From Hermione Lee, the internationally acclaimed, award-winningbiographer of Virginia Woolf and Willa Cather , comesa superb reexamination of one of the most famous American women ofletters. Delving into heretofore untapped sources, Lee does away with theimage of the snobbish bluestocking and gives us a new EdithWharton-tough, startlingly modern, as brilliant and complex as herfiction. Born into a wealthy family, Wharton left America as anadult and eventually chose to create a life in France. Her renownednovels and stories have become classics of American literature, butas Lee shows, Wharton's own life, filled with success and scandal,was as intriguing as those of her heroines. Bridging two centuriesand two very different sensibilities, Wharton here comes to life inthe skillful hands of one of the great literary biographers of ourtime.

“You keep fighting, okay?” I whispered. “We’re in thistogether. You and me. You’re not alone. You hear me? You are notalone. ” 5:38 p.m. It was the precise moment Sean Manning was born and thetime each year that his mother wished him happy birthday. But justbefore he turned twenty-seven, their tradition collapsed. A heartattack landed his mom in the hospital and uprooted Manning from hislife in New York. What followed was a testament to a family’sindestructible bond—a life-changing odyssey that broke a boy andmade a man—captured here in Manning’s indelible memoir.

A majestic literary biography, a truly new, surprisingly freshportrait. -- Newsday A New York Times Book Review Editors' Choice National Book Critics Circle Award finalist A biography wholly worthy of the brilliant woman it chronicles. .. . It rediscovers Virginia Woolf afresh." --The Philadelphia Inquirer While Virginia Woolf--one of our century's most brilliant andmercurial writers--has had no shortage of biographers, none hasseemed as naturally suited to the task as Hermione Lee. Subscribingto Virginia Woolf's own belief in the fluidity and elusiveness ofidentity, Lee comes at her subject from a multitude ofperspectives, producing a richly layered portrait of the writer andthe woman that leaves all of her complexities and contradictionsintact. Such issues as sexual abuse, mental illness, and suicideare brought into balance with the immensity of her literaryachievement, her heroic commitment to her work, her generosity andwit, and her sanity and strength. It

In a book that is both biography and the most exciting form ofhistory, here are eighteen years in the life of a man, AlbertEinstein, and a city, Berlin, that were in many ways the definingyears of the twentieth century. Einstein in Berlin In the spring of 1913 two of the giants of modern sciencetraveled to Zurich. Their mission: to offer the most prestigiousposition in the very center of European scientific life to a manwho had just six years before been a mere patent clerk. AlbertEinstein accepted, arriving in Berlin in March 1914 to take up hisnew post. In December 1932 he left Berlin forever. “Take a goodlook,” he said to his wife as they walked away from their house.“You will never see it again.” In between, Einstein’s Berlin years capture in microcosm theodyssey of the twentieth century. It is a century that opens withextravagant hopes--and climaxes in unparalleled calamity. These aretumultuous times, seen through the life of one man who is at oncewitness to and architect of his day--and

Book De*ion He’s an American legend, a straight-shooting businessman whobrought Chrysler back from the brink and in the process became amedia celebrity, newsmaker, and a man many had urged to run forpresident. The son of Italian immigrants, Lee Iacocca rose spectacularlythrough the ranks of Ford Motor Company to become its president,only to be toppled eight years later in a power play that shouldhave shattered him. But Lee Iacocca didn’t get mad, he got even. Heled a battle for Chrysler’s survival that made his name a symbol ofintegrity, know-how, and guts for millions of Americans. In his classic hard-hitting style, he tells us how he changed theautomobile industry in the 1960s by creating the phenomenalMustang. He goes behind the scenes for a look at Henry Ford’s reignof intimidation and manipulation. He recounts the miraculousrebirth of Chrysler from near bankruptcy to repayment of its $1.2billion government loan so early that Washington didn't know how tocash the check.

He was a brilliant teller of tales, one of the most widelyread authors of the twentieth century, and at one time the mostfamous writer in the world, yet W. Somerset Maugham’s own truestory has never been fully told. At last, the fascinating truth isrevealed in a landmark biography by the award-winning writer SelinaHastings. Granted unprecedented access to Maugham’s personalcorrespondence and to newly uncovered interviews with his onlychild, Hastings portrays the secret loves, betrayals, integrity,and passion that inspired Maugham to create such classics as TheRazor’s Edge and Of Human Bondage. Hastings vividly presents Maugham’s lonely childhood spentwith unloving relatives after the death of his parents, a traumathat resulted in shyness, a stammer, and for the rest of his lifean urgent need for physical tenderness. Here, too, are his adulttriumphs on the stage and page, works that allowed him a glitteringsocial life in which he befriended and sometimes fell out with suchluminaries as Do

The only thing the writers in this book have in common is thatthey've exchanged sex for money. They're PhDs and dropouts, soccermoms and jailbirds, $2,500-a-night call girls and $10 crack hos,and everything in between. This anthology lends a voice to anunderrepresented population that is simultaneously reviled andworshipped. Hos, Hookers, Call Girls, and Rent Boys is a collection of shortmemoirs, rants, confessions, nightmares, journalism, and poetrycovering life, love, work, family, and yes, sex. The editors gatherpieces from the world of industrial sex, including contributionsfrom art-porn priestess Dr. Annie Sprinkle, best-selling memoiristDavid Henry Sterry (Chicken: Self-Portrait of a Young Man forRent), sex activist and musical diva Candye Kane, women and menright off the streets, girls participating in the first-everNational Summit of Commercially Sexually Exploited Youth, and RuthMorgan Thomas, one of the organizers of the European Sex Work,Human Rights, and Migration Conference. Se

Paul Newman, the Oscar-winning actor with the legendary blueeyes, achieved superstar status by playing charismatic renegades,broken heroes, and winsome antiheroes in such revered films as TheHustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, TheVerdict, The Color of Money, and Nobody’s Fool. But Newman was alsoan oddity in Hollywood: the rare box-office titan who cared aboutthe craft of acting, the sexy leading man known for the stayingpower of his marriage, and the humble celebrity who madephilanthropy his calling card long before it was cool. The son of a successful entrepreneur, Newman grew up in aprosperous Cleveland suburb. Despite fears that he would fail tolive up to his father’s expectations, Newman bypassed the familysporting goods business to pursue an acting career. Afterstruggling as a theater and television actor, Newman saw his starrise in a tragic twist of fate, landing the role of boxer RockyGraziano in Somebody Up There Likes Me when James Dean was killedin a car a

From the author of the best-selling biography Woody Allen—themost informative, revealing, and entertaining conversations fromhis thirty-six years of interviewing the great comedian andfilmmaker. For more than three decades, Woody Allen has been talkingregularly and candidly with Eric Lax, and has given him singularand unfettered access to his film sets, his editing room, and histhoughts and observations. In discussions that begin in 1971 andcontinue into 2007, Allen discusses every facet of moviemakingthrough the prism of his own films and the work of directors headmires. In doing so, he reveals an artist’s development over thecourse of his career to date, from joke writer to standup comedianto world-acclaimed filmmaker. Woody talks about the seeds of his ideas and the writing of hisscreenplays; about casting and acting, shooting and directing,editing and scoring. He tells how he reworks screenplays even whilefilming them. He describes the problems he has had casting Ameri

Christopher (Kit) Lukas’s mother committed suicide when hewas a boy. He and his brother, Tony, were not told how she died. Noone spoke of the family’s history of depression and bipolardisorder. The brothers grew up to achieve remarkable success; Tonyas a gifted journalist (and author of the classic book, CommonGround ), Kit as an accomplished television producer anddirector. After suffering bouts of depression, Kit was able toconfront his family’s troubled past, but Tony never seemed to findthe contentment Kit had attained–he killed himself in 1997. Writtenwith heartrending honesty, Blue Genes captures thedevastation of this family legacy of depression and details thestrength and hope that can provide a way of escaping itsgrasp.

The long-awaited second volume of the best Churchill biographyreveals the true portrait of this ambitious world leader.Discussion centers on the alarm he sounded about the terrible plotbeing hatched inside Hitler's deranged mind. Two 8-page photosinserts.

As he magnificently combines meticulous scholarship withirresistible narrative appeal, Richardson draws on his closefriendship with Picasso, his own diaries, the collaboration ofPicasso's widow Jacqueline, and unprecedented access to Picasso'sstudio and papers to arrive at a profound understanding of theartist and his work. 800 photos.

One climbed to the very top of the social ladder, the otherchose to live among tramps. One was a celebrity at twenty-three,the other virtually unknown until his dying days. One wasright-wing and religious, the other a socialist and an atheist.Yet, as this ingenious and important new book reveals, at the heartof their lives and writing, Evelyn Waugh and George Orwell wereessentially the same man. Orwell is best known for "Animal Farm"and "1984," Waugh for "Brideshead Revisited" and comic novels like"Scoop" and "Vile Bodies." How ever different they may seem, thesetwo towering figures of twentieth-century literature are linked forthe first time in this engaging and unconventional biography, whichgoes beyond the story of their amazing lives to reach the core oftheir beliefs-a shared vision that was startlingly prescient aboutour own troubled times. Both Waugh and Orwell were born in 1903,into the same comfortable stratum of England's class-obsessedsociety. But at first glance they seem to have lived

波姬·小丝（Brooke Christa Shields）， 美国 著名 女演员 和 模特 ，1965年生于 纽约 城，拥有 意大利 、 法国 、 爱尔兰 和 英国 的贵族血统，其祖母是意大利公主Donna Marina Torlonia。小丝出生11个月就为香皂拍过广告，14岁就成为Vogue杂志封面年轻的时装模特；更是用家喻户晓的广告成就了Calvin Klein品牌牛仔装。13岁就在1978年的影片《漂亮宝贝》(Pretty Baby)中扮演一个童妓；1980年的《青春珊瑚岛/蓝色泻湖》(Blue Lagoon)中，出演因海上事故流落荒岛逐渐长大成为少年的两个孩子中的女孩，青春靓丽脱俗的形象让年仅15岁的波姬·小丝红极一时。

In 1955, Garcia Marquez was working for El Espectador, a newspaper in Bogota, when in February of that year eight crew members of the Caldas, a Colombian destroyer, were washed overboard and disappeared. Ten days later one of them turned up, barely alive, on a deserted beach in northern Colombia. This book, which originally appeared as a series of newspaper articles, is Garcia Marquez's account of that sailor's ordeal. Translated by Randolf Hogan.

A writer renowned for his insight into the mysteries of the bodynow gives us a lambent and profoundly moving book about themysteries of family. At its center lies Sherwin Nuland’sRembrandtesque portrait of his father, Meyer Nudelman, a Jewishgarment worker who came to America in the early years of the lastcentury but remained an eternal outsider. Awkward in speech andmovement, broken by the premature deaths of a wife and child, Meyerruled his youngest son with a regime of rage, dependency, andhelpless love that outlasted his death. In evoking their relationship, Nuland also summons up the warmthand claustrophobia of a vanished immigrant New York, a world thatimpelled its children toward success yet made them feel liketraitors for leaving it behind. Full of feeling and unwaveringobservation, Lost in America deserves a place alongside suchclassics as Patrimony and Call It Sleep .

When Anne Rice stopped crafting stories about vampires andbegan writing about Jesus, many of her fans were shocked. Thisautobiographical spiritual memoir provides an account of how theauthor rediscovered and fully embraced her Catholic faith afterdecades as a self-proclaimed atheist. Rice begins with herchildhood in New Orleans, when she seriously considered entering aconvent. As she grows into a young adult she delves into concernsabout faith, God and the Catholic Church that lead her away fromreligion. The author finally reclaims her Catholic faith in thelate 1990s, describing it as a movement toward total surrender toGod. She writes beautifully about how through clouds of doubt andpain she finds clarity, realizing how much she loved God anddesired to surrender her being, including her writing talent, toGod. Covering such a large sequence of time and life events is noteasy, and some of the author's transitions are a bit jarring. Fansof Rice's earlier works will enjoy discovering more about her lifean

Consuelo and Antoine de Saint-Exupéry met in Buenos Aires in1930—she a seductive young widow, he a brave pioneer of earlyaviation, decorated for his acts of heroism in the deserts of NorthAfrica. He was large in his passions, a fierce loner with achildlike appetite for danger. She was frail and voluble, exoticand capricious. Within hours of their first encounter, he knew hewould have her as his wife. Their love affair and marriage would take them from Buenos Airesto Paris to Casablanca to New York. It would take them throughperiods of betrayal and infidelity, pain and intense passion,devastating abandonment and tender, poetic love. The Tale of theRose is the story of a man of extravagant dreams and of the womanwho was his muse, the inspiration for the Little Prince’s belovedrose—unique in all the world—whom he could not live with and couldnot live without.

Offers a remarkable perspective on how a brutal mobster couldlead a sweet home life as a suburban dad.” —New York Times “One of the most searing volumes ever written about the mob .. . An] unforgettable memoir.” —Publishers Weekly “Admirers of Mafia fiction . . . should enjoy DeMeo’s attemptto strip off the gaudy veneer of what is, what was, and [what]always will be very dirty business.” —Detroit Free Press

An enraged man abducts his estranged wife and child, holes upin a secluded mountain cabin, threatening to kill them both. Aright wing survivalist amasses a cache of weapons and resists callsto surrender. A drug trafficker barricades himself and his familyin a railroad car, and begins shooting. A cult leader in Waco,Texas faces the FBI in an armed stand-off that leaves many dead ina fiery blaze. A sniper, claiming to be God, terrorizes the DCmetropolitan area. For most of us, these are events we hear abouton the news. For Gary Noesner, head of the FBI’s groundbreakingCrisis Negotiation Unit, it was just another day on the job. In Stalling for Time, Noesner takes readers on a heart-poundingtour through many of the most famous hostage crises of the pastthirty years. Specially trained in non-violent confrontation andcommunication techniques, Noesner’s unit successfully defused manypotentially volatile standoffs, but perhaps their most hard-wonvictory was earning the recognition and respect of the