本书由三个文本组成。 *个文本是D（狄亚努斯）的日志，它构成了被称为 鼠的故事 的*部分。这部分以D的视角展开，记述了他与B的情乱，同时，在这场混乱的激情中，A（阿尔法主教）作为一个衔接D与B之关系的人物在场。 *部分也涉及了D与E的情乱，而这构成了第二个文本的记述核心。第二部分被称为 狄亚努斯 ，是A的笔记。这部分以A的视角展开。 这两个文本共同结构了本书的故事。被称为 俄瑞斯忒斯 的第三部分则更像是一个总的视角，或者说，一则诗性概述。它由诗歌和诗论组成。巴塔耶写道： 为了在一片明显的不可能中抓住一丝可能，我必须首先想象相反的情境。

In this classic novel by John Updike, we return to a characteras compelling and timeless as Rabbit Angstrom: the inimitable HenryBech. Famous for his writer's block, Bech is a Jew adrift in aworld of Gentiles. As he roams from one adventure to the next, heviews life with a blend of wonder and cynicism that will make youlaugh with delight and wince in recognition.

From her humble beginnings as the daughter of a countrysideblacksmith, Emy Lyon went on to claim the undying love of navalhero Admiral Nelson, England’s most famous native son. She servedas model and muse to eighteenth-century Europe’s most renownedartists, and consorted with kings and queens at the royal court ofNaples. Yet she would end her life in disgraced exile, pennilessand alone. In this richly drawn portrait, Flora Fraser maps thespectacular rise and fall of legendary eighteenth-century beautyEmma, Lady Hamilton—as she came to be called—a woman of abundantaffection and overwhelming charm, whose eye for opportunity wasrivaled only by her propensity for overindulgence and scandal.Wonderfully intimate and lavishly detailed, Beloved Emma brings to life the incomparable Lady Hamilton and the politics,passions, and enchantments of her day.

Because of its frank treatment of human sexuality and itsunflinching fatalism, Jude the Obscure aroused such a stormof controversy upon its publication in 1895 that, partly inresponse, Thomas Hardy abandoned the art of novel-writingaltogether and devoted the rest of his life to poetry. Though wehave come a long way in our social attitudes in the ensuingcentury, nothing about Hardy's masterpiece has lost its power toshock us and disturb our dreams.

This textbook series provides concise and lucidintroductions to major works of literature, from classicalantiquity to the twentieth century. Each book provides closereading of the text, as well as giving a full account of itshistorical, cultural and intellectual background, a discussion ofits influence, and further reading. --This text refers to anout of print or unavailable edition of this title.

Book De*ion At once a fiendishly devious mystery, a beguiling love story, anda brilliant symposium on the power of art, My Name Is Red is atransporting tale set amid the splendor and religious intrigue ofsixteenth-century Istanbul, from one of the most prominentcontemporary Turkish writers. The Sultan has commissioned a cadre of the most acclaimed artistsin the land to create a great book celebrating the glories of hisrealm. Their task: to illuminate the work in the European style.But because figurative art can be deemed an affront to Islam, thiscommission is a dangerous proposition indeed. The ruling elitetherefore mustn’t know the full scope or nature of the project, andpanic erupts when one of the chosen miniaturists disappears. Theonly clue to the mystery–or crime? –lies in the half-finishedilluminations themselves. Part fantasy and part philosophicalpuzzle, My Name is Red is a kaleidoscopic journey to theintersection of art, religion, love, sex and power. Translated from th

In 1895 Hardy's final novel, the great tale of JudetheObscure, sent shock waves of indignationrolling across VictorianEngland. Hardy haddared to write frankly about sexuality andtoindict the institutions of marriage, education,and religion. Buthe had, in fact, created a deeplymoral work. The stonemason JudeFawley is adreamer; his is a tragedy of unfulfilled aims.With histantalizing cousin Sue Bridehead, thelast and most extraordinary ofHardy's heroines,Jude takes on the world--and discovers,tragically,its brutal indifference.The most powerful expression ofHardy's philosophy,and a profound exploration of man'sessentialloneliness, Jude the Obscure is a great and beautifulbook."His style touches sublimity." --T. S. Eliot

In a small Pennsylvania town in the late 1940s, schoolteacherGeorge Caldwell yearns to find some meaning in his life. Alone withhis teenage son for three days in a blizzard, Caldwell sees his songrow and change as he himself begins to lost touch with his life.Interwoven with the myth of Chiron, the noblest centaur, and hisown relationship to Prometheus, The Centaur one of John Updike'smost brilliant and unusual novels.

In Theatre, W. Somerset Maugham–the author of the classicnovels Of Human Bondage and Up at the Villa–introduces us to JuliaLambert, a woman of breathtaking poise and talent whose looks havestood by her forty-six years. She is one of the greatest actressesEngland–so good, in fact, that perhaps she never stopsacting. It seems that noting can ruffle her satin feathers, until a quietstranger who challenges Julia's very sense of self. As a result,she will endure rejection for the first time, her capacity as amother will be affronted, and her ability to put on whatever faceshe desired for her public will prove limited. In Theatre, Maughamsubtly exposes the tensions and triumphs that occur when acting andreality blend together, and–for Julia–ultimately reverse.

Every night for three years the vengeful King Shahriyar sleepswith a different virgin, executing her next morning. To end thisbrutal pattern and to save her own life, the vizier's daughter,Shahrazad, begins to tell the king tales of adventure, love, richesand wonder - tales of mystical lands peopled with princes andhunchbacks, the Angel of Death and magical spirits, tales of thevoyages of Sindbad, of Ali Baba's outwitting a band of fortythieves and of jinnis trapped in rings and in lamps. The sequenceof stories will last 1,001 nights.

On the 150th anniversary of its publication, a new edition ofthe nature classic First published in 1854, Henry David Thoreau'sgroundbreaking book has influenced generations of readers andcontinues to inspire and inform anyone with an open mind and a loveof nature. With Bill McKibben providing a newly revisedIntroduction and helpful annotations that place Thoreau firmly inhis role as cultural and spiritual seer, this beautiful edition ofWalden for the new millennium is more accessible and relevant thanever. " Thoreau] says so many pithy and brilliant things, andoffers so many piquant, and, we may add, so many just, comments onsociety as it is, that this book is well worth the reading, bothfor its actual contents and its suggestive capacity." --A. P.Peabody, North American Review, 1854 " Walden] still seems to methe best youth's companion yet written by an American, for itcarries a solemn warning against the loss of one's valuables, itadvances a good argument for traveling light and trying newadventures,

This all-new Signet Classic contains many of T.S. Eliot's mostimportant early peoms, leading to perhaps his greatest masterpiece,The Waste Land, which has long been regarded as one of thefundamental texts of modernism. By combining poetic elements frommany diverse sources with bits of popular culture and common speechlinked in a fragmented narrative, Eliot recreated the chaos anddisillusionment of Europe in the aftermath of WWI. * The Waste Land is a modernist literary masterpiece. * Contains a number of early poems, including Spleen, The Deathof St. Narcissus, The Love Song of J. Prufrock, Preludes,Gerontion, The Hippopotmaus, and Sweeny Among theNightingales. * T.S Eliot is the winner of the 1948 Nobel Prize for Literature,and is one of America's greatest poets. * Edited and with an Introduction by Helen Vendler, a foremostscholar of moderism at Harvard University who writes regularly forthe New Yorker and The New Republic. * Vendler is also the author of books on other

After traveling the world to exotic lands, Alexandra, Jane,and Sukie–now widowed but still witches–return to the Rhode Islandseaside t own of Eastwick, “the scene of their primes,” site oftheir enchanted mischief more than three decades ago. DiabolicalDarryl Van Horne is gone, and what was once a center of license andliberation is now a “haven of wholesomeness” populated by hockeymoms and househusbands acting out against the old ways of their ownabsent, experimenting parents. With spirits still willing but fleshweaker, the three women must confront a powerful new counterspellof conformity. In this wicked and wonderful novel, John Updike isat his very best–a legendary master of literary magic up to his olddelightful tricks.

Robert Prentice has spent all his life attempting to escape hismother's stifling presence. His mother, Alice, for her part,struggles with her own demons as she attempts to realize her dreamsof prosperity and success as a sculptor. As Robert goes off tofight in Europe, hoping to become his own man, Richard Yatesportrays a soldier in the depths of war striving to live up to hisheroic ideals. With haunting clarity, Yates crafts an unforgettableportrait of two people who cannot help but hope for more even aslife challenges them both.

(Book Jacket Status: Jacketed) Though James Joyce began thesestories of Dublin life in 1904 when he was twenty-two and completedthem in 1907, their unconventional themes and language led torepeated rejections by publishers and delayed publication until1914. In the century since, his story "The Dead" has come to beseen as one of the most powerful evocations of human loss andlonging that the English language possesses; all the other storiesin "Dubliners" are as beautifully turned and as greatly admired.They remind us once again that James Joyce was not only modernism'schief innovator but also one of its most intimate and poeticwriters. In this edition the text has been revised in keeping withJoyce's wishes, and the original versions of "The Sisters,""Eveline," and "After the Race" have been made available in anappendix, along with Joyce's suppressed preface to the 1914 editionof "Dubliners."

The Gift is the last of the novels Nabokov wrote in his nativeRussian and the crowning achievement of that period in his literarycareer. It is also his ode to Russian literature, evoking the worksof Pushkin, Gogol, and others in the course of its narrative: thestory of Fyodor Godunov-Cherdyntsev, an impoverished e migre poetliving in Berlin, who dreams of the book he will someday write--abook very much like The Gift itself.

Sparkling with mischief, jumping with youthful adventure, MarkTwain's Tom Sawyer is one of the most splendid re-creations ofchildhood in all of literature. It is a lighthearted romp, full ofhumor and warmth. It shares with its sequel, Huckleberry Finn, notonly a set of unforgettable characters--Tom, Huck, Aunt Polly andothers--but a profound understanding of humanity as well. Throughsuch hilarious scenes as the famous fence-whitewashing incident,Twain gives a portrait--perceptive yet tender--of a humanityrendered foolish by his own aspirations and obsessions. Written asmuch for adults as for young boys and girls, Tom Sawyer is the workof a master storyteller performing in his shirt sleeves, using hisbest talents to everyone's delight.

In this classic collision of the New World with Old Europe,James weaves a fable of thwarted desire that shifts between comedy,tragedy, romance, and melodrama.

Vintage Readers are a perfect introduction to some of thegreatest modern writers presented in attractive, accessiblepaperback editions. “It was Nabokov’s gift to bring paradise wherever he alighted.”—John Updike, The New York Review of Books Novelist, poet, critic, translator, and, above all, a peerlessimaginer, Vladimir Nabokov was arguably the most dazzling prosestylist of the twentieth century. In novels like Lolita, Pale Fire,and Ada, or Ardor, he turned language into an instrument ofecstasy. Vintage Nabokov includes sections 1-10 of his most famous andcontroversial novel, Lolita; the stories “The Return of Chorb,”“The Aurelian,” “A Forgotten Poet,” “Time and Ebb,” “Signs andSymbols,” “The Vane Sisters,” and “Lance”; and chapter 12 from hismemoir Speak, Memory.

Though this great tragedy of unsurpassed intensity and emotionis played out against Renaissance splendor, its story of the doomedmarriage of a Venetian senator’s daughter, Desdemona, to a Moorishgeneral, Othello, is especially relevant to modern audiences. Thedifferences in race and background create an initial tension thatallows the horrifyingly envious villain Iago methodically topromote the “green-eyed monster” jealousy, until, in one of themost deeply moving scenes in theatrical history, the noble Moordestroys the woman he loves–only to discover too late that she wasinnocent. Each Edition Includes: · Comprehensive explanatory notes · Vivid introductions and the most up-to-date scholarship · Clear, modernized spelling and punctuation, enablingcontemporary readers to understand the Elizabethan English · Completely updated, detailed bibliographies and performancehistories · An interpretive essay on film adaptations of the play, alongwith an extensive fi