An electrifying memoir from the acclaimed Nicaraguan writer(“A wonderfully free and original talent”—Harold Pinter) andcentral figure in the Sandinista Revolution. Until her early twenties, Gioconda Belli inhabited an upper-classcocoon: sheltered from the poverty in Managua in a world of countryclubs and debutante balls; educated abroad; early marriage andmotherhood. But in 1970, everything changed. Her growingdissatisfaction with domestic life, and a blossoming awareness ofthe social inequities in Nicaragua, led her to join theSandinistas, then a burgeoning but still hidden organization. Shewould be involved with them over the next twenty years at thehighest, and often most dangerous, levels. Her memoir is both a revelatory insider’s account of the Revolutionand a vivid, intensely felt story about coming of age underextraordinary circumstances. Belli writes with both strikinglyricism and candor about her personal and political lives: abouther family, her children, the men in her life; about her po

The chilling truth is that his story could have been mine.The tragedy is that my story could have been his. Two kids named Wes Moore were born blocks apart within a year ofeach other. Both grew up fatherless in similar Baltimoreneighborhoods and had difficult childhoods; both hung out on streetcorners with their crews; both ran into trouble with the police.How, then, did one grow up to be a Rhodes Scholar, decoratedveteran, White House Fellow, and business leader, while the otherended up a convicted murderer serving a life sentence? Wes Moore,the author of this fascinating book, sets out to answer thisprofound question. In alternating narratives that take readers fromheart-wrenching losses to moments of surprising redemption, TheOther Wes Moore tells the story of a generation of boys tryingto find their way in a hostile world.

Prepare your child for a lifetime of learning andwonder. Designed for parents to enjoy with children, filled withopportunities for reading aloud and fostering curiosity, thisbeautifully illustrated read-aloud anthology offers preschoolersthe fundamentals they need to prepare for a happy, productive timein school—and for the rest of their lives. Millions of childrenhave benefited from the acclaimed Core Knowledge Series, developedin consultation with parents, educators, and the most distinguisheddevelopmental psychologists. In addition to valuable advice toparents, including what it means for a child to be ready forkindergarten, special sidebars throughout the book help parentsmake reading aloud fun and interactive, suggesting questions toask, connections to make, and games to play to enrich theirpreschooler’s learning experience.

In 1960 the government of Trinidad invited V. S. Naipaul torevisit his native country and record his impressions. In thisclassic of modern travel writing he has created a deft andremarkably prescient portrait of Trinidad and four adjacentCaribbean societies–countries haunted by the legacies of slaveryand colonialism and so thoroughly defined by the norms of Empirethat they can scarcely believe that the Empire is ending. In The Middle Passage , Naipaul watches a Trinidadian movieaudience greeting Humphrey Bogart’s appearance with cries of “Thatis man!” He ventures into a Trinidad slum so insalubrious that thelocals call it the Gaza Strip. He follows a racially chargedelection campaign in British Guiana (now Guyana) and marvels at theGallic pretension of Martinique society, which maintains thefiction that its roads are extensions of France’s routesnationales. And throughout he relates the ghastly episodes ofthe region’s colonial past and shows how they continue to informits language, politics, a

Penis envy? P'shaw.From the bestselling author of How to Make Your Man Behave In 21Days or Less Using the Secrets of Professional Dog Trainers comes (ahem) The Clitourist , a witty and empowering guide tothe hottest spot on a woman's body. For something so important toso many, there is a shocking lack of information available on theclitoris. An intimate biography of a gal's best friend, TheClitourist boldly attempts to fill that void, educating andentertaining the reader on every level, from structure and functionto care and upkeep, not to mention handy dandy arousal methods. Andthough funny, The Clitourist is not afraid to tackle thereally tough questions like, if we can put a man on the moon, whynot on a woman's clitoris during intercourse? As revolutionary insubject matter as The Vagina Monologues , as frank as Sexand the City, The Clitourist is a celebration of the femalebody as well as just a plain hoot that women will delight in buyingfor themselves, their sisters, and their friends (and heck, m

Using simple guidelines, professional color consultant CaroleJackson helps you choose the thirty shades that make you looksmashing. COLOR ME BEAUTIFUL will also help you: develop your colorpersonality; learn to perfect your make-up color; discover yourclothing personality; use color to solve specific figure problems,and more, including full-color palettes containing the thirtyshades for each season--pages you can cut out to carry when youshop!

A chilling, fascinating, and nearly forgotten historicalfigure is resurrected in a riveting work that links the fascism ofthe last century with the terrorism of our own. Written with verveand extraordinary access to primary sources in several languages,Icon of Evil is the definitive account of the man who during WorldWar II was called “the führer of the Arab world” and whose uglylegacy lives on today. In 1921, the beneficiary of an appointment the British would liveto regret, Haj Amin al-Husseini became the mufti of Jerusalem, themost eminent and influential Islamic leader in the Middle East. Foryears, al-Husseini fomented violence in the region against the Jewshe loathed and wished to destroy. Forced out in 1937, he eventuallyfound his way to the country whose legions he desperately wished tojoin: Nazi Germany. Here, with new and disturbing details, David G. Dalin and John F.Rothmann show how al-Husseini ingratiated himself with his hero,Adolf Hitler, becoming, with his blonde hair and blue eyes, an

An intimate look at writing, running, and the incredible waythey intersect, from the incomparable, bestselling author HarukiMurakami.While simply training for New York City Marathon would beenough for most people, Haruki Murakami's decided to write about itas well. The result is a beautiful memoir about his intertwinedobsessions with running and writing, full of vivid memories andinsights, including the eureka moment when he decided to become awriter. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is rich andrevelatory, both for fans of this masterful yet guardedly privatewriter and for the exploding population of athletes who findsimilar satisfaction in athletic pursuit.

An excellent,reassuring book for women and their partners. It carries the womanalong step-by-step in the rediscovery of her own sexuality and thepleasure it will bring her. Liberated or not, single or married,young or old, all women will find this book accessible andsupportive.

First published in 1967, Writing and Difference, a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derrida's method of deconstruction. In these essays, Derrida demonstrates the traditional nature of some purportedly nontraditional currents of modern thought—one of his main targets being the way in which "structuralism" unwittingly repeats metaphysical concepts in its use of linguistic models. The second half of the book contains some of Derrida's most compelling analyses of why and how metaphysical thinking must exclude writing from its conception of language, finally showing metaphysics to be constituted by this exclusion. These essays on Artaud, Freud, Bataille, Hegel, and Lévi-Strauss have served as introductions to Derrida's no