategy ranging from assessing opposing armies and theproper treatment of troops to the use of spies. Other chaptersinclude: considerations for war, preparations for war, the natureof attacks, how to think during war, the reality of war, controlingterritory, managing campaigns, and fierceness in combat.

This collage-like book is an inquiry into the nature of life and of existence itself. Simultaneously philosophical, spiritual, and literary, it pushes the boundaries of this area of thought beyond the strictures of science, religion, and all other forms of ideology. Author Richard Grossinger dazzlingly blends narrative memoir, short science fiction “novels” (the shortest being a mere paragraph), political think pieces, Buddhist screeds, public dialogue via found art, and even dreams to create a bold view of the world and humankind’s precarious place in it.

The Yeats anthology of the poems of William Blake is that great rarity: one great visionary poet's anthology of everything that moves him about another, even greater one. Yeats prepared it in 1905 and it probably remains the single greatest single one-volume edition of William Blake extant, the one that, in less than 250 pages, presents as sensibly compressed and canny an edition as you'll ever find of perhaps the least sensible and most chaotic genius of English poetry. Even those who have the complete Blake in a couple of editions will find Yeats' Blake all-but-indispensable. –Buffalo News, April 6, 2003 This selection of Blake's work was commissioned in 1905 by the firm of George Routledge from W.B. Yeats. Yeats, one of the few poets comparable to Blake, prepared a unique selection of his poetic and prose writings.

Content and Consciousness is an original and ground-breakingattempt to elucidate a problem integral to the history of Westernphilosophical thought: the relationship of the mind and body. Inthis formative work, Dennett sought to develop a theory of thehuman mind and consciousness based on new and challenging advancesin the field that came to be known as cognitive science. Thisimportant and illuminating work is widely-regarded as the book fromwhich all of Dennett’s future ideas developed. It is his firstexplosive rebuttal of Cartesian dualism and one of the foundingtexts of philosophy of mind.

How do we see the world around us? "The Penguin on Design"series includes the works of creative thinkers whose writings onart, design and the media have changed our vision forever. SusanSontag's groundbreaking critique of photography asks forcefulquestions about the moral and aesthetic issues surrounding this artform. Photographs are everywhere. They have the power to shock,idealize or seduce, they create a sense of nostalgia and act as amemorial, and they can be used as evidence against us or toidentify us. In six incisive essays, Sontag examines the ways inwhich we use these omnipresent images to manufacture a sense ofreality and authority in our lives.

“A rich resource that should be widely drawn upon. . . . The author has courageously put together a real tract for our times.” —Nature "A cool and rational analysis . . . for those feeling a bit confused or helpless in the face of an upredictable future. . . . A book that could make a difference." —The Guardian “Capra has forged and interesting book, which challenges conventional wisdom, provides insights into social and economic pitfalls and offers some light at the end of the tunnel.” —The Sunday Times (London)

A cornerstone of Sartre’s philosophy, The Imaginary was first published in 1940. Sartre had become acquainted with thephilosophy of Edmund Husserl in Berlin and was fascinated by hisidea of the 'intentionality of consciousness' as a key to thepuzzle of existence. Against this background, TheImaginary crystallized Sartre's worldview and artistic vision.The book is an extended examination of the concepts of nothingnessand freedom, both of which are derived from the ability ofconsciousness to imagine objects both as they are and as they arenot – ideas that would drive Sartre's existentialism and entiretheory of human freedom.

In his autobiography, published in 1975, the private AndyWarhol talks about love, sex, food, beauty, fame, work, money,success; about New York and America; and about himself - hischildhood in McKeesport, Pennsylvania, good times and bad times inthe Big Apple, the explosion of his career in the Sixties, and lifeamong celebrities.

The author's final work, presented in a one-volume edition, is arich, challenging analysis of man's mental activity, considered interms of thinking, willing, and judging. Edited by Mary McCarthy;Indices.

Bertrand Russell describes the purpose of this book as theputting together of some remarks on the state of happiness whichare inspired by common sense, rather than any profound philosophyor deep erudition. It is based on the belief that many people whoare unhappy could become happy by well-directed effort. --Thistext refers to an out of print or unavailable edition of thistitle.

In On the Nature of the Psyche Jung presents a masterly overview of his theories of the unconscious, and its relation to the conscious mind. Jung's discovery of the 'collective unconscious', a psychic inheritance common to all humankind, transformed the understanding of the self and the way we interpret the world. In On the Nature of the Psyche Jung describes this remarkable theory in his own words, and presents a masterly overview of his theories of the unconscious, and its relation to the conscious mind. Also contained in this collection is On Psychic Energy , where Jung defends his interpretation of the libido, a key factor in the breakdown of his relations with Freud. For anyone seeking to understand Jung's insights into the human mind, this volume is essential reading.

It is hard to overestimate the importance of the contribution made by Dame Frances Yates to the serious study of esotericism and the occult sciences. The Occult Philosophy of the Elizabethan Age was her last book, and in it she condensed many aspects of her wide learning to present a clear, penetrating, and, above all, accessible survey of the occult movements of the Renaissance, highlighting the work of John Dee, Giordano Bruno, and other key esoteric figures.

'Michael Norton is a one-man ideas factory whose new book suggests some wacky ways in which, with a little bit of effort, people really can change the world for the better. Don't just sit back and do nothing.' THE GUARDIAN 'If you want to make a difference this year then I can do no better than recommend 365 Ways to Change the World by Michael Norton. His handbook makes it easy.' Roy Greenslade, THE TELEGRAPH --This text refers to an out of print or unavailable edition of this title.

This must-have hardcover edition--the only official guide--is the definitive encyclopedic reference to the TwilightSaga and provides readers with everything they need to furtherexplore the unforgettable world Stephenie Meyer created in Twilight, New Moon, Eclipse, and Breaking Dawn .With exclusive new material, character profiles, genealogicalcharts, maps, extensive cross-references, and much more, thiscomprehensive handbook is essential for every Twilight Sagafan.

In this book Jane Kneller focuses on the role of imagination as a creative power in Kant’s aesthetics and in his overall philosophical enterprise. She analyzes Kant's account of imaginative freedom and the relation between imaginative free play and human social and moral development, showing various ways in which his aesthetics of disinterested reflection produce moral interests. She situates these aspects of his aesthetic theory within the context of German aesthetics of the eighteenth century, arguing that Kant’s contribution is a bridge between early theories of aesthetic moral education and the early Romanticism of the last decade of that century. In so doing, her book brings the two most important German philosophers of Enlightenment and Romanticism, Kant and Novalis, into dialogue. It will be of interest to a wide range of readers in both Kant studies and German philosophy of the eighteenth and nineteenth centuries. Jane Kneller is a knowledgeable and perceptive scholar both of Kant and of ea

Susan Neiman is a moral philosopher committed to making thetools of her trade relevant to real life. In "Moral Clarity, "sheshows how resurrecting a moral vocabulary--"good "and "evil,heroism "and "nobility"--can steer us clear of the dogmas of theright and the helpless pragmatism of the left. In search of aframework for forming clear opinions and taking responsible actionon today's urgent political and social questions, Neiman reachesback to the eighteenth century, retrieving a set ofvirtues--happiness, reason, reverence, and hope--that were heldhigh by every Enlightenment thinker. She shows that the pursuit ofmoral clarity is not a matter of religious faith but is open to allwho are committed to these ideals, believers and nonbelieversalike. And she draws on literature, evolutionarytheory, and othercontemporary research to show why, by keeping before us thedistinction between the real and the possible, these idealscontinue to guide and inspire.

Jean-Paul Sartre, the seminal smarty-pants of mid-century thinking, launched the existentialist fleet with the publication of Being and Nothingness in 1943. Though the book is thick, dense, and unfriendly to careless readers, it is indispensable to those interested in the philosophy of consciousness and free will. Some of his arguments are fallacious, others are unclear, but for the most part Sartre's thoughts penetrate deeply into fundamental philosophical territory. Basing his conception of self-consciousness loosely on Heidegger's "being," Sartre proceeds to sharply delineate between conscious actions ("for themselves") and unconscious ("in themselves"). It is a conscious choice, he claims, to live one's life "authentically" and in a unified fashion, or not--this is the fundamental freedom of our lives. Drawing on history and his own rich imagination for examples, Sartre offers compelling supplements to his more formal arguments. The waiter who detaches himself from his job-role sticks in the reader'

These works were written against a background of war andracism. Freud sought the sources of conflict in the deepestmemories of humankind, finding clear continuities between our'primitive' past and 'civilized' modernity. In "Totem and Taboo",he explores institutions of tribal life, tracing analogies betweenthe rites of hunter-gatherers and the obsessions of urban-dwellers,while "Mourning and Melancholia" sees a similarly self-destructivesavagery underlying individual life in the modern age, which issuesat times in self-harm and suicide. And Freud's extraordinary letterto Einstein, Why War? - Rejecting what he saw as the physicist'snaive pacifism - sums up his unsparing view of history in a fewprofoundly pessimistic, yet grimly persuasive pages.

Aquinas, Aristotle, and the Promise of the Common Good claims that contemporary theory and practice have much to gain from engaging Aquinas's normative concept of the common good and his way of reconciling religion, philosophy, and politics. Examining the relationship between personal and common goods, and the relation of virtue and law to both, Mary M. Keys shows why Aquinas should be read in addition to Aristotle on these perennial questions. She focuses on Aquinas's Commentaries as mediating statements between Aristotle's Nicomachean Ethics and Politics and, Aquinas's own Summa Theologiae, showing how this serves as the missing link for grasping Aquinas's understanding of Aristotle's thought, in relation to Aquinas's own considered views. Keys argues provocatively that Aquinas's Christian faith opens up new panoramas and possibilities for philosophical inquiry and insights into ethics and politics. Her book shows how religious faith can assist sound philosophical inquiry into the foundation and proper purp

Throughout history, some books have changed the world. They have transformed the way we see ourselves- and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now PENGOIN brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. The Meditations of the great Roman philosophere-emperor Marcus Aurelius are simple yet profound works of Stoic philosophy that continue to offer guidance and consolation to many with their eloquence,wisdom and humility.

Like the Flowing River is an intimate collection of Paulo Coelho's reflections and short stories, written from 1998 to 2005. These are powerful tales of living and dying, of destiny and choice, of love lost and found. Sometimes humorous, sometimes serious, but always profound, this book, like all of Coelho's work, explores what it means to be truly alive.