The Oxford Dictionary of Philosophy (Oxford Quick Reference) Editorial Reviews Review Review from previous edition: "an excellent source book" --Times Higher Education Supplement "the most comprehensive dictionary of philosophy in English" --Times Literary Supplement About the Author Simon Blackburn is one of the UK's leading twenty-first century philosophers. He retired as professor of philosophy at the University of Cambridge in 2011 and is now Collegial Professor at the New College of the Humanities. He remains a distinguished research professor of philosophy at the University of North Carolina at Chapel Hill. He is also a Fellow of Trinity College, Cambridge. He was previously a Fellow of Pembroke College, Oxford and has taught full-time at the University of North Carolina as an Edna J. Koury Professor. Product Details Series: Oxford Quick Reference Paperback: 540 pages Publisher: Oxford University Press; 3 edition (May 1, 2016) Language: English
This must-have hardcover edition--the only official guide--is the definitive encyclopedic reference to the TwilightSaga and provides readers with everything they need to furtherexplore the unforgettable world Stephenie Meyer created in Twilight, New Moon, Eclipse, and Breaking Dawn .With exclusive new material, character profiles, genealogicalcharts, maps, extensive cross-references, and much more, thiscomprehensive handbook is essential for every Twilight Sagafan.
The Yeats anthology of the poems of William Blake is that great rarity: one great visionary poet's anthology of everything that moves him about another, even greater one. Yeats prepared it in 1905 and it probably remains the single greatest single one-volume edition of William Blake extant, the one that, in less than 250 pages, presents as sensibly compressed and canny an edition as you'll ever find of perhaps the least sensible and most chaotic genius of English poetry. Even those who have the complete Blake in a couple of editions will find Yeats' Blake all-but-indispensable. –Buffalo News, April 6, 2003 This selection of Blake's work was commissioned in 1905 by the firm of George Routledge from W.B. Yeats. Yeats, one of the few poets comparable to Blake, prepared a unique selection of his poetic and prose writings.
The Problem of Genesis in Husserl's Philosophy 雅克 德里达：胡塞尔哲学中的起源问题 Jacques Derrida (作者), Marian Hobson (译者) 基本信息 出版社: University of Chicago Press (2003年7月15日) 精装: 232页 语种： 英语 ISBN: 0226143155 条形码: 9780226143156 商品尺寸: 15.2 x 2.3 x 22.9 cm 商品重量: 490 g ASIN: 0226143155 内容简介 Derrida's first book-length work, "The Problem of Genesis in Husserl's Philosophy", was originally written for his "diplome d'etudes superieurs" in 1953 and 1954. Surveying Husserl's major works on phenomenology, Derrida reveals what he sees as an internal tension in Husserl's central notion of "genesis" and gives us our first glimpse into the concerns and frustrations that would later lead him to abandon phenomenology and develop his now famous method of deconstruction. For Derrida, the problem of genesis in Husserl's philosophy is that both tempor
Culler's most famous work, Structuralist Poetics has never been out of print since first publication in 1975, selling over 20,000 copies. It introduced a new way of studying literature by attempting to create a systematic account of the structure of literary works, rather than studying the meaning of the work. Culler's new preface answers some of the criticisms levelled at his approach and details how it is still as relevant today as when it was first published.
Review 'Must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms.' - The Guardian Must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms. - The Guardian Product De*ion "... must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms." The Guardian "The majority of the following poems are to be considered as experiments. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure." --William Wordsworth, from the Advertisement prefacing the original 1798 edition When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (a
