《地球杀场》是一部英雄史诗般的科幻小说。故事发生在公元三千年的时候，地球已被外星入侵者——塞库洛统治了若干个世纪。塞库洛用毒气毁灭地球人类，对捕获到的幸存者施以暴虐；他们依靠庞大的星系矿业公司，主宰着银河系。 在洛基山脉的一个贫瘠荒凉的小山村，幸存的人类过着野蛮人的生活。乔尼·泰勒决定出走山庄，去寻找乐土，不幸落入塞库洛的魔爪。在其他幸存者：苏格兰人、中国人、俄国人的帮助之下，乔尼巧妙地与宇宙间邪恶势力周旋，并运用人类的智慧，战胜了塞库洛和别的企图瓜分地球的外星入侵者。

Though this great tragedy of unsurpassed intensity and emotionis played out against Renaissance splendor, its story of the doomedmarriage of a Venetian senator’s daughter, Desdemona, to a Moorishgeneral, Othello, is especially relevant to modern audiences. Thedifferences in race and background create an initial tension thatallows the horrifyingly envious villain Iago methodically topromote the “green-eyed monster” jealousy, until, in one of themost deeply moving scenes in theatrical history, the noble Moordestroys the woman he loves–only to discover too late that she wasinnocent. Each Edition Includes: · Comprehensive explanatory notes · Vivid introductions and the most up-to-date scholarship · Clear, modernized spelling and punctuation, enablingcontemporary readers to understand the Elizabethan English · Completely updated, detailed bibliographies and performancehistories · An interpretive essay on film adaptations of the play, alongwith an extensive fi

Comedy in five acts by William Shakespeare, performed in1598-99 and printed in a quarto edition from the author's fairpapers in 1600. The play takes an ancient theme--that of a womanfalsely accused of unfaithfulness--to brilliant comedic heights.Claudio is deceived by his jealous cousin into believing that hislover, Hero, is unfaithful--a plot unveiled by the bumblingconstables Dogberry and Verges. Meanwhile, Beatrice and Benedickhave "a kind of merry war" between them, matching wits in cleverrepartee that anticipates other playfully teasing literary couples.Each is tricked into believing that the other is in love, whichallows the true affection between them to grow. Both couples areunited at the end, after Hero's simulated resurrection from thedead. In this play Shakespeare eschewed devices of obvious magic ordisguise of sex, which he employed in other comedies; the wit andambiguity of the dialogue and the exquisite pacing of the actionsustain the play, which remains popular in repertory. -- TheMerria

The protagonist of Orhan Pamuk's fiendishly engaging novel islaunched into a world of hypnotic texts and (literally) Byzantineconspiracies that whirl across the steppes and forlorn frontiertowns of Turkey. And with The New Life, Pamuk himself vaults fromthe forefront of his country's writers into the arena of worldliterature. Through the single act of reading a book, a youngstudent is uprooted from his old life and identity. Within days hehas fallen in love with the luminous and elusive Janan; witnessedthe attempted assassination of a rival suitor; and forsaken hisfamily to travel aimlessly through a nocturnal landscape oftraveler's cafes and apocalyptic bus wrecks. As imagined by Pamuk,the result is a wondrous marriage of the intellectual thriller andhigh romance. Translated from the Turkish by Guneli Gun.

"One of the most noble and moving plays of our generation, athrenody of hope deceived and deferred but never extinguished;a play suffused with tenderness for the whole humanperplexity; with phrases that come like a sharp stab ofbeauty and pain."

After traveling the world to exotic lands, Alexandra, Jane,and Sukie–now widowed but still witches–return to the Rhode Islandseaside t own of Eastwick, “the scene of their primes,” site oftheir enchanted mischief more than three decades ago. DiabolicalDarryl Van Horne is gone, and what was once a center of license andliberation is now a “haven of wholesomeness” populated by hockeymoms and househusbands acting out against the old ways of their ownabsent, experimenting parents. With spirits still willing but fleshweaker, the three women must confront a powerful new counterspellof conformity. In this wicked and wonderful novel, John Updike isat his very best–a legendary master of literary magic up to his olddelightful tricks.

(Book Jacket Status: Jacketed) One of Charles Dickens's mostfascinating novels, "Great Expectations" follows the orphan Pip ashe leaves behind a childhood of misery and poverty after ananonymous benefactor offers him a chance at the life of agentleman. From the young Pip's first terrifying encounter with theconvict Magwitch in the gloom of a graveyard to the splendidlymorbid set pieces in Miss Havisham's mansion to the magnificentlyrealized boat chase down the Thames, "Great Expectations" is filledwith the transcendent excitement that Dickens could so abundantlyprovide. Written in 1860, at the height of his maturity, it alsoreveals the novelist's bittersweet understanding of the extent towhich our deepest moral dilemmas are born of our own obsessions andillusions. This edition includes Dickens's original, discardedconclusion to the novel, the 1907 Everyman preface by G. K.Chesterton, and twenty illustrations by F. W. Pailthorpe.

As their holiday unfolds, Colin and Maria are locked intotheir own intimacy. They groom themselves meticulously, as thoughsomeone is waiting for them who cares deeply about how they appear.When they meet a man with a disturbing story to tell, they becomedrawn into a fantasy of violence and obsession.

"Nineteen Eighty-Four" revealed George Orwell as one of thetwentieth century's greatest mythmakers. While the totalitariansystem that provoked him into writing it has since passed intooblivion, his harrowing cautionary tale of a man trapped in apolitical nightmare has had the opposite fate: its relevance andpower to disturb our complacency seem to grow decade by decade. InWinston Smith's desperate struggle to free himself from anall-encompassing, malevolent state, Orwell zeroed in on tendenciesapparent in every modern society, and made vivid the universalpredicament of the individual.

Purchase of this book includes free trial access towww.million-books.com where you can read more than a million booksfor free. This is an OCR edition with typos. Excerpt from book: IllSTEVE TREATS It was for several minutes, I suppose, that I stooddrawing these silent morals. No man occupied himself with me. Quietvoices, and games of chance, and glasses lifted to drink, continuedto be the peaceful order of the night. And into my thoughts brokethe voice of that card-dealer who had already spoken so sagely. Healso took his turn at moralizing. "What did I tell you?" heremarked to the man for whom he continued to deal, and whocontinued to lose money to him. "Tell me when?" " Didn't I tell youhe'd not shoot ? " the dealer pursued with complacence. " You gotready to dodge. You had no call to be concerned. He's not the kinda man need feel anxious about." The player looked over at theVirginian, doubtfully. " Well," he said, " I don't know what youfolks call a dangerous man." " Not him " exclaimed the dealer withadmi

Key Features: Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms --This text refers to the Paperback edition.

The "Guermantes Way," in this the third volume of "In Searchof Lost Time," refers to the path that leads to the Duc and Duchessde Guermantes's chateau near Combray. It also represents thenarrator's passage into the rarefied "social kaleidoscope" of theGuermantes's Paris salon, an important intellectual playground forParisian society, where he becomes a party to the wit and mannersof the Guermantes's drawing room. Here he encounters nobles,officers, socialites, and assorted consorts, including Robert deSaint Loup and his prostitute mistress Rachel, the Baron deCharlus, and the Prince de Borodino. For this authoritativeEnglish-language edition, D. J. Enright has revised the lateTerence Kilmartin's acclaimed reworking of C. K. Scott Moncrieff'stranslation to take into account the new definitive French editionsof "A la recherche du temps perdu" (the final volume of these neweditions was published by the Bibliotheque de la Pleiade in1989).

Anchor proudly presents a new omnibus volume of threenovels--previously published separately by Anchor--by NaguibMahfouz, winner of the Nobel Prize in Literature. Assembled here isa collection of Mahfouz's artful meditations on the vicissitudes ofpost-Revolution Egypt. Diverse in style and narrative technique,together they render a rich, nuanced, and universally resonantvision of modern life in the Middle East. The Beggar is a complex tale of alienation and despair. In theaftermath of Nasser's revolution, a man sacrifices his work andfamily to a series of illicit love affairs. Released from jail inpost-Revolutionary times, the hero ofThe Thief and the Dogs blamesan unjust society for his ill fortune, eventually bringing himselfto destruction. Autumn Quail is a tale of moral responsibility,isolation, and political downfall about a corrupt bureaucrat who isone of the early victims of the purge after the 1952 revolution inEgypt.

(Book Jacket Status: Jacketed) Dostoevsky's most revolutionarynovel, "Notes from Underground" marks the dividing line betweennineteenth- and twentieth-century fiction, and between the visionsof self each century embodied. One of the most remarkablecharacters in literature, the unnamed narrator is a former officialwho has defiantly withdrawn into an underground existence. In fullretreat from society, he scrawls a passionate, obsessive,self-contradictory narrative that serves as a devastating attack onsocial utopianism and an assertion of man's essentially irrationalnature. Richard Pevear and Larissa Volokhonsky, whose Dostoevskytranslations have become the standard, give us a brilliantlyfaithful edition of this classic novel, conveying all the tragedyand tormented comedy of the original.

From a Turkish writer who has been compared with Borges,Nabokov, and DeLillo comes a dazzling novel that is at once acaptivating work of historical fiction and a sinuous treatise onthe enigma of identity and the relations between East and West. Inthe 17th century, a young Italian scholar sailing from Venice toNaples is taken prisoner and delivered to Constantinople There hefalls into the custody of a scholar known as Hoja--"master"--a manwho is his exact double. In the years that follow, the slaveinstructs his master in Western science and technology, frommedicine to pyrotechnics. But Hoja wants to know more: why he andhis captive are the persons they are and whether, given knowledgeof each other's most intimate secrets, they could actually exchangeidentities. Set in a world of magnificent scholarship andterrifying savagery, The White Castle is a colorful and intricatelypatterned triumph of the imagination. Translated from the Turkishby Victoria Holbrook.

Starred Review. Ripped from the headlines doesn't begin todescribe Updike's latest, a by-the-numbers novelization of the lastfive years' news reports on the dangers of home-grown terror thatpacks a gut punch. Ahmad Mulloy Ashmawy is 18 and attends CentralHigh School in the New York metro area working class city of NewProspect, N.J. He is the son of an Egyptian exchange student whomarried a working-class Irish-American girl and then disappearedwhen Ahmad was three. Ahmad, disgusted by his mother's inability toget it together, is in the thrall of Shaikh Rashid, who runs astorefront mosque and preaches divine retribution for "devils,"including the "Zionist dominated federal government." The list ofdevils is long: it includes Joryleen Grant, the waywardAfrican-American girl with a heart of gold; Tylenol Jones, a blacktough guy with whom Ahmad obliquely competes for Joryleen'sattentions (which Ahmad eventually pays for); Jack Levy, a CentralHigh guidance counselor who at 63 has seen enough failure,including

The translations, created through a fresh approach to theNorwegian original in tandem with a keen sense of Ibsen'stheatricallity and playability, have all been tested and refined inproductions at professional theaters. The translators have paid particular attention to threeaspects of Ibsen's technique: his wit and humor, his "supertext" -the web of rich allusions and references that he weaves in andaround his dialogue - and the bold theatricallity of the plays. Theresult is an Ibsen that sounds contemporary without being slangy orcolloquial - an Ibsen of strong ideas but also living characters -and surprisingly different from the image of the cold, forbidding"scold of the North" that we often associate with this giantwriter. --This text refers to the Paperback edition.

First published in 1919, "Within a Budding Grove" was awardedthe Prix Goncourt, bringing the author immediate fame. In thissecond volume of "In Search of Lost Time," the narrator turns fromthe childhood reminiscences of "Swann's Way" to memories of hisadolescence. Having gradually become indifferent to Swann'sdaughter Gilberte, the narrator visits the seaside resort of Balbecwith his grandmother and meets a new object ofattention--Albertine, "a girl with brilliant, laughing eyes andplump, matt cheeks." For this authoritative English-languageedition, D. J. Enright has revised the late Terence Kilmartin'sacclaimed reworking of C. K. Scott Moncrieff's translation to takeinto account the new definitive French editions of "A la recherchedu temps perdu" (the final volume of these new editions waspublished by the Bibliotheque de la Pleiade in 1989).