“I can tell you that some force within me rejected death at thelast moment and then guided me, blind and stumbling — quiteliterally a dead man walking — into camp and the shaky start of myreturn to life....” In 1996 Beck Weathers and a climbing team pushed toward the summitof Mount Everest. Then a storm exploded on the mountain, rippingthe team to shreds, forcing brave men to scratch and crawl fortheir lives. Rescuers who reached Weathers saw that he was dying,and left him. Twelve hours later, the inexplicable occurred. Weathers appeared,blinded, gloveless, caked with ice — coming down the mountain as a“dead man walking.” In this powerful memoir, Weather describes not only his escape fromhypothermia and the murderous storm that killed nine climbers; hedescribes another journey, a life’s journey. This is the story of aman’s route to a dangerous sport and a fateful expedition, as wellas the road of recovery he has traveled since. In Left for Dead , we are witness to survival in the face ofce

As a child in German-occupied Poland, Roma Ligocka was known forthe bright strawberry-red coat she wore against a tide of gatheringdarkness. Fifty years later, Roma, an artist living in Germany,attended a screening of Steven Spielberg’s Schindler’s List, andinstantly knew that “the girl in the red coat”—the only splash ofcolor in the film—was her. Thus began a harrowing journey into thepast, as Roma Ligocka sought to reclaim her life and put togetherthe pieces of a shattered childhood. The result is this remarkable memoir, a fifty-year chronicle ofsurvival and its aftermath. With brutal honesty, Ligocka recollectsa childhood at the heart of evil: the flashing black boots, thesudden executions, her mother weeping, her father vanished…then herown harrowing escape and the strange twists of fate that allowedher to live on into the haunted years after the war. Powerful,lyrical, and unique among Holocaust memoirs, The Girl in the RedCoat eloquently explores the power of evil to twist our liveslong

Since turning pro after a short stint at Stanford University,no one athlete has dominated their sport as Tiger Woods hasdominated the world of golf. His list of achievements andchampionships would fill pages. But how does he do it? In HOW I PLAY GOLF, through fabulous colorphotos, slow-motion photography, and plenty of text, Tiger talksabout his drives, his putting, his chip shots, his mental approachto the game, and much more more. This is the complete instructionalon how Tiger plays the game of golf. Tiger shares his thoughts on what he calls the game for alifetime. He reveals the five secrets he believes are responsiblefor his success -- a combination of physical, metaphysical, andpsychological practices he uses daily to keep his game in top shapeand to help him to transcend all the ups and downs of golf. Not many can play golf as well as Tiger does, but at least we canread how we can try to improve our game. This one singular volumecontains all the golf instruction that anyone wou

Christopher (Kit) Lukas’s mother committed suicide when hewas a boy. He and his brother, Tony, were not told how she died. Noone spoke of the family’s history of depression and bipolardisorder. The brothers grew up to achieve remarkable success; Tonyas a gifted journalist (and author of the classic book, CommonGround ), Kit as an accomplished television producer anddirector. After suffering bouts of depression, Kit was able toconfront his family’s troubled past, but Tony never seemed to findthe contentment Kit had attained–he killed himself in 1997. Writtenwith heartrending honesty, Blue Genes captures thedevastation of this family legacy of depression and details thestrength and hope that can provide a way of escaping itsgrasp.

When he was born in BIenheim Palace．1mperial B ritainstood at the splendid pinnacle of her power．Yet within a feW yearsthe Empi re would hover on the brink of a catastrophjC new era．Hereare the fi rst fifty—eight years of the remarkable man whose courageous vision guided the destiny of those darkly troubledtimes—and who Iooms today as one of the greatest figu res of ou rcentu ry．

Let It Blurt is the raucous and righteous biography of LesterBangs (1949-82)--the gonzo journalist, gutter poet, and romanticvisionary of rock criticism. No writer on rock 'n' roll ever livedharder or wrote better--more passionately, more compellingly, morepenetratingly. He lived the rock 'n' roll lifestyle, guzzling boozeand Romilar like water, matching its energy in prose that eruptedfrom the pages of Rolling Stone, Creem, and The Village Voice.Bangs agitated in the seventies for sounds that were harsher,louder, more electric, and more alive, in the course of which hecharted and defined the aesthetics of heavy metal and punk. He wastreated as a peer by such brash visionaries as Lou Reed, PattiSmith, Richard Hell, Captain Beefheart, The Clash, Debbie Harry,and other luminaries. Let It Blurt is a scrupulously researched account of LesterBangs's fascinating (if often tawdry and unappetizing) life story,as well as a window on rock criticism and rock culture in theirmost turbulent and creative years

Isaacson, assistant managing editor of Time , has produced much more than another unauthorized biography, giving extensive insights into the younger years of Heinz Kissinger in Bavaria and how they shaped his character, his style in dealing with others, and his worldview. Over 150 interviews with Kissinger intimates, enemies, subordinates, and the man himself generate a less-than-flattering portrayal of the man behind the intellect and the myths. Isaacson covers Kissinger's Americanization, his use of Harvard ties to enhance his career, his forays into the stratosphere of the Council on Foreign Relations (NY), and his Washington years and exploits. He also examines Kissinger's ill-fated negotiations with the North Vietnamese, empire building as national security assistant, shuttle diplomacy in the Middle East, arms control efforts, and later years as private citizen and consultant. While there are other excellent Kissinger biographies (Stephen Graubard's Kissinger , LJ 6/1/73; John Stoessinger's Henry Kissing

Meredith Hall's moving but unsentimental memoir begins in1965, when she becomes pregnant at sixteen. Shunned by her insularNew Hampshire community, she is then kicked out of the house by hermother. Her father and stepmother reluctantly take her in, hidingher before they finally banish her altogether. After giving herbaby up for adoption, Hall wanders recklessly through the MiddleEast, where she survives by selling her possessions and finally herblood. She returns to New England and stitches together a life thatencircles her silenced and invisible grief. When he is twenty-one,her lost son finds her. Hall learns that he grew up in grittypoverty with an abusive father—in her own father's hometown. Theirreunion is tender, turbulent, and ultimately redemptive. Hall'sparents never ask for her forgiveness, yet as they age, she offersthem her love. What sets Without a Map apart is the way in whichloss and betrayal evolve into compassion, and compassion intowisdom.

An absorbing biography of the great leaderwho was the bridge between ancient and modern Europe — the firstmajor study in more than twenty-five years. Charlemagne was an extraordinary figure: aningenious military strategist, a wise but ruthless leader, acunning politician, and a devout believer who ensured the survivalof Christianity in the West. He also believed himself above therules of the church, siring bastards across Europe, and coldlyordering the execution of 4,500 prisoners. Derek Wilson shows howthis complicated, fascinating man married the military might of hisarmy to the spiritual force of the Church in Rome, thereby forgingWestern Christendom. This is a remarkable portrait of Charlemagneand of the intricate political, religious, and cultural world hedominated.

After losing her entire family to the Nazis at age 13, AliciaAppleman-Jurman went on to save the lives of thousands of Jews,offering them her own courage and hope in a time of upheaval andtragedy. Not since The Diary of Anne Frank has a young voice sovividly expressed the capacity for humanity and heroism in the faceof Nazi brutality. HC: Bantam.

One of America’s finest historians shows us how Bob Dylan, oneof the country’s greatest and most enduring artists, stillsurprises and moves us after all these years. Growing up in Greenwich Village, Sean Wilentz discov??ered themusic of Bob Dylan as a young teenager; almost half a centurylater, he revisits Dylan’s work with the skills of an eminentAmerican historian as well as the passion of a fan. Drawn in partfrom Wilentz’s essays as “historian in residence” of Dylan’sofficial website, Bob Dylan in America is a unique blend of fact,interpretation, and affinity—a book that, much like its subject,shifts gears and changes shape as the occasion warrants. Beginning with his explosion onto the scene in 1961, this bookfollows Dylan as he continues to develop a body of musical andliterary work unique in our cultural history. Wilentz’s approachplaces Dylan’s music in the context of its time, including theearly influences of Popular Front ideology and Beat aesthetics, andoffers a larger critica

From Hermione Lee, the internationally acclaimed, award-winningbiographer of Virginia Woolf and Willa Cather , comesa superb reexamination of one of the most famous American women ofletters. Delving into heretofore untapped sources, Lee does away with theimage of the snobbish bluestocking and gives us a new EdithWharton-tough, startlingly modern, as brilliant and complex as herfiction. Born into a wealthy family, Wharton left America as anadult and eventually chose to create a life in France. Her renownednovels and stories have become classics of American literature, butas Lee shows, Wharton's own life, filled with success and scandal,was as intriguing as those of her heroines. Bridging two centuriesand two very different sensibilities, Wharton here comes to life inthe skillful hands of one of the great literary biographers of ourtime.

A rich evocation of Nabokov's life and times, even as it offersincisive insights into his major works, including LOLITA, PNIN,DESPAIR, THE GIFT and others.

does eminem matter? On assignment for his first cover story for Rolling Stone, thevery first national cover story on Eminem, Anthony Bozza met ayoung blond kid, a rapper who would soon take the country by storm.But back in 1999, Eminem was just beginning to make waves amongsuburban white teenagers as his first single, “My Name Is,” wentinto heavy rotation on MTV. Who could have predicted that in a mere two years, Eminem wouldbecome the most reviled and controversial hip-hop figure ever? Orthat twelve months after that, Eminem would sit firmly at thepinnacle of American celebrity, a Grammy winner many times over andthe recipient of an Oscar. did eminem change or did america finally figure him out? Whatever You Say I Am attempts to answer this question and manymore. Since their first meeting, Bozza has been given a level ofaccess to Eminem that no other journalist has enjoyed. In WhateverYou Say I Am, original, never-before-published text from Bozza’sinterviews with Eminem a

Thriller takes us back to a time in 1982 when MichaelJackson was king of the charts, breaking the color barrier on MTV,heralding the age of video, and becoming the ultimaterepresentation of the crossover dreams of Motown’s Berry Gordy, whohelped launch Jackson’s career with the Jackson 5. In this incisiveand revealing examination of the making and meaning of Thriller , Nelson George illuminates the brilliant creativeprocess (and work ethic) of Jackson and producer Quincy Jones,deftly exploring the larger context of the music, life, and seismicimpact of Michael Jackson on three generations. All this from agroundbreaking journalist and cultural critic who was there. Georgequestions whether the phenomenon Jackson became is even possibletoday. He revisits his early writings on the King of Pop andexamines not only the stunning success of Thriller but alsoJackson as an artist, public figure, and racial enigma—includingthe details surrounding his death on June 25, 2009.

A majestic literary biography, a truly new, surprisingly freshportrait. -- Newsday A New York Times Book Review Editors' Choice National Book Critics Circle Award finalist A biography wholly worthy of the brilliant woman it chronicles. .. . It rediscovers Virginia Woolf afresh." --The Philadelphia Inquirer While Virginia Woolf--one of our century's most brilliant andmercurial writers--has had no shortage of biographers, none hasseemed as naturally suited to the task as Hermione Lee. Subscribingto Virginia Woolf's own belief in the fluidity and elusiveness ofidentity, Lee comes at her subject from a multitude ofperspectives, producing a richly layered portrait of the writer andthe woman that leaves all of her complexities and contradictionsintact. Such issues as sexual abuse, mental illness, and suicideare brought into balance with the immensity of her literaryachievement, her heroic commitment to her work, her generosity andwit, and her sanity and strength. It

When the first Superman movie came out I was frequently asked'What is a hero?' I remember the glib response I repeated somany times. My answer was that a hero is someone who commitsa courageous action without considering the consequences--a soldierwho crawls out of a foxhole to drag an injured buddy tosafety. And I also meant individuals who are slightly largerthan life: Houdini and Lindbergh, John Wayne, JFK, and JoeDiMaggio. Now my definition is completely different. Ithink a hero is an ordinary individual who finds strength topersevere and endure in spite of overwhelming obstacles: afifteen-year-old boy who landed on his head while wrestling withhis brother, leaving him barely able to swallow or speak; TravisRoy, paralyzed in the first thirty seconds of a hockey game in hisfreshman year at college. These are real heroes, and so arethe families and friends who have stood by them." The whole world held its breath when Christopher Reeve struggledfor life on Memorial Day, 1995. On the

The outrageous exploits of one of this century's greatestscientific minds and a legendary American original. In thisphenomenal national bestseller, the Nobel Prize-winning physicistRichard P. Feynman recounts in his inimitable voice his adventurestrading ideas on atomic physics with Einstein and Bohr and ideas ongambling with Nick the Greek, painting a naked female toreador,accompanying a ballet on his bongo drums and much else of aneyebrow-raising and hilarious nature. A New York Times bestseller; more than 500,000 copies sold.

A wild, lyrical, and anguished autobiography, in which CharlesMingus pays short shrift to the facts but plunges to the verybottom of his psyche, coming up for air only when it pleases him.He takes the reader through his childhood in Watts, his musicaleducation by the likes of Louis Armstrong, Duke Ellington, andCharlie Parker, and his prodigious appetites--intellectual,culinary, and sexual. The book is a jumble, but a glorious one, bya certified American genius.

In 1773, the great Samuel Johnson–then 63–and his young friendand future biographer, James Boswell, traveled together around thecoast of Scotland, each writing his own account of the 83-dayjourney. Published in one volume, the very different travelogues ofthis unlikely duo provide a fascinating picture not only of theScottish Highlands but also of the relationship between two menwhose fame would be forever entwined. Johnson's account contains elegant de*ions and analysesof what was then a remote and rugged land. In contrast, theScottish-born Boswell's journal of the trip focuses on thepsychological landscape of his famously gruff and witty companion,and is part of the material he was already collecting for hisfuture Life of Samuel Johnson, the masterly biography that wouldmake his name. Read together, the two accounts form both a unique classic oftravel writing and a revelation of one of the most famous literaryfriendships.

“You keep fighting, okay?” I whispered. “We’re in thistogether. You and me. You’re not alone. You hear me? You are notalone. ” 5:38 p.m. It was the precise moment Sean Manning was born and thetime each year that his mother wished him happy birthday. But justbefore he turned twenty-seven, their tradition collapsed. A heartattack landed his mom in the hospital and uprooted Manning from hislife in New York. What followed was a testament to a family’sindestructible bond—a life-changing odyssey that broke a boy andmade a man—captured here in Manning’s indelible memoir.

first victims were a teenage couple, stalked and shot dead in a lovers' lane. After another slaying, he sent his first mocking note to authorities, promising he would kill more. The official tally of his victims was six. He claimed thirty-seve dead. The rea toll may have reached fifty. "A chilling, real-life detective story." -Savannah News-Press Robert Graysmith was on staff at the San Francisco Chror micle in 1968 when Zodiac first struck, triggering in the resolute reporter an unrelenting obsession with seeing the hooded killer broughtto justice. In this gripping account Zodiac's eleven-month reign of terror, Graysmith reveals hur dreds of facts previously unreleased, including the complete text of the killer's letters.

Michael Jackson was one of those rare human beings who can truly be described as a legend. As with Elvis and John Lennon, everyone will remember where they were when they heard about the death of Michael Jackson. He was just fifty when he died, yet had become a superstar by the time he was eleven, ensuring his music was part of the fabric of everyone's life. Though his days of greatest success were behind him, Jackson was standing on the threshold of what could well have been one of the biggest comebacks in showbiz history. It wasn't to be, but the music, sales figures and the number of current stars who queued to pay tribute to his influence underlined the fact that, for all his controversial personal quirks, Michael Jackson was indeed one of the greats. This picture-packed tribute charts the life of a legend, from his earliest days as a hyperactive child protege fronting family group the Jackson Five, to the assured superstar looking out from the cover of Thriller, still the best-selling album of all time.

A fascinating exploration of the contents of Agatha Christie's 73 recently discovered notebooks, including illustrations, deleted extracts, and two unpublished Poirot stories. When Agatha Christie died in 1976, aged 85, she had become the world's most popular author. With sales of more than two billion copies worldwide in more than 100 countries, she had achieved the impossible - more than one book every year since the 1920s, every one a bestseller. So prolific was Agatha Christie's output - 66 crime novels, 20 plays, 6 romance books under a pseudonym and over 150 short stories - it was often claimed that she had a photographic memory. Was this true? Or did she resort over those 55 years to more mundane methods of working out her ingenious crimes? Following the death of Agatha's daughter, Rosalind, at the end of 2004, a remarkable secret was revealed. Unearthed among her affairs at the family home of Greenway were Agatha Christie's private notebooks, 73 handwritten volumes of notes, lists and drafts outlining