Translated by Audie E. Bock. "A first rate book and a joy to read.... It's doubtful that acomplete understanding of the director's artistry can be obtainedwithout reading this book.... Also indispensable for buddingdirectors are the addenda, in which Kurosawa lays out his beliefson the primacy of a good *, on *writing as an essentialtool for directors, on directing actors, on camera placement, andon the value of steeping oneself in literature, from great novelsto detective fiction." -- Variety "For the lover of Kurosawa's movies...this is nothing short of mustreading...a fitting companion piece to his many dynamic andabsorbing screen entertainments." -- Washington Post Book World

A rich evocation of Nabokov's life and times, even as it offersincisive insights into his major works, including LOLITA, PNIN,DESPAIR, THE GIFT and others.

Fidel Castro is perhaps the most charismatic and controversialhead of state in modern times. A dictatorial pariah to some, he hasbecome a hero and inspiration for many of the world's poor,defiantly charting an independent and revolutionary path for Cubaover nearly half a century. Numerous attempts have been made to get Castro to tell his ownstory. But only now, in the twilight of his years, has he beenprepared to set out the details of his remarkable biography for theworld to read. This book is nothing less than his living testament.As he told reporters, his desire to finish checking its text wasthe one thing that kept him going through his recent illness. Hepresented a copy of the book in its Spanish edition to his compadrePresident Hugo Chávez of Venezuela. In these pages, Castro narrates a compelling chronicle thatspans the harshness of his elementary school teachers; the earlyfailures of the revolution; his intense comradeship with CheGuevara and their astonishing, against-all-odds victory over thedic

Plutarch's Lives, written at the beginning of the secondcentury A.D., is a brilliant social history of the ancient world byone of the greatest biographers and moralists of all time. In whatis by far his most famous and influential work, Plutarch revealsthe character and personality of his subjects and how they ledultimately to tragedy or victory. Richly anecdotal and full ofdetail, Volume I contains profiles and comparisons of Romulus andTheseus, Numa and Lycurgus, Fabius and Pericles, and many morepowerful figures of ancient Greece and Rome. The present translation, originally published in 1683 inconjunction with a life of Plutarch by John Dryden, was revised in1864 by the poet and scholar Arthur Hugh Clough, whose notes andpreface are also included in this edition.

Now in paperback: the third volume of John Richardson’smagisterial Life of Picasso. Here is Picasso at the height of his powers in Rome and Naples,producing the sets and costumes with Cocteau for Diaghilev’sBallets Russes, and visiting Pompei where the antique statuary fuelhis obsession with classicism; in Paris, creating some of his mostimportant sculpture and painting as part of a group that includedBraque, Apollinaire, Miró, and Breton; spending summers in theSouth of France in the company of Gerald and Sara Murphy,Hemingway, and Fitzgerald. These are the years of his marriage tothe Russian ballerina Olga Khokhlova—the mother of his onlylegitimate child, Paulo—and of his passionate affair withMarie-Thérèse Walter, who was, as well, his model and muse. A groundbreaking contribution to our understanding of one of thegreatest artists of the twentieth century.

A gathering ofbrilliant and viciously funny recollections from one of thetwentieth century’s most famous literary enfants terribles. Written in 1980 but published here for the first time, thesetexts tell the story of the various farces that developed aroundthe literary prizes Thomas Bernhard received in his lifetime.Whether it was the Bremen Literature Prize, the Grillparzer Prize,or the Austrian State Prize, his participation in the acceptanceceremony—always less than gracious, it must be said—resulted inscandal (only at the awarding of the prize from Austria’s FederalChamber of Commerce did Bernhard feel at home: he received thatone, he said, in recognition of the great example he set forshopkeeping apprentices). And the remuneration connected with theprizes presented him with opportunities for adventure—of thenew-house and luxury-car variety. Here is a portrait of the writer as a prizewinner: laconic,sardonic, and shaking his head with biting amusement at the w

"Authorized, intimate, and definitive, Ben Hogan: A Life isthe long-awaited biography of one of golf's greatest, mostenigmatic legends, narrated with the unique eloquence that has madeauthor James Dodson a critically acclaimed national bestseller. "One man is often credited with shaping the landscape of moderngolf. Ben Hogan was a short, trim, impeccably dressed Texan whosefierce work ethic, legendary steel nerves, and astonishing triumphover personal disaster earned him not only an army of adoring fans,but one of the finest careers in the history of the sport. Hogancaptured a record-tying four U.S. Opens, won five of six majortournaments in a single season, and inspired future generations ofprofessional golfers from Palmer to Norman to Woods. Yet for allhis brilliance, Ben Hogan was an enigma. He was an American herowhose personal life, inner motivation, and famed "secret" were thesource of great public mystery. As Hogan grew into a giant on thepro tour, the combination of his cool outward demeanor an

Norman Rockwell ’s hundreds of memorable covers for The Saturday Evening Post made him a twentieth-centuryAmerican icon. However, because of the very popularity of hisidealized depictions of middle-class life, his more seriouspaintings have been largely ignored, and he has often been deemed amere illustrator, not a “real” artist. In this, the first comprehensive biography of America’s mostpopular artist, Laura Claridge breaks new ground with herappreciative but clear-eyed view of Rockwell’s work—and his life.Based upon previously unpublished family archives and hundreds ofinterviews, this account reveals for the first time the deepdisparity between the artist’s public image and his privatelife.

Far more than a superb memoir about the highest levels ofprofessional tennis, Open is the engrossing story of a remarkablelife. Andre Agassi had his life mapped out for him before he left thecrib. Groomed to be a tennis champion by his moody and demandingfather, by the age of twenty-two Agassi had won the first of hiseight grand slams and achieved wealth, celebrity, and the game’shighest honors. But as he reveals in this searching autobiography,off the court he was often unhappy and confused, unfulfilled by hisgreat achievements in a sport he had come to resent. Agassi writescandidly about his early success and his uncomfortable relationshipwith fame, his marriage to Brooke Shields, his growing interest inphilanthropy, and—described in haunting, point-by-point detail—thehighs and lows of his celebrated career.

When Newton was not yet twenty-five years old, he formulatedcalculus, hit upon the idea of gravity, and discovered that whitelight was made up of all the colors of the spectrum. By 1678,Newton designed a telescope to study the movement of the planetsand published Principia, a milestone in the history of science,which set forth his famous laws of motion and universalgravitation. Newton’s long-time research on calculus, finally madepublic in 1704, triggered a heated controversy as Europeanscientists accused him of plagiarizing the work of the Germanscientist Gottfried Leibniz. In this third volume in the acclaimed Ackroyd’s Brief Livesseries, bestselling author Peter Ackroyd provides an engagingportrait of Isaac Newton, illuminating what we think we know abouthim and describing his seminal contributions to science andmathematics. A man of wide and eclectic interests, Newton blurred theborders between natural philosophy and speculation: he was aspassionate about astrology as astronomy an

This major study of the composer's life and work follows thecourse of Bach's career in rich detail - from his humble beginningsas an organ tuner and self-taught musician, to his role asKapellmeister and cantor of St. Thomas' Church in Leipzig. Itexplores Bach's relations with the German aristocracy, the Churchand contemporary theological debates, his perfectionism, and hisrole as the devoted head of a large family. The author alsocarefully analyses Bach's innovations in harmony and counterpoint,placing them in the context of European musical and socialhistory.

In this extraordinary memoir, Nobel Prizewinning author GnterGrass remembers his early life, from his boyhood in a crampedtwo-room apartment in Danzig through the late 1950s, when The TinDrum was published. During the Second World War, Grass volunteeredfor the submarine corps at the age of fifteen but was rejected; twoyears later, in 1944, he was instead drafted into the Waffen-SS.Taken prisoner by American forces as he was recovering fromshrapnel wounds, he spent the final weeks of the war in an AmericanPOW camp. After the war, Grass resolved to become an artist andmoved with his first wife to Paris, where he began to write thenovel that would make him famous. Full of the bravado of youth, therubble of postwar Germany, the thrill of wild love affairs, and theexhilaration of Paris in the early fifties, Peeling the Onionwhichcaused great controversy when it was published in GermanyrevealsGrass at his most intimate.

Robert Hughes has trained his critical eye on many majorsubjects, from the city of Barcelona to the history of his nativeAustralia. Now he turns that eye inward, onto himself and the worldthat formed him. Hughes analyzes his experiences the way he mightexamine a Van Gogh or a Picasso. From his relationship with hisstern and distant father to his Catholic upbringing and schoolyears; and from his development as an artist, writer, and critic tohis growing appreciation of art and his exhilaration at leavingAustralia to discover a new life, Hughes’ memoir is anextraordinary feat of exploration and celebration.

This comprehensive, original portrait of the life and work ofone of America's greatest poets--set in the social, cultural, andpolitical context of his time--considers the full range of writingsby and about Whitman, including his early poems and stories, hisconversations, letters, journals, newspaper writings, and daybooks. of photos.

In The Cubist Rebel, 1907–1916 , the second volume of his Life of Picasso , John Richardson reveals the young Picassoin the Baudelairean role of “the painter of modern life”—a rolethat stipulated the brothel as the noblest subject for a modernartist. Hence his great breakthrough painting, Les Demoisellesd’Avignon , with which this book opens. As well as portrayingPicasso as a revolutionary, Richardson analyzes the morecompassionate side of his genius. The misogynist of posthumouslegend turns out to have been surprisingly vulnerable—more oftensinned against than sinning. Heartbroken at the death of hismistress Eva, Picasso tried desperately to find a wife. Richardsonrecounts the untold story of how his two great loves of 1915–17successively turned him down. These disappointments, as well as hishorror at the outbreak of World War I and the wounds it inflictedon his closest friends, Braque and Apollinaire, shadowed hispainting and drove him off to work for the Ballets Russes in Romeand Naples—

From one of the most important intellectuals of our time comesan extraordinary story of exile and a celebration of anirrecoverable past. A fatal medical diagnosis in 1991 convincedEdward Said that he should leave a record of where he was born andspent his childhood, and so with this memoir he rediscovers thelost Arab world of his early years in Palestine, Lebanon, andEgypt. Said writes withgreat passion and wit about his family and his friends from hisbirthplace in Jerusalem, schools in Cairo, and summers in themountains above Beirut, to boarding school and college in theUnited States, revealing an unimaginable world of rich, colorfulcharacters and exotic eastern landscapes. Underscoring all is theconfusion of identity the young Said experienced as he came toterms with the dissonance of being an American citizen, a Christianand a Palestinian, and, ultimately, an outsider. Richly detailed,moving, often profound, Out of Place depicts a young man'scoming of age and the genesis of a great modern think

“The best biography of Lord Byron ever written,” according toPoet Laureate W. S. Merwin, is now back in print afterdecades. Of the hundreds of books on Byron and his work, not one has beendevoted to the immediate aftermath of his life; and yet it is thesefirst twenty posthumous years that yield the most unexpected andexciting discoveries about the character of the poet and thebehavior of those who once surrounded him—wife, sister, friends,enemies. With the burning of his memoirs almost as soon as news of his deathreach England in May 1924, there began the sequence of impassionedcontroversies that have followed one another like the links in achain ever since. What sort of man was the begetter of thesedramas? Unflagging in energy and acumen, Doris Lang- ley Mooresifts the various witnesses, their motives and credentials, and notonly reveals how much questionable evidence has been accepted butdevelops a corrected picture that appeals and persuades. Drawing upon a very large amount of unpublished material

An enraged man abducts his estranged wife and child, holes upin a secluded mountain cabin, threatening to kill them both. Aright wing survivalist amasses a cache of weapons and resists callsto surrender. A drug trafficker barricades himself and his familyin a railroad car, and begins shooting. A cult leader in Waco,Texas faces the FBI in an armed stand-off that leaves many dead ina fiery blaze. A sniper, claiming to be God, terrorizes the DCmetropolitan area. For most of us, these are events we hear abouton the news. For Gary Noesner, head of the FBI’s groundbreakingCrisis Negotiation Unit, it was just another day on the job. In Stalling for Time, Noesner takes readers on a heart-poundingtour through many of the most famous hostage crises of the pastthirty years. Specially trained in non-violent confrontation andcommunication techniques, Noesner’s unit successfully defused manypotentially volatile standoffs, but perhaps their most hard-wonvictory was earning the recognition and respect of the

Leni Riefenstahl, the woman known as “Hitler’s filmmaker,”made some of the greatest and most innovative documentaries evermade. They are also insidious glorifications of Adolf Hitler andthe Third Reich. Now, Steven Bach reveals the truths and liesbehind Riefenstahl’s lifelong self-vindication as an apoliticalartist who claimed to know nothing of the Holocaust and denied hercomplicity with the criminal regime she both used andsanctified. A riveting and illuminating biography of one of the mostfascinating and controversial personalities of the twentiethcentury.

When he was born in BIenheim Palace．1mperial B ritainstood at the splendid pinnacle of her power．Yet within a feW yearsthe Empi re would hover on the brink of a catastrophjC new era．Hereare the fi rst fifty—eight years of the remarkable man whose courageous vision guided the destiny of those darkly troubledtimes—and who Iooms today as one of the greatest figu res of ou rcentu ry．

Let It Blurt is the raucous and righteous biography of LesterBangs (1949-82)--the gonzo journalist, gutter poet, and romanticvisionary of rock criticism. No writer on rock 'n' roll ever livedharder or wrote better--more passionately, more compellingly, morepenetratingly. He lived the rock 'n' roll lifestyle, guzzling boozeand Romilar like water, matching its energy in prose that eruptedfrom the pages of Rolling Stone, Creem, and The Village Voice.Bangs agitated in the seventies for sounds that were harsher,louder, more electric, and more alive, in the course of which hecharted and defined the aesthetics of heavy metal and punk. He wastreated as a peer by such brash visionaries as Lou Reed, PattiSmith, Richard Hell, Captain Beefheart, The Clash, Debbie Harry,and other luminaries. Let It Blurt is a scrupulously researched account of LesterBangs's fascinating (if often tawdry and unappetizing) life story,as well as a window on rock criticism and rock culture in theirmost turbulent and creative years