In this elegant collection of essays, one of modernliterature's most enchanting masters reminisces about Italy'santifascist resistance and the whirl of ideas that blossomed in thepost-war era. In America, Calvino follows Nixon's election hopeswhile marvelling at colour television and American cars, butdescribes with loathing his first experience of mass racism, whenhe is lucky enough to meet Martin Luther King in Alabama. He alsowrites brilliant short pieces on his Italian dialect, the final dayof the Second World War, and the rich joys of living inParis. A stylish assortment of memoir and wit, Hermit in Paris includesthe very finest of Calvino's superb work.

More a biography of Mozart's music than a study of the man himself, Sadie's final opus—he died this year after publishing some 30 books—should delight musicologists but puzzle general readers. Not only is the music Sadie's primary interest, he does not believe it reveals anything, necessarily, about its composer. Indeed, he reminds readers not to impose contemporary values on Mozart's era. "Romantic eyes," for example, might see certain minor-key compositions as expressions of Mozart's grief over his mother's death, but Sadie argues that there's "no real reason to imagine that he used his music as [a] vehicle for the expression of his own personal feelings." Likewise, modern critics expect to see a certain type of progress in Mozart's oeuvre, with subsequent works building and elaborating former ones, in ways alien to Mozart on his contemporaries. Sadie is deft at situating various styles of musical composition in their cultural context: preferences for serious vs. comic opera, shorter vs. longer works, e

At the end of herbestselling memoir "Eat, Pray, Love", Elizabeth Gilbert fell inlove with Felipe -- a Brazilian-born man of Australian citizenshipwho'd been living in Indonesia when they met. Resettling inAmerica, the couple swore eternal fidelity to each other, but alsoswore to never, ever, under any circumstances get legally married.(Both survivors of difficult divorces. Enough said.) But providenceintervened one day in the form of the U.S. government, who -- afterunexpectedly detaining Felipe at an American border crossing --gave the couple a choice: they could either get married, or Felipewould never be allowed to enter the country again. Having beeneffectively sentenced to wed, Gilbert tackled her fears of marriageby delving completely into this topic, trying with all her might todiscover (through historical research, interviews and much personalreflection) what this stubbornly enduring old institution actuallyis. The result is "Committed" - a witty and intelligentcontemplation of marriage that de