Smoky knows only one way of life: freedom. Living on the openrange, he is free to go where he wants and to do what he wants. Andhe knows what he has to do to survive. He can beat any enemy,whether it be a rattlesnake or a hungry wolf. He is as much a partof the Wild West as it is of him, and Smoky can't imagine anythingelse. But then he comes across a new enemy, one that walks on twolegs and makes funny sounds. Smoky can't beat this enemy the way hehas all the others. But does he really want to? Or could giving upsome of his freedom mean getting something in return that's evenmore valuable?
Discover the Newbery Honor winner Doll Bones, from Holly Black, the cocreator of the Spiderwick Chronicles. A Kirkus Reviews Best Book. A School Library Journal Best Book. A Booklist Editor’s Choice Books for Youth. A Publishers Weekly Best Children’s Book. A NYPL “100 Titles for Reading and Sharing.” A People Magazine “Best New Kids Book.” Six starred reviews! Zach, Poppy, and Alice have been friends forever. And for almost as long, they’ve been playing one continuous, ever-changing game of pirates and thieves, mermaids and warriors. Ruling over all is the Great Queen, a bone-china doll cursing those who displease her. But they are in middle school now. Zach’s father pushes him to give up make-believe, and Zach quits the game. Their friendship might be over, until Poppy declares she’s been having dreams about the Queen—and the ghost of a girl who will not rest until the bone-china doll is buried in her empty grave. Zach and Alice and Poppy set off on one last adven
When fifteen-year-old Jen Morgan flies to Wales to spend Christmas with her family, she's not expecting much from the holiday. A year after her mother's sudden death, her father seems preoccupied by the teaching job that has brought him and Jen's younger siblings to Wales for the year. Her brother, Peter, is alternately hostile and sullen,and her sister, Becky, misses Jen terribly.
《The HundredDresses(一百条裙子)》荣获纽伯德儿童文学奖银奖。旺达?佩特罗斯基是一个有着奇怪名家的女孩。也正是因为她的怪名字和旧裙子，所有的女生都喜欢捉弄她。直到有一天，旺达突然声称她家里有一百条各式各样的裙子，随之而来的却是更多的嘲笑。根本没有人会相信她，而且大家都会拿这件事捉弄她，旺达都默默地忍受着。有一天，旺达终于因为受不了这些嘲笑而转学了，她给大家留下了她那一百条“裙子”。捉弄过她的那些女生发现原来旺达是多么爱她们，而且旺达是一个非常可爱、非常聪明的女孩，于是她们决定写信向她道歉，并且去把她找回来。可是旺达再也不会回来了……旺达到底有没有原谅大家呢？Neverout of print since its 1944 publication, this tender story offersreaders of all ages a timeless message of compassion andunderstanding. At its heart is Wanda Petronski, an immigrant
"I thought he was dead. He was sitting with his legs stretched out and his head tipped back against the wall. He was covered with dust and webs like everything else and his face was thin and pale. Dead bluebottles were scattered on his hair and shoulders. I shined the flashlight on his white face and his black suit." This is Michael's introduction to Skellig, the man-owl-angel who lies motionless behind the tea chests in the abandoned garage in back of the boy's dilapidated new house. As disturbing as this discovery is, it is the least of Michael's worries. The new house is a mess, his parents are distracted, and his brand-new baby sister is seriously ill. Still, he can't get this mysterious creature out of his mind--even as he wonders if he has really seen him at all. What unfolds is a powerful, cosmic, dreamlike tale reminiscent of Madeleine L'Engle's A Wrinkle in Time. British novelist David Almond works magic as he examines the large issues of death, life, friendship, love, and the breathtaking connection
Cats. Jessica's never liked them. Especially not a skinny, ugly kitten that looks like a worm. Worm. Jessica wishes she'd never brought Worm home with her, because now he's making her do terrible things. She's sure she isn't imagining the evil voice coming from the cat, telling her to play mean tricks on people. But how can she explain what's happening? Witches. Jessica has read enough books to know that Worm must be a witch's cat. He's cast a spell on her, but whom can she turn to? After all, no one will believe that Worm has bewitched her...or worse!
Maidens, monks, and millers’ sons — in these pages, readers will meet them all. There’s Hugo, the lord’s nephew, forced to prove his manhood by hunting a wild boar; sharp-tongued Nelly, who supports her family by selling live eels; and the peasant’s daughter, Mogg, who gets a clever lesson in how to save a cow from a greedy landlord. There’s also mud-slinging Barbary (and her noble victim); Jack, the compassionate half-wit; Alice, the singing shepherdess; and many more. With a deep appreciation for the period and a grand affection for both characters and audience, Laura Amy Schlitz creates twenty-two riveting portraits and linguistic gems equally suited to silent reading or performance. Illustrated with pen-and-ink drawings by Robert Byrd — inspired by the Munich-Nuremberg manu*, an illuminated poem from thirteenth-century Germany — this witty, historically accurate, and utterly human collection forms an exquisite bridge to the people and places of medieval England.
When Lily meets Albert, a refugee from Hungary, during thesummer of 1944, they begin a special friendship. However, Lily andAlbert have both told lies, and Lily has told a lie that may costAlbert his life.
