Discover the captivating art of Steven Spielberg?s Ready Player One . Our dystopian world lies on the brink of chaos and collapse, but the people have found their salvation in the OASIS, an expansive virtual reality universe created by the brilliant and eccentric James Halliday. When Halliday dies, he leaves his immense fortune in the form of a digital Easter egg hidden somewhere in the OASIS, sparking a contest that grips the entire world. Wade Watts, an unlikely young hero, decides to join the contest and embarks on a reality-bending treasure hunt through a fantastical world of action, danger, and mystery. Directed by Steven Spielberg and based on author Ernest Cline?s internationally best-selling book, Ready Player One is a hugely imaginative sci-fi adventure set in a rich virtual world. The Art of Ready Player One explores the creation of the incredible design work for this much-anticipated film, showcasing a wealth of concept art, sketches, storyboards, and other stunning visuals. The book also
书目信息 ISBN编号: 9783836584289 作者: Rainer Willmann, Julia Voss 出版时间: 28 Dec. 2021 页数: 512 语种: 英文 版本: 精装 开本: 22.6 x 4.3 x 16.6 cm 出版社名称: TASCHEN 语言: 英文 以上信息均为网络信息，仅供参考，具体以实物为准
Unthinkable structures: The architect of perfectly impossible worlds M.C. Escher (1898?1972) was born in Leeuwarden, Netherlands. He received his first drawing lessons during secondary school from F.W. van der Haagen, who also taught him the block printing, thus fostering Escher?s innate graphic talents. From 1912 to 1922 he studied at the School of Architecture and Ornamental Design in Haarlem, where he was instructed in graphic techniques by S. Jessurun de Mesquita, who greatly influenced Escher?s further artistic development. Between 1922 and 1934 the artist lived and worked in Italy. Afterwards Escher spent two years in Switzerland and five in Brussels before finally moving back to Barn in Holland, where he died in 1972. M.C. Escher is not a surrealist drawing us into his dream world, but an architect of perfectly impossible worlds who presents the structurally unthinkable as though it were a law of nature . The resulting dimensional and perspectival illusions bring us into confrontation with the
