San Francisco has long been one of America's most attractive cities, "a gleaming jewel of the West Coast surrounded on three sides by water." Its hilly streets provide gorgeous glimpses of San Francisco Bay and The Golden Gate Bridge and its neighborhoods reveals a mosaic of a city whose residents are an anthology of the world. Whether he's photographing the street life of bustling Chinatown or gays of the Castro, the gentrifying Mission or faux-Bohemian North Beach, aerial views or interior settings, this third generation San Franciscan renowned for his photographic essays captures it all in this superb collection of photographs of the city he loves.

Where palm trees sway golden sunsets surf the ocean and sidewalks marked with stars stroll through motion picture dreams Sequoias mountains and deserts speak wonders while a diverse population characterizes the land California is the Golden State. Palmen wiegen sich im Wind goldene Sonnenuntergange schimmern auf dem Ozean und Wege voller Sterne erlauben durch Film-Traume zu wandern Wundervolle Riesenmammutbaume Berge und Wusten ein Land fur das die Bevolkerungsvielfalt typisch ist Dies alles ist das Goldene Kalifornien. Las palmeras balanceadas por el viento las doradas puestas de sol refulgiendo sobre la superficie del oceano y los cami nos repletos de estrellas nos permiten pasear por suenos de pelicula Maravillosas secuoyas gigantes montanasy desiertos u pais caracterizado por la variedad de sus habitantes Todo esto es la Dorada California. Les palmiers se courbent au vent les cou chers du soleil couleur or scintillent sur lo cean et des chemins etoiles nous permet tent de traverser des reves

Already well-established in the fields of fashion, journalistic, and portrait photography in his native Berlin, Bernd Obermann moved to New York City in 1996 to experience the city’s vibrant mix of culture, ethnicity, and race. For the next five years he ventured out of his apartment nearly every day, camera in hand, to explore what New York had to offer. The results of these walks through city streets, parks, and neighborhoods are collected in this paean to a place whose energy and spirit are as palpable as they are memorable. "When I take a photograph of somebody I am also making a photo of a deeper level of myself." Says Obermann, "I believe in acceptance and not in analysis." From the Bronx to the Battery, from poor to rich, young to old, Obermann’s images reflect his own fascination and sense of discovery.

Although Wegman's artistic output includes photography and video work that doesn't feature canines, by the mid-Seventies, he wryly notes, I had become the guy with the dog. The dog was Man Ray, a weimaraner with a movie star's instinct for the spotlight. Using a 1978 20x24 Polaroid camera, Wegman captured his beloved dog on film; for more than 20 years now, Wegman has continued to experiment with the camera, immortalizing his next weimaraner, Fay Ray, and a long line of her progeny. Though the collection contains a few portraits of people, next to the expressive and enigmatic canine tableaux, Wegman's human compositions are pale and unengaging-less human, in fact, than the dog photographs. In Rouge (1982), one of the last portraits of Man Ray, the ailing dog's eyes shine with wisdom and melancholy. In contrast, 1982's Eau II, a portrait of a glammed-up woman with a bloody nose and a Chanel bottle, seems cold and dated (or in the vein of a knock-off Cindy Sherman). It is when Wegman, refraining from indulging

Adult/High School–The enormous variety of things that people do for survival and sustenance is impressively represented in this book. Neither doctor nor lawyer is included, and only a small number of white-collar jobs make the cut. Instead, readers see clover collectors in Yemen, bootblacks in Portugal, ice fishermen in Russia, coal miners in West Virginia, and salt miners in Ukraine. The volume is arranged in geographic sections: Europe, Asia, Africa, Middle East, Americas, and Islands. Interspersed among them are three thematic portfolios: agriculture, extraction (mining), and manufacturing. Protzman contributes engaging and helpful introductions to each geographic section, as well as brief notes introducing the thematic portfolios. With few exceptions the photos are captivating and of high technical quality. Most were taken within the past 20 years, although some are historical, including a few early-20th-century images by Lewis Hine. Many of the images display poverty, hardship, and oppression (especial

Images of the century (TASCHEN's 25th anniversaryspecial edition) The history of photography began some 150 yearsago, but only relatively recently has it been fully recognised as amedium in its own right. Cologne's Museum Ludwig was the firstmuseum of contemporary art to devote a substantial section tointernational photography. The L. Fritz Gruber collection, fromwhich this book is drawn, is one of the most important in Germanyand one of the most representative anywhere in the world,constituting the core of the museum's holdings. This book providesa fascinating insight into the collection's rich diversity; fromconceptual art to abstraction to reportage, all of the majormovements and genres are represented via a vast selection of thecentury's most remarkable photographs. From Ansel Adams to PietZwart, over 850 works are presented in alphabetical order byphotographer, with de*ive texts and photographers'biographical details, providing a comprehensive and indispensableoverview of 20th century photography

Full of writing, reports, and recommendations, The Monocle Guide to Better living is original, informative, entertaining, and comprehensive. This is not a book about glitz but rather an upbeat survey of products and ideas built to treasure and last. Monocle is one of the most successful magazines to be developed in the past decade. Armed with an unmistakable sense of aesthetics and journalistic tenacity, its team -- led by editor-in-chief tyler Br?l --has created an intelligent publication that continually inspires a global readership who are interested in everything from diplomacy to design. For its first-ever book, the editorial team looks at one of their core themes: how to live well. The result is The Monocle Guide to Better living, an original, informative, and entertaining collection of writing, reports, and recommendations. This is not a book about glitz but rather an upbeat survey of products and ideas meant to be treasured and last. Structured into chapters on the city, culture, travel, food, and wo

From her virtually sub-tropical climate in the north to her almost sub-antarctic south New Zealand offers a fascinat-ing variety of landscapes:bubbling vol canos geysers and hot springs Alpine mountatin ranges giant lakes and fjords and bathing beaches that are like a scene from paradise. Vom annahernd subtropischen Norden bis zum fast subantarktischen Suden bietet Neuseeland eine faszinierende Landschaftsvielfalt:brodelnde Vulkane Geysire und heiBe Quellen Alpen rie sige Seen und Fjorde dazu traumhafte Badestrande. Du Nord du pays quasiment subtropi cal au Sud preque subantarctique la Nouvelle-Zelande offre un paysage a la diversite fascinante:volcans bouilon nants geysers et sources chaudes lacs et fjords gigantesques les Alpes sans oublier des plages de reve. Desde el norte aproximadamente sub tropical hasta el sur casi subantartico Nueva Zeland ofrece una fascinante variedad en su paisaje:gorgoteantes volcanes geiseres y fuentes de agua caliente Alpes gigantescos lagos fior dos y playas de ens

Birds have been a source of fascination and mystery for humans throughout the world, and throughout time.The Encyclopedia of Birds reveals in striking detail the rich variety of bird life,from the exotic to the common that we can see everyday in our locality; birds whose songs and silhouettes in flight we often take for granted. But you will also find, photographed close-up with stunning clarity, occasional visitors to these shores, together with images of birds from all over the world.Splendidly illustrated, featuring more than 400 species in a highly informative text,The Encyclopedia of Birds offers a window on the world of the extraordinary diversity of birds on our planet.

This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took him to the Ukraine and Romania. The photos evidence brief stops at the side of the road and present subjects that fall into two distinct categories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or small and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were road casualties. The similarity between each composition the landscape format, the colourful centred arrangement, the consistent distance between photographer and subject belies a deeper message: the produce suggests sustenance, growth and while the memorials are signs of tragedy and grief. Karpaten / Carpathians is thus not only a collection of travel photos, but a reflection of the human need to shape events, and a succinct story of life and death both realities along the metaphorical road on which we all travel. Born in 1938 in Appenzell, Switzerl

‘The Bitter Years’ was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its 50th anniversary. The show featured 209 images by photographers who worked under the aegis of the US Farm Security Administration (FSA) in 1935–41 as part of Roosevelt’s New Deal. The Great Depression of the 1930s defined a generation in modern American history and was still a vivid memory in 1962. The FSA, set up to combat rural poverty, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography – testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms. The Bitter Years celebrates some of the m

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Revised and thoroughly updated, this practical guide tophotographing people is better than ever! What is the color of skin? You may think you know, until youenter the world of digital photography and try to reproduce whatyou see. Differences in software, lighting, computercalibration—everything has an impact on color. And that’s allbefore you get into differences between people in terms of skintypes, ethnicities, age, gender, and more! Hollywood-basedphoto-illustrator Lee Varis guides you step-by-step through themaze. This new edition covers the very newest trends and techniques inphotographing, lighting, and editing skin—and offers plenty oftips, examples, and valuable advice from the author’s ownprofessional experience in the field. Shows you how to digitally capture all skin types: male,female, young, old, different skin tones and ethnicities, withmakeup or without, wrinkled, tattooed, and more Covers a wealth of topics in addition to photo editing, such ashow to obtain model releases a

The photographic act is an event that occurs in real timewith irrevocable consequences.The end result can be modified thoughpost-production,but it is necessarily dependent upon,and influencedby,the image that was recorded in the camera.

Published on the occasion of Aperture magazine’s sixtieth anniversary, this is the first anthology of Aperture magazine ever published. This long-awaited volume will provide a selection of the best critical writing from the first twenty-five years of the magazine—the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan, and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in spirituality in diverse forms, and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. The texts and visuals in this anthology will be selected by Peter C. Bunnel