米歇尔·图尔尼埃(1924-)，法国当代文学大师，当代著名的新寓言派文学的主将。他不仅是才华横溢的小说家，而且是睿智深刻的哲学家。西方批评界对他的小说以及融汇在小说中的现代哲学思想推崇备至，评价极高，认为他以自己独特的风格为法国小说开创了新局面。《礼拜五或太平洋上的灵薄狱》是他的代表作之一，发表当年即获法兰西学院文学大奖。 《礼拜五或太平洋上的灵薄狱》是一篇“现代文明衰亡记”的寓言，它戏仿笛福的名著《鲁滨孙漂流记》的题材，在主题上却反其道而行之。鲁滨孙孤独一人被弃荒岛后，按西方文明社会的模式将荒岛治理得井井有条。礼拜五来到荒岛后，非但没有被驯化为鲁滨孙的奴隶，反而以其自然的天性将文明的迹象破坏得一干二净，同时也慢慢影响了鲁滨孙，使这个西方文明的代表逐步抛弃了原有的文化传统，变成了一个能
Synopsis This text is a magical fable about learning to listen to your heart, read the omens strewn along life''s path and, above all, following your dreams. The book tells the story of Santiago, an Andalusian shepherd boy who dreams of travelling the world in search of a worldly treasure as fabulous as any ever found. From his home in Spain he journeys to the markets of Tangiers, and from there into the Egyptian desert, where a fateful encounter with the alchemist awaits him. With a visionary blend of spirituality, magical realism and folklore, the author hopes that "The Alchemist" has the power to inspire nations and change people''s lives.
本书主要内容：约翰23岁时，高中毕业便不再升学，终日不知所以地换了一份又一份工作，惶惶然地在酒吧饮酒作乐度过，恋情不断却未见真爱。直到有一天，他毅然投效军旅，并于放假回家时，在家乡的艳阳下、沙滩上，偶然结识正值花样年华的莎文娜。21岁的莎文娜，成长背景与约翰相去甚远，不同于约翰的放浪形骸，她单纯、善良、率真，有坚定的理念与信仰，有清楚而明确的目标。透过莎文娜，约翰重新认识了自己，也重新认识了爱情。甜蜜的相处时光总是短暂，约翰必须回到军队，甚至被派驻海外。时间一天又一天地过去，这段靠书信维系、偶而得以见上一面的远距离恋情，终因莎文娜的一封分手信而划下句点。陷入心碎绝境的约翰，没有立刻打电话给莎文娜，也没有立刻飞回家乡，只是把信折好放回信封，决定去哪里都带着它，像是带着上战场所
William J. Mann, author of the bestselling Kate: The WomanWho Was Hepburn, has now turned his attention to ElizabethTaylor, the quintessential movie star, and uses her biography toreveal the machinations of stardom and fame, from the studio era ofHollywood through the 1970s. How to Be a Movie Star isa totally fresh, brilliantly researched, and reported portrait ofElizabeth Taylor, as she became our first superstar. It isalso a fascinating revelation of cadre that got her there, from hermother to her managers, publicists, gossip columnists, and earlypaparazzi--and, not least of all, herself. Swathed in mink, sailing aboard her yachts, discarding husbandsnearly as frequently as she changed diamond earrings, Taylordominated the headlines for three glittering decades, rewritingrules, defying conventions, laying down the yardstick by whichcelebrity has been measured ever since. Focusing on the mostglamorous period in Taylor's career, Mann takes us inside herprivileged childhood in England to her schooling
When the Good Friday peace accords are shattered by threesavage acts of terrorism, Northern Ireland is blown back into thedepths of conflict. And after his father-in-law is nominated tobecome the new American ambassador to London, retired CIA agentMichael Osbourne is drawn back into the game. He soon discoversthat his father-in-law is marked for execution. And that he himselfis once again in the crosshairs of a killer known as October, oneof the most merciless assassins the world has ever known...
"Last Night I Dreamt I Went To Manderley Again." So the second Mrs. Maxim de Winter remembered the chilling eventsthat led her down the turning drive past ther beeches, white andnaked, to the isolated gray stone manse on the windswept Cornishcoast. With a husband she barely knew, the young bride arrived atthis immense estate, only to be inexorably drawn into the life ofthe first Mrs. de Winter, the beautiful Rebecca, dead but neverforgotten...her suite of rooms never touched, her clothes ready tobe worn, her servant -- the sinister Mrs. Danvers -- still loyal.And as an eerie presentiment of evil tightened around her heart,the second Mrs. de Winter began her search for the real fate ofRebecca...for the secrets of Manderley. --This text refers to the Mass Market Paperback edition.
This Norton Critical Edition is based on the 1912 Wessex Edition,emended to correct errors that have crept into the text from the manu-* onwards and to incorporate revisions that Hardy made in his "study copy" of the novel and in his marked printer's copy and pageproofs for a Harper and Brothers "sixpenny edition" of 190 I, whenever these revisions can confidently be judged to represent Hardy's final de-liberate intention. The resulting text includes revisions by Hardy that have never before appeared in a modern edition. The novel is fully an-notated and is accompanied by Hardy's map of Wessex and a simplified map of the landscape of Far from the MaddbN Crou,d. Textual notes in-clude a list of emendations, examples of variant readings from the man-u* to the Wessex Edition, and a discussion of the choice of copytext. The textual history of the novel is traced in extracts from studies by Richard Little Purdy and Simon GatrelI. Background and source materials include extracts from correspon-dence and contemp
Jeannette Walls grew up with parents whose ideals and stubborn nonconformity were both their curse and their salvation. Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children's imagination, teaching them physics, geology, and above all, how to embrace life fearlessly. Rose Mary, who painted and wrote and couldn't stand the responsibility of providing for her family, called herself an "excitement addict." Cooking a meal that would be consumed in fifteen minutes had no appeal when she could make a painting that might last forever. Later, when the money ran out, or the romance of the wandering life faded, the Walls retreated to the dismal West Virginia mining town -- and the family -- Rex Walls had done everything he could to escape. He drank. He stole the grocery money and disappeared for days. As the dysfunction of the family escalated, Jea
At the heart of this epic saga, set just before the Opium Wars,is an old slaving-ship, The Ibis. Its destiny is a tumultuousvoyage across the Indian Ocean, its crew a motley array of sailorsand stowaways, coolies and convicts. In a time of colonialupheaval, fate has thrown together a truly diverse cast of Indiansand Westerners, from a bankrupt Raja to a widowed villager, from anevangelical English opium trader to a mulatto American freedman. Astheir old family ties are washed away they, like their historicalcounterparts, come to view themselves as jahaj-bhais orship-brothers. An unlikely dynasty is born, which will spancontinents, races and generations. The vast sweep of thishistorical adventure spans the lush poppy fields of the Ganges, therolling high seas, and the exotic backstreets of China. But it isthe panorama of characters, whose diaspora encapsulates the vexedcolonial history of the East itself, which makes Sea of Poppies sobreathtakingly alive -- a masterpiece from one of the world'sfinest novelist
At once conservative and radical in her beliefs, she saw noconflict in idealizing and mythologizing the Irish peasantry, forexample, while her landlord husband introduced legislation thatwould, in part, lead to the widespread misery, poverty andstarvation of the Great Famine. Nevertheless, as founder of theAbbey Theatre, an outspoken opponent of censorship and mentor, museand mother-figure to W.B. Yeats, Augusta Gregory played a pivotalrole in shaping Irish history and dramatic history. Moreover,despite her parents' early predictions of spinsterhood, she was nomatronly figure, engaging in a passionate affair while newly-weddedand, as she approached 60, falling for a man almost 20 years herjunior.
While the cops out of Hollywood station deal with the costumed crackheads, prostitutes, purse snatchers, tweakers and ordinary lunatics that haunt the boulevards, in the streets behind the lights and crowds, the real Los Angeles simmers, never far from boiling point. Under the watchful eye of the veteran sergeant they call Oracle, the Hollywood station squad are as different as the streets they police. Budgie Polk's back on duty while still breast-feeding her son, begrudgingly teamed with old school patrol officer Fausto Gamboa. Flotsam and Jetsam live only for surfing and the petite - but intrepid - Meg Takara. Andi McCrea goes off duty and into night classes, while rich kid rookie Wesley Drubb is as desperate to see some action as Nathan 'Hollywood' Weiss is to get his * developed. Under-staffed and over-worked, bound by red tape and hobbled by political correctness, these men and women hold the front line in LA's epicentre, but add a diamond robbery, the Russian mafia and a cluelessly ambitious glass
Simon Axler, one of the leading American stage actors of his generation, is now in his sixties and has lost his magic, talent, and assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, 'tare melted into air, into thin air." When his wife leaves him, and after a stint at a mental hospital, he retires to his upstate New York country house and hopes for deliverance which arrives in the form of the lithe, vibrant, and ever-sub-versive Pegeen Stapleford, the daughter of old friendsand twenty-flve years his junior. In this tight, surprising narrative told with Roth's inimi-table urgency, bravura, and gravity, we confront the ter-rifying fragility of all our llfe's performances.
Eddie is a grizzled war veteran who feels trapped in a meaningless life of fixing rides at a seaside amusement park. His days are a dull routine of work, loneliness, and regret. Then, on his 83rd birthday, Eddie dies in a tragic accident, trying to save a little girl from a falling cart. He awakens in the afterlife, where he learns that heaven is not a lush Garden of Eden, but a place where your earthly life is explained to you by five people. These people may have been loved ones or distant strangers. Yet each of them changed your path forever. One by one, Eddie's five people illuminate the unseen connections of his earthly life. As the story builds to its stunning conclusion, Eddie desperately seeks redemption in the still-unknown last act of his life: Was it a heroic success or a devastating failure? The answer, which comes from the most unlikely of sources, is as inspirational as a glimpse of heaven itself. In The Five People You Meet in Heaven, Mitch Albom gives us an astoundingly original story that wil
Thalassa was a paradise above the earth. Its beauty and vastresources seduce its inhabitants into a feeling of perfection. Butthen the Magellan arrives, carrying with it one million refugeesfrom the last mad days of earth. Paradise looks indeed lost....
AnAnita Blake, Vampire Hunter, novel 'They will play with us, thendestroy us...They are what we fear in the dark.' The first warningis unexpected, calculated. The second warning is a gift: a plainwhite mask, carefully wrapped. But white is good -- white means weare only being watched. It seems the power that connects me, AnitaBlake, with Jean-Claude Vampire Master of the City and Richard,leader of the werewolves, is attracting very unwelcome attention --from creatures so feared no vampire will willingly speak theirname. They are known as the Harlequin, and they have the authorityto pass judgement upon me. It is forbidden to speak of theHarlequin unless you've been contacted. And to be contacted is toface a sentence of death.
The FBI doesn't believe it. The Governor wants the problem todisappear. But agent Judy Maddox knows the threat is real: anextreme group of eco-terrorists has the means and the know-how toset off a massive earthquake of epic proportions. For California,time is running out. Now Maddox is scrambling to hunt down a petty criminal turnedcult leader turned homicidal mastermind. Because Judy knows thatthe dying has already begun. And soon, the earth will violentlyshift, bolt, and shake down to its very core. . . .
FrOm seat N0．9．He rcule P0i rOl was ideaIly placed fO obse rve hiS fellow air passenge rs．Ovet lO his right sat a pretty young woman， clearly infatuated with the man opposite；ahead，in seat N0．1 3， sal a COUntess with a poorly— concealed cocaiRe habit；across lhe gangway in seat N0．8．a detective writer was being lroubled by an agg resslve wasp． What Poi rot did not yet realize was lhat behind him in seat N0 2．sal the slumped，lifeless body of a WOman．．
Come back to the Ringworld . . . the most astonishing feat ofengineering ever encountered. A place of untold technologicalwonders, home to a myriad humanoid races, and world of some of themost beloved science fiction stories ever written! The human, Louis Wu; the puppeteer known as the Hindmost;Acolyte, son of the Kzin called Chmeee . . . legendary beingsbrought together once again in the defense of the Ringworld.Something is going on with the Protectors. Incoming spacecraft arebeing destroyed before they can reach the Ringworld. Vampires aremassing. And the Ghouls have their own agenda--if anyone daresapproach them to learn. Each race on the Ringworld has always had its own Protector. Nowit looks as if the Ringworld itself needs a Protector. But who willsit on the Ringworld Throne? "Niven's work has been an intriguing and consistent universe, andthis book is the keystone of the arch. . . . [His] technique iswonderfully polished, his characters and their situations arenicely drawn . .
The unforgettablenovel of a childhood in a sleepy Southern town and the crisis ofconscience that rocked it, To Kill A Mockingbird became both aninstant bestseller and a critical success when it was firstpublished in 1960. It went on to win the Pulitzer Prize in 1961 andwas later made into an Academy Award-winning film, also aclassic. Compassionate,dramatic, and deeply moving, To Kill A Mockingbird takes readers tothe roots of human behavior - to innocence and experience, kindnessand cruelty, love and hatred, humor and pathos. Now with over 18million copies in print and translated into forty languages, thisregional story by a young Alabama woman claims universal appeal.Harper Lee always considered her book to be a simple love story.Today it is regarded as a masterpiece of American literature.
What do you when your boyfriend tells you he wants space? You give him six thousand miles of it... Frankie's life is falling apart. In less than a week she's gone from having everything - a great job, lovely flat and gorgeous Hugh - to having nothing at all. Devastated, dumped and on the dole, she packs her bags and flies to Los Angeles to stay with an old friend. Her goal? To sort out her life and get over Hugh. She does not, repeat not, go to LA to fall head over heels for an American photographer called Reilly and to run away to Las Vegas. But what happens when Hugh wants her back? Who will she choose? And is it really true that whatever happens in Vegas, stays in Vegas? Alexandra Potter's deliciously funny romantic comedy is for every girl who has ever dreamt of running away to Hollywood... or just wished she could reach for the stars.
