Book De*ion Every Thursday morning for two years in the Islamic Republic ofIran, a bold and inspired teacher named Azar Nafisi secretlygathered seven of her most committed female students to readforbidden Western classics. As Islamic morality squads stagedarbitrary raids in Tehran, fundamentalists seized hold of theuniversities, and a blind censor stifled artistic expression, thegirls in Azar Nafisi’s living room risked removing their veils andimmersed themselves in the worlds of Jane Austen, F. ScottFitzgerald, Henry James, and Vladimir Nabokov. In thisextraordinary memoir, their stories become intertwined with theones they are reading. Reading Lolita in Tehran is a remarkableexploration of resilience in the face of tyranny and a celebrationof the liberating power of literature. Amazon.com An inspired blend of memoir and literary criticism, ReadingLolita in Tehran is a moving testament to the power of art and itsability to change and improve people's lives. In 1995, afterresigning
In this powerful, exquisitely crafted book, Kyoko Mori delvesinto her dual heritage with a rare honesty that is both gracefuland stirring. From her unhappy childhood in Japan, weighted by atroubled family and a constricting culture, to the AmericanMidwest, where she found herself free to speak as a strong-mindedindependent woman, though still an outsider, Mori explores thedifferent codes of silence, deference, and expression that governJapanese and American women's lives: the ties that bind us tofamily and the lies that keep us apart; the rituals of mourningthat give us the courage to accept death; the images of the bodythat make sex seem foreign to Japanese women and second nature toAmericans. In the sensitive hands of this compelling writer, onewoman's life becomes the mirror of two profoundly differentsocieties.
As a child in German-occupied Poland, Roma Ligocka was known forthe bright strawberry-red coat she wore against a tide of gatheringdarkness. Fifty years later, Roma, an artist living in Germany,attended a screening of Steven Spielberg’s Schindler’s List, andinstantly knew that “the girl in the red coat”—the only splash ofcolor in the film—was her. Thus began a harrowing journey into thepast, as Roma Ligocka sought to reclaim her life and put togetherthe pieces of a shattered childhood. The result is this remarkable memoir, a fifty-year chronicle ofsurvival and its aftermath. With brutal honesty, Ligocka recollectsa childhood at the heart of evil: the flashing black boots, thesudden executions, her mother weeping, her father vanished…then herown harrowing escape and the strange twists of fate that allowedher to live on into the haunted years after the war. Powerful,lyrical, and unique among Holocaust memoirs, The Girl in the RedCoat eloquently explores the power of evil to twist our liveslong
V. S. Naipaul has always faced the challenges of "fitting onecivilization to another." In A Writer's People , he takes usinto this process of creative and intellectual assimilation, whichhas shaped both his writing and his life. Naipaul discussesthe writers to whom he was exposed early on—Derek Walcott, GustaveFlaubert, and his father, among them—and his first encounters withliterary culture. He illuminates the ways in which the writings ofGandhi, Nehru, and other Indian writers both reveal and conceal theauthors themselves and their nation. And he brings the samescrutiny to bear on his own life: his early years in Trinidad; theempty spaces in his family history; his ever-evolving reactions tothe more complicated India he would encounter for the first time atage thirty.
No writer alive today exerts the magical appeal of GabrielGarcía Márquez. Now, in the long-awaited first volume of hisautobiography, he tells the story of his life from his birth in1927 to the moment in the 1950s when he proposed to his wife. Theresult is as spectacular as his finest fiction. Here is García Márquez’s shimmering evocation of his childhoodhome of Aracataca, the basis of the fictional Macondo. Here are themembers of his ebulliently eccentric family. Here are the forcesthat turned him into a writer. Warm, revealing, abounding in imagesso vivid that we seem to be remembering them ourselves, Living toTell the Tale is a work of enchantment.
In 1773, the great Samuel Johnson–then 63–and his young friendand future biographer, James Boswell, traveled together around thecoast of Scotland, each writing his own account of the 83-dayjourney. Published in one volume, the very different travelogues ofthis unlikely duo provide a fascinating picture not only of theScottish Highlands but also of the relationship between two menwhose fame would be forever entwined. Johnson's account contains elegant de*ions and analysesof what was then a remote and rugged land. In contrast, theScottish-born Boswell's journal of the trip focuses on thepsychological landscape of his famously gruff and witty companion,and is part of the material he was already collecting for hisfuture Life of Samuel Johnson, the masterly biography that wouldmake his name. Read together, the two accounts form both a unique classic oftravel writing and a revelation of one of the most famous literaryfriendships.
