“苏州老行当”画稿表现的是20世纪各个时期苏州市面上所见的诸业行当。随着经济的发展，人们生活方式的改变，有些已经消失，只能从图中得见，而其中大部分仍是家居生活中不可或缺的。这些画作既不像“北京民间生活彩图”那样，只给人物和器具，也不同于吴友如只用墨线勾勒的画作，而是将经营各种行当的特定场景都一一表现出来，如卖白兰花的姑娘行走在幽深的小巷中，剃头摊、小吃店没在跨河的拱桥畔，油漆匠在富家花园内劳作，渔夫、菜贩摇着般儿穿行于水巷叫志，采菱女泛舟于绿荷田田的湖上……画家采用了表现江南烟雨蒙蒙景色的彩墨渲染技法，使得画中的小桥、流水、粉墙黛瓦、街巷、人物似乎都被浸得湿漉漉的，尽显水乡屡动、婉丽的情境，令人想起8世纪诗人白居易咏呤江南的词句：“江南好，风景旧曾谙。日出江花红胜火，春来江水绿

Our book is such a tool, presenting the major points of Chinese history along a plete timeline, with parisons between the concurrent histories of China and the rest of the world. Covering a time span from 1,700,000 years ago up to AD 1911, the book includes influential historical events and figures in Chinese history, arranged in chronological order with pictures, illustrations, maps and charts. Distinguishing this book from other general introductory books on Chinese history, its contents have been arranged along a timeline, with the function of quick access highlighted by its innovative layout and a detailed index.

Peking Opera, known as Jing Ju (Capital Opera), has a history of more than 200 years. Because of its patronage by the ruling Qing,or Manchu, dynasty, Peking Opera grew from a local folk art .to the standard bearer of theatrical art. It attained the prominent status of Guo Ju or National Opera of China. After the Qing Dynasty was overthrown in 1911, Peking Opera continued to gain popularity not only with the upper classes but also with students and intellectuals. By the 1920s, it had developed into a splendid art form and a popular means-of entertainment as well. In the capital alone, numerous theaters were established solely for op- era performances,and there were at least, three academies for training young performers and several pr0fess!onal opera troupes that performed every week.

《健身气功丛书 健身气功：六字诀》讲述了：六字诀养生法，是我国古代流传下来的一种养生方法，为吐纳法。它的特点是：强化人体内部的组织机能，通过呼吸导引，充分诱发和调动脏腑的潜在能力来抵抗疾病的侵袭，防止随着人的年龄的增长而出现的过早衰老。

“苏州老行当”画稿表现的是20世纪各个时期苏州市面上所见的诸业行当。随着经济的发展，人们生活方式的改变，有些已经消失，只能从图中得见，而其中大部分仍是家居生活中不可或缺的。这些画作既不像“北京民间生活彩图”那样，只给人物和器具，也不同于吴友如只用墨线勾勒的画作，而是将经营各种行当的特定场景都一一表现出来，如卖白兰花的姑娘行走在幽深的小巷中，剃头摊、小吃店没在跨河的拱桥畔，油漆匠在富家花园内劳作，渔夫、菜贩摇着般儿穿行于水巷叫志，采菱女泛舟于绿荷田田的湖上……画家采用了表现江南烟雨蒙蒙景色的彩墨渲染技法，使得画中的小桥、流水、粉墙黛瓦、街巷、人物似乎都被浸得湿漉漉的，尽显水乡屡动、婉丽的情境，令人想起8世纪诗人白居易咏呤江南的词句：“江南好，风景旧曾谙。日出江花红胜火，春来江水绿

本社专事外文图书的编辑出版，几十年来用英文翻译出版了大量的中国文学作品和文化典籍，上自先秦，下迄现当代，力求全面而准确地反映中国文学及中国文化的基本面貌和灿烂成就。这些英译图书均取自相关领域的、的作品，英 译则出自外译界名家。每本图书的编选、翻译地程均极其审慎严肃，精雕细琢，中文作品及相应的英译版本均堪称经典。 我们总总值到，这些英译精品，不单有对外译介的意义，而且对英文学习者、爱好者及英译工作者，也是极有价值的读本。为此，作者对这此英译精品做了认真的遴选，编排成汉英对照的形式，陆续推出，以飨读者。

The Chinese Government and its people have been going ahead toshape up their own judicial system and build Chinese nation intoa powerful and united society based on the rule of law. Over 3o yearsof efforts, the Chinese legal system has improved graduallvand itsconcept and practice have bee mature. The Chinese governmentand people began cherishing such hard-won achievements. We trulyunderstand the significance and role of Chinese law only throughproper understanding of the Chinese social background, based onwhich the Chinese legal system has formed. With consciousness on ruleof law, democratic theories growing, China has made unprecedentedachievements in practicing the rule of law as a basic strategy to governState affairs. The achievements reflected in two ways: (1) Gradualimprovement of the legal system including constitutional amendment,administrative law, criminal law, civil & mercial law, economic law,and social law. (2) Another is the significant progress in judicial reforms,cultivation of legal awarenes

Ihave had the pleasure of knowing Francesco Scolozzifor 10 years. During that time, he has travelled to Chinaseveral times annually, freauentlv staving up to 4 monthsat a time. No matter where he goes to in China, whether itbe Beijing, Dalian or another city, he is fortable walkingalone on the street, or taking the bus or subway, not differentfrom other Chinese residents except that he does not speak thelanguage.

圆仁是日本入唐求法的高僧，在近十年间足迹遍及中国七省，用日记体裁写成的《入唐求法巡礼行记》，被称为世界旅行记之一。 日本学者阿南史代女士旅居中国期间，沿着圆仁当年的足迹展开文化考察，以自己独特的“踏勘＋采访＋拍摄”的方式，记录了与高僧生活相关的佛教遗迹、奇妙的自然风光和民俗风情、当代中国人的生活。公元807年，日本次向中国派遣遣唐使，本画册的出版，也是为了纪念这一中外文化交流史上的标志性事件1400周年。

中国是茶的故乡，中国人种茶、制茶、喝茶、爱茶，并把茶叶传向海内外，茶已成为中国代表性的文化符号之一。作为一种绿色饮品，茶有着独特的保健功效，同时，还是招待客人、增进友谊的媒介。本书对中国茶历史、名茶、泡茶方法、茶礼茶俗等做了生动讲解。

中国瓷器诞生于两千多年前，是中国文化象征意义的符号之一，闪耀着华夏文明最璀璨的光辉。本书对瓷器的发展传承、烧制工艺、器形、釉彩、纹饰等进行了介绍，读者走近瓷器，欣赏和感受瓷器的独特魅力。

Peking Opera, known as Jing Ju (Capital Opera), has a history of more than 200 years. Because of its patronage by the ruling Qing,or Manchu, dynasty, Peking Opera grew from a local folk art .to the standard bearer of theatrical art. It attained the prominent status of Guo Ju or National Opera of China. After the Qing Dynasty was overthrown in 1911, Peking Opera continued to gain popularity not only with the upper classes but also with students and intellectuals. By the 1920s, it had developed into a splendid art form and a popular means-of entertainment as well. In the capital alone, numerous theaters were established solely for op- era performances,and there were at least, three academies for training young performers and several pr0fess!onal opera troupes that performed every week.

China is the birthplace of one of the four greatest civilizations in the world,hence those cultural relics which, in huge quantities and immensely rich varieties, have alwayeen fascinating. These cultural relics were produced during different periods of the Chinesehistory, over well over 7,000 years. They are gems of the Chinese civilization. Thiook gives a brief account of 8 types of cultural relics unearthed in China so far, including pottery, porcelain, jade and bronze. These are seen as the most representative of the Chinese culture, each in its own way providing a glimpse into ancient China.

本书是根据作者多年的研究所撰写的，在书中，作者用翔实的史料介绍了次世界大战期间14万华工赴法工作的情况，介绍了他们在法国的生活以及华工对法国的贡献，并且从东西方文明交流的角度，探讨华工赴法造成的影响。徐先生的这项工作是值得赞许的，也是很有意义的，因为这是一段不仅不应被忘却，而且很值得进一步发掘的历史。该书可供各大专院校作为教材使用，也可供从事相关工作的人员作为参考用书使用。

Peking Opera, known as Jing Ju (Capital Opera), has a history of more than 200 years. Because of its patronage by the ruling Qing,or Manchu, dynasty, Peking Opera grew from a local folk art .to the standard bearer of theatrical art. It attained the prominent status of Guo Ju or National Opera of China. After the Qing Dynasty was overthrown in 1911, Peking Opera continued to gain popularity not only with the upper classes but also with students and intellectuals. By the 1920s, it had developed into a splendid art form and a popular means-of entertainment as well. In the capital alone, numerous theaters were established solely for op- era performances,and there were at least, three academies for training young performers and several pr0fess!onal opera troupes that performed every week.

钟欣编写的这本《中国》小百科，以介绍中国的基本情况为主，向读者展示中国在政治、经济、文化等各领域的现状与发展变化。从中，我们可以看到中国的国际往来、经济增长、环境保护、科技与教育、文化交流和社会生活等各个方面的动态。 本书是英文版。

本书是针对开设IB-PYP课程中对外汉语学龄前儿童学习者设计的读物，它也适合非IB 小学对外汉语学习者使用。本书以数字过新年为主题内容，故事内容不仅配合IB-PYP学校的跨学科主题，亦 具体地贴近探究单元常见中心思想。故事在开始之前，以先提出问题的形式引起孩子的好奇心，进入教学中的探究线索及教师问题，供IB学校老师在探究循环的“激活”阶段使用。

“华语阅读金字塔”是针对少年儿童汉语学习者编写的大型汉语阅读系列读物。以 学校中小学生、 的低幼儿童以及参加YCT、HSK考试的中小学生为读者对象，从学前至中学，共分13个等级，每个等级10册，根据PYP教学话题和与学生生活息息相关的主题，以YCT词汇作为基本词汇，并参照IGCSE和IB、AP等 流行中文考试大纲词汇，加上 学校中比较流行的教材里的词汇编写。此为12级故事《生日吃什么》。

“汉语风”是一套大型中文分级系列读物，共8级60余册。读者对象为中文水平由初级到 的中学生和大中学生。丛书1版出版以来深受学习者欢迎，受到学界认可，取得了很好的社会效益和经济效益，已出版17本，累计印次94次，印数224424册。近两年，市场反映装帧不够精美，第2版除了内容上做适当修订，重新设计封面和版式，改四色印刷，光盘改为二维码。 本书为第2级第7册，根据作家原创故事改编。一个收废品的小男孩意外地收了一幅旧画，几位老先生鉴定为石涛真迹，但是小男孩执意要把古画还给卖废品的人，经历了一系列的磨难和曲折，古画终于回到了主人的怀抱。故事感人，语言自然，生词率低，词汇实用、反复重现，适合作为留学生的汉语读物。

“苏州老行当”画稿表现的是20世纪各个时期苏州市面上所见的诸业行当。随着经济的发展，人们生活方式的改变，有些已经消失，只能从图中得见，而其中大部分仍是家居生活中不可或缺的。这些画作既不像“北京民间生活彩图”那样，只给人物和器具，也不同于吴友如只用墨线勾勒的画作，而是将经营各种行当的特定场景都一一表现出来，如卖白兰花的姑娘行走在幽深的小巷中，剃头摊、小吃店没在跨河的拱桥畔，油漆匠在富家花园内劳作，渔夫、菜贩摇着般儿穿行于水巷叫志，采菱女泛舟于绿荷田田的湖上……画家采用了表现江南烟雨蒙蒙景色的彩墨渲染技法，使得画中的小桥、流水、粉墙黛瓦、街巷、人物似乎都被浸得湿漉漉的，尽显水乡屡动、婉丽的情境，令人想起8世纪诗人白居易咏呤江南的词句：“江南好，风景旧曾谙。日出江花红胜火，春来江水绿

“华语阅读金字塔”是针对少年儿童汉语学习者编写的大型汉语阅读系列读物。以 学校中小学生、 的低幼儿童以及参加YCT、HSK考试的中小学生为读者对象，从学前至中学，共分13个等级，每个等级10册，根据PYP教学话题和与学生生活息息相关的主题，以YCT词汇作为基本词汇，并参照IGCSE和IB、AP等 流行中文考试大纲词汇，加上 学校中比较流行的教材里的词汇编写。此为12级故事《中式早餐和西式早餐》。

“汉语风”是一套大型中文分级系列读物，共8级60余册。读者对象为中文水平由初级到 的中学生和大中学生。丛书1版出版以来深受学习者欢迎，受到学界认可，取得了很好的社会效益和经济效益，已出版17本。第2版除了内容上做适当修订，重新设计封面和版式，改四色印刷，光盘改为二维码。 本书为1级第2册，根据作家原创故事改编。戴伟、杰夫和秋田是大学同学，他们看到一个中国女孩的照片，那个女孩太漂亮了，他们一起从国外坐飞机到中国，都想先找到那个女孩，先对那个女孩说\"我喜欢你\"。到了中国，他们三个人开始寻找那个女孩。秋田想见到那个女孩，后来丢下戴伟和杰夫自己先走了；杰夫为了先见到那个女孩把要带的书扔在半路了；戴伟也想早点见到那个女孩，不过他还是坚持带着那些书。 ，他们谁先见到了那个女孩？他们有机会对那个女孩说\"我