Dronescapes 是与*的无人机摄影网站 Dronestegram 和著名摄影编辑Ayperi Karabuda Ecer合作创建的,它是*一本汇集了全球*无人机航拍照片的书。它给了我们从全新的有利位置俯瞰地球的激动人心的机会,无论是从里约热内卢鸟瞰救世主基督,还是从飞行中的老鹰几英寸处拍摄的照片,还是从墨西哥塔穆尔瀑布上空拍摄的令人眩晕的照片,讨论了无人机摄影的到来如何标志着航空摄影历史↑的一个重大转变。Created in collaboration with Dronestegram, the world-leading drone photography website, and Ayperi Karabuda Ecer, a highly renowned photography editor, Dronescapes is the first book to bring together the very best photographs taken by quadcopters around the globe. It grants us the thrilling opportunity to see our planet from entirely new vantage points, whether this is a bird's-eye view of Christ the Redeemer in Rio de Janeiro, a photograph taken inches away from an eagle in mid-flight, or
铁托南斯拉夫共chan主义极简主义狂野世界指南 Spomenik-- Serbo-Croat /斯洛文尼亚语中的纪念碑 - 指的是20世纪60年代至80年代在铁托的南斯拉夫共和国建造的纪念碑,标志着第二次世界大战期间占领的恐怖和轴心国的失败。全国各地都有数百座建筑,从沿海度假胜地到偏远山区。通过这些富有想象力的混凝土和钢铁形式,设想了一个没有种族紧张局势的无阶级,前瞻性的社会主义社会。而不是寻求意识形态一致的苏联的艺术灵感,铁托转向西方和抽象表现主义和极简主义的作品。这使得南斯拉夫能够通过纪念碑发展自己独特的身份,将它们变成政治工具,阐明铁托对新明天的个人愿景。 今天,在该国解体和随后的1990年代南斯拉夫战争之后,一些人被摧毁或被遗弃。许多人遭受了种族紧张局势的后果:一旦被视为希望的象征,他们现在成为怨恨和愤怒的焦点。 本
In 1950, Robert Frank left his job as a photographer in NewYork to travel through Europe with his family. That summer hearrived in Valencia, Spain, which was at the time a humble, bleakplace enduring the austere conditions of the postwar period likethe rest of the country. The pictures Frank took of Valencia depictthe daily life of a fishing village. His portrayal is so naturaland clear that further verbal explanation seems superfluous; theysimply reflect, in the photo graphers words, the humanity of themoment. The photographs in this book, many of which have never beenpublished before, allow dignity to override poverty. Robert Frank,a key figure in photographic history, was born in Zurich in 1924and immigrated to the United States in 1947. He is best known forhis seminal book The Americans, first published in 1959, which gaverise to a distinct new form in the photobook, and his experimentalfilm Pull My Daisy (1959). Franks other projects include the booksBlack White and Things (1954) and The Lines of
In celebration of Hollywood's legendary actresses from the 1930sto the present, Assouline, together with Elle magazine, presentsThe Allure of Beauty: Women in Hollywood. From Marilyn Monroe andMarlene Dietrich to Anita Ekberg and Julia Roberts, each page ofthis vibrant anthology radiates with provocative images ofunforgettable faces and moments that have forever changed the placeof women in Hollywood - as well as in our culture. Elle magazinefilm critic Karen Durbin delves into the history of Hollywood,highlighting females who have proven their femininity, strength,and talent. The glitzy narrative accompanies a carefullyresearched, sexy selection of photography that captures theindividuality of each women. AUTHOR: Karen Durbin is the filmcritic for Elle magazine and contributor to The New York TimesSunday Arts Leisure section, for which she created and writesa regular feature on breakthrough performances in forthcomingmovies. She was the film critic of Mirabella magazine and editor inchief of The Village V
Revised and updated, the new edition of the best-selling classic: over 500,000 copies of previous editions in print worldwide Every new generation of digital cameras offers more photographic possibilities, and the options can be baffling. This completely updated edition of Michael Freemans best-selling Complete Guide to Digital Photography introduces all the knowledge youll need to cut to the chase and create perfect photographs every time. You'll gain a thorough understanding of how today's cameras work, an introduction to digital editing techniques that make the most of the technology's capabilities, and a grounding in photography's all the expertise that Michael Freeman has gained in his successful career as a professional assignment photographer. With over 600 examples, a no-nonsense, jargon-busting glossary of terms and a full index for easy reference, it is an indispensable onestop source of photographic information and expertise.
Sidestepping the tragic figure presented in other books,"Marilyn Monroe: Platinum Fox" provides a light-hearted andhumorous look at a legend like no other! Sixty years after herimage first flickered on the screen, Marilyn Monroe remains theultimate Hollywood star, a face and name more recognizable thancurrent performers. What remains to be explored about 'Marilyn'?Here we celebrate what first made her a star. Profusely illustratedwith colour and black and white stills from the 20th Century Foxarchives - some of which will be seen for the first time in thisbook - "Marilyn Monroe: Platinum Fox" focuses on quintessentialMarilyn in classics like "Gentleman Prefer Blondes", "The SevenYear Itch" and her other Fox films. The text is filled withbehind-the-scenes stories, memorable movie quotes, film facts,trivia, plotlines, character profiles and highlights of the mostMarilyn moments.
Although Wegman's artistic output includes photography and video work that doesn't feature canines, by the mid-Seventies, he wryly notes, I had become the guy with the dog. The dog was Man Ray, a weimaraner with a movie star's instinct for the spotlight. Using a 1978 20x24 Polaroid camera, Wegman captured his beloved dog on film; for more than 20 years now, Wegman has continued to experiment with the camera, immortalizing his next weimaraner, Fay Ray, and a long line of her progeny. Though the collection contains a few portraits of people, next to the expressive and enigmatic canine tableaux, Wegman's human compositions are pale and unengaging-less human, in fact, than the dog photographs. In Rouge (1982), one of the last portraits of Man Ray, the ailing dog's eyes shine with wisdom and melancholy. In contrast, 1982's Eau II, a portrait of a glammed-up woman with a bloody nose and a Chanel bottle, seems cold and dated (or in the vein of a knock-off Cindy Sherman). It is when Wegman, refraining from indulging