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JeanProuv 的经济优雅 法国出生的让 普鲁维(JeanProuv ,1901-1984)是二十世纪的领先建筑设计师,是一位自称 建筑师 ,负责监督巴黎蓬皮杜艺术中心的设计的陪审团成员。作为设计师,他抓住了创新、扩张和成长的中世纪精神,开发出将简单、引人注目的美学与实用、具有成本效益的材料和装配相结合的技术。 从庞大的临时展览馆到手持式开信刀,模块化建筑系统到室内照明,普鲁维的设计都以简单和低调的优雅高效地装配了他们的功能。普鲁维被世界各地的设计师、建筑师和工程师们所感染,留下了丰富而充满灵感的遗产,与这本小册子完美地契合,巧妙地总结了他的生活和作品。 French architect and designer Jean Prouve (1901-1984) was one of the most important constructors of the 20th century. Prouve's design innovations included cleverly-shaped metal parts for building prefabricated structures; he designed buil
This book presents eight single-family houses built by Aalto in Finland, Estonia, and France from the 1920s to the end of the 1960s. Markku Lahti, director of the Alvar Aalto Foundation, describes the fascinating history of the selected houses, the people for whom they were built, and how Aalto adapted his own design ideals to the needs of his clients.
Naked Architecture Valerio Paolo Mosco An account of one of the most interesting phenomena of contemporary architecture: the return to the structure and methods with which contemporary constructions are realized. Over the last ten years architecture would seem to have rediscovered engineering. Now that the Postmodern period, in which the structure of buildings was camouflaged by coverings of every kind, has passed, architecture today seems to have undressed, almost as though wishing to show how it is made (and to render this spectacular). On the other hand, the rediscovery in recent years of plastic form has brought about a closer relationship between architects and engineers. In the wake of the phenomenon that is the work of Santiago Calatrava, figures of engineer-architects have emerged such as Cecil Balmond, Sasaki and Guy Nordenson, who have been able to give a strongly "engineering-oriented" guise to ever more complex building sites. To this we must add the rise of new issues, such as that of envi
Displaying a wonderful array of visually tempting and delicious produce, staffed by friendly and knowledgeable experts, a whole new generation of stylishly designed food shops are emerging. Conveniently located, they are often epicurean magnets for local communities or centrally placed meccas for cosmopolitan customers. Whatever their location, however, they all appeal to our eyes, nose, ears, taste and touch; because we shop with our senses. They also connect to something more vital, whether we are aware of it or not – our emotions. Designers of food shops are not just charged with the responsibility of creating a good-looking space, they also most aptly and discreetly push shoppers’ mental buttons, triggering their needs, desires and aspirations, by a marriage of design and psychology. This book is a unique opportunity to browse thirty-three fabulous food shops, the majority built since 2000, in Britain and Continental Europe, Africa, Asia, Australia and North America. They not only look marvello
TASCHEN's Great Adventure began back in 1980, when eighteen-year-old Benedikt Taschen opened a shop in his native Cologne,Germany, to market his massive comics collection. Within a year he began publishing catalogs promoting his wares, but it wasn't until 1984 that his first art-book breakthrough occurred: he purchased 40,000 remainder copies of a Magritte book printed in English,reselling them for a fraction of their original price. From a young age, Taschen had been interested in art but found that art books were too expensive and hard to obtain, and the success of this daring move proved that Taschen was not alone in thinking that the art-book market should be democratized. Soon he began reprinting books under his own name for budget prices and the next year he published his first original title and the first book in the Basic Artseries: Picasso. Before long, high-quality-yet-still-inexpensive hard-cover books were added to the lineup and in 1989 the landmark double-jumbo Van Gogh: The Complete Painting
In this highly acclaimed reference work David Watkin tracesthe history of western architecture from the earliest times inMesopotamia and Egypt to the eclectic styles of the twenty-firstcentury. The author emphasizes the ongoing vitality of theClassical language of architecture, underlining the continuitybetween, say, the work of Ictinus in fifth-century BC Athens andthat of McKim, Mead and White in twentieth-century New York.Authoritative, comprehensive and highly illustrated, this fifthedition has been expanded to bring the story of westernarchitecture right up to date and includes a separate final chapteron twenty-first century developments, including computers andarchitecture, and sustainability and the environment.
Guest-edited by Luigi Prestinenza Puglisi Every five or six years, a different country takes the architectural lead in Europe: England came to the fore with High Tech in the early 1980s; by the end of the 1980s, France came to prominence with Fran ois Mitterand's great Parisian projects; in the 1990s, Spain and Portugal were discovering a new tradition; and recently the focus has been on the Netherlands. In this ever shifting European landscape, Italy is now set to challenge the status quo. Already home to some of the world's most renowned architects - Renzo Piano, Massimiliano Fuksas and Antonio Citterio - it also has many talented architects like Mario Cucinella, Italo Rota, Stefano Boeri, the ABDR group and Maria Giuseppina Grasso Cannizzo, who are now gaining international attention. Moreover there is an extraordinary emergence of younger architects - the Erasmus generation - who are beginning to realise some very promising buildings of their own. AD+ Interior Eye Yale Art Galler
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