"The Snows of Kilimanjaro and Other Stories" contains ten ofHemingway's most acclaimed and popular works of short fiction.Selected from "Winner TakeNothing, Men Without Women, " and "TheFifth Column and the First Forty-Nine Stories, " this collectionincludes "The Killers," the first of Hemingway's mature stories tobe accepted by an American periodical; the autobiographical"Fathers and Sons," which alludes, for the first time inHemingway's career, to his father's suicide; "The Short Happy Lifeof Francis Macomber," a "brilliant fusion of personal observation,heresay, and invention," wrote Hemingway's biographer, CarlosBaker; and the title story itself, of which Hemingway said: "I putall the true stuff in," with enough material, he boasted, to fillfour novels. Beautiful in their simplicity, startling in theiroriginality, and unsurpassed in their craftsmanship, the stories inthis volume highlight one of America's master storytellers at thetop of his form.

Ibsen ascended to the first ranks of European writers in the late nineteenth century and has remained there ever since. The Norton Critical Edition includes five major plays spanning Ibsen’s long career in recent translations by Brian Johnston (Peer Gynt, The Wild Duck, and The Master Builder) and Brian Johnston and Rick Davis (A Doll House and Hedda Gabler). The translation of Peer Gynt appears for the first time in this Norton Critical Edition. “Backgrounds” gives students an understanding of Ibsen’s creative process with selections from his correspondence and other writings. Twenty-seven documents have been collected and arranged by play, with a section of autobiographical writings at the end. Ibsen’s plays continue to provoke diverse commentary. “Criticism” includes nineteen of the most important responses to Ibsen’s work, among them essays by Bernard Shaw, Sandra Saari, E. M. Forster, Hugh Kenner, and Joan Templeton. A Chronology and Selected Bibliography are also incl

Every night for three years the vengeful King Shahriyar sleepswith a different virgin, executing her the next morning. To endthis brutal pattern and to save her own life, the vizier'sdaughter, Shahrazad, begins to tell the king stories of adventure,love, riches and wonder - tales of mystical lands peopled withprinces and hunchbacks, the Angel of Death and magical spirits,tales of the voyages of Sindbad, of Ali Baba outwitting a band offorty thieves and of jinnis trapped in rings and in lamps. Thesequence of stories will last 1,001 nights.

Gathered together in one hardcover volume: three timeless novelsfrom the founding father of science fiction. The first great novelto imagine time travel, "The Time Machine" (1895) follows itsscientist narrator on an incredible journey that takes him finallyto Earth's last moments--and perhaps his own. The scientist whodiscovers how to transform himself in "The Invisible Man" (1897)will also discover, too late, that he has become unmoored fromsociety and from his own sanity. "The War of the Worlds"(1898)--the seminal masterpiece of alien invasion adapted by OrsonWelles for his notorious 1938 radio drama, and subsequently byseveral filmmakers--imagines a fierce race of Martians whodevastate Earth and feed on their human victims while theirvoracious vegetation, the red weed, spreads over the ruined planet.Here are three classic science fiction novels that, more than acentury after their original publication, show no sign of losingtheir grip on readers' imaginations.

"Here is New York City Ballet as it really is- the good, the not so good, and the majestically beautiful. It's a true story, and it's told by someone who can honestly claim that he was there."

《The Norton Anthology of English Literature : Roman》讲述了：Readby millions of students over seven editions, The Norton Anthologyof English Literature remains the most trusted undergraduate surveyof English literature available and one of the most successfulcollege texts ever published. Firmly grounded by the hallmarkstrengths of all Norton Anthologies—thorough and helpfulintroductory matter, judicious annotation, complete texts whereverpossible—The Norton Anthology of English Literature has beenrevitalized in this Eighth Edition through the collaborationbetween six new editors and six seasoned ones. Under the directionof Stephen Greenblatt, General Editor, the editors havereconsidered all aspects of the anthology to make it an even betterteaching tool.

Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published. Firmly grounded by the hallmark strengths of all Norton Anthologies—thorough and helpful introductory matter, judicious annotation, complete texts wherever possible— The Norton Anthology of English Literature has been revitalized in this Eighth Edition through the collaboration between six new editors and six seasoned ones. Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

Constance Garnett’s translation, the basic version in English of this Russian masterpiece, has been revised by the editor for accuracy and readability. Dostoevsky’s sources for the characters and situations of the novel are set forth in an extract from Lev Reynus’s Dostoevsky and Staraya Russa and in selections from Dostoevsky’s letters and diary, all translated by Professor Matlaw. Konstantin Mochulsky’s essay provides a general discussion of the work. Important questions as to the craft of the novel, its characterization, Dostoevsky’s symbolism, the Grand Inquisitor, and the theme of religious salvation are surveyed in critical pieces by Dmitry Tschizewskij, Robert L. Belknap, Edward Wasiolek, Harry Slochower, D. H. Lawrence, Albert Camus, Nathan Rosen, Leonid Grossman, Ya. E. Golosovker, R. P. Blackmur, and Ralph E. Matlaw. Several of these selections are also recently translated from the Russian. A Selected Bibliography is included. 作者简介：Ralph E. Matlaw was Profes

Though generally overlooked during her lifetime, EmilyDickinson's poetry has achieved acclaim due to her experiments inprosody, her tragic vision and the range of her emotional andintellectual explorations.

A Thousand Splendid Suns is a breathtaking story set against the volatile events of Afghanistan's last thirty years-from the Soviet invasion to the reign of the Taliban to post-Taliban rebuilding--that puts the violence, fear, hope, and faith of this country in intimate, human terms. It is a tale of two generations of characters brought jarringly together by the tragic sweep of war, where personal lives--the struggle to survive, raise a family, find happiness--are inextricable from the history playing out around them. Propelled by the same storytelling instinct that made TheKiteRunner a beloved classic, A Thousand Splendid Suns is at once a remarkable chronicle of three decades of Afghan history and a deeply moving account of family and friendship. It is a striking, heart-wrenching novel of an unforgiving time, an unlikely friendship, and an indestructible love--a stunning accomplishment.

An entertaining series of 100 stories told in a country villa outside the city of Florence by ten young noble men and women seeking to escape the plague. Vivid portraits of people from all stations in life. An Oxford University Press World Classic.

FROM THE WORLD FAMOUS ROYAL SHAKESPEARE COMPANY, THE FIRSTAUTHORITATIVE, MODERNIZED, AND CORRECTED EDITION OF SHAKESPEARE’SFIRST FOLIO IN THREE CENTURIES. Skillfully assembled by Shakespeare’s fellow actors in 1623,the First Folio was the original Complete Works. It is arguably themost important literary work in the English language. But startingwith Nicholas Rowe in 1709 and continuing to the present day,Shakespeare editors have mixed Folio and Quarto texts, graduallycorrupting the original Complete Works with errors and conflatedtextual variations. Now Jonathan Bate and Eric Rasmussen, two of today’s mostaccomplished Shakespearean scholars, have edited the First Folio asa complete book, resulting in a definitive Complete Works for thetwenty-first century. Combining innovative scholarship with brilliant commentary andtextual analysis that emphasizes performance history and values,this landmark edition will be indispensable to students, theaterprofessionals, and general readers alik

"What’s the matter? A mine? Some kid step on a mine? A blessure?" "No. Not a mine." We walk in and there’s a mother standing by her child. It’s a little girl. She’s a very beautiful girl with straight black hair, maybe six or eight, big eyes, a bit younger than Smiles and just as lovely. But she’s lying too still under a white sheet on the bamboo bed and her mother is talking in a monotone, staring off to the corner asking for help from Buddha. The little girl is staring at me, tracking every move I make. She’s so weak, all she can do is move her eyes. Sok Samuth approaches the bed and takes down the sheets. It’s very sad what we see. The girl is inhumanly thin and her skin is peeling off. He pulls the sheet up over the girl’s body again and the mother keeps up her monotone plea for Buddha while the little girl follows me, eye to eye. She wants me to make her feel better. I’m thinking, no, not this one. The whole thing was about this one. It was always about this one.

When novelist Owen Quine goes missing, his wife calls in private detective Cormoran Strike. At first, she just thinks he has gone off by himself for a few days - as he has done before - and she wants Strike to find him and bring him home. But as Strike investigates, it becomes clear that there is more to Quine's disappearance than his wife realises. The novelist has just completed a manu* featuring poisonous pen-portraits of almost everyone he knows. If the novel were published it would ruin lives - so there are a lot of people who might want to silence him. And when Quine is found brutally murdered in bizarre circumstances, it becomes a race against time to understand the motivation of a ruthless killer, a killer unlike any he has encountered before ...A compulsively readable crime novel with twists at every turn, The Silkworm is the second in the highly acclaimed series featuring Cormoran Strike and his determined young assistant Robin Ellacott.

The first edition of its kind, The Great Fairy Tale Tradition is indispensable for students of fairy tales. The tales—116 in all—are thematically grouped. Each grouping is introduced and annotated by Jack Zipes, the genre’s reigning expert. Twenty illustrations accompany the texts. "Criticism" includes seven important assessments of different aspects of the fairy tale tradition, written by W. G. Waters, Benedetto Croce, Lewis Seifert, Patricia Hannon, Harry Velten, Siegfried Neumann, and Jack Zipes. Brief biographies of the storytellers and a Selected Bibliography are included.

(Book Jacket Status: Jacketed) Naguib Mahfouz's magnificentepic trilogy of colonial Egypt appears here in one volume for thefirst time. The Nobel Prize--winning writer's masterwork is theengrossing story of a Muslim family in Cairo during Britain'soccupation of Egypt in the early decades of the twentieth century.The novels of "The Cairo Trilogy" trace three generations of thefamily of tyrannical patriarch Al-Sayyid Ahmad Abd al-Jawad, whorules his household with a strict hand while living a secret lifeof self-indulgence. "Palace Walk" introduces us to his gentle,oppressed wife, Amina, his cloistered daughters, Aisha and Khadija,and his three sons-the tragic and idealistic Fahmy, the dissolutehedonist Yasin, and the soul-searching intellectual Kamal.Al-Sayyid Ahmad's rebellious children struggle to move beyond hisdomination in "Palace of Desire," as the world around them opens tothe currents of modernity and political and domestic turmoilbrought by the 1920s. "Sugar Street" brings Mahfouz's vividtapestr

The fifteen essays in this captivating volume treat the innerrather than the outer，life of Japan For this reason，they have beengrouped under the title Kokoro, which can be translatedas“heart”。“spirit.”or“inner meaning”Indeed，Lafcadio Hearnpenetrates to the heart of things Japanese in“Kimiko，”a portrait ofa beautiful geisha；in“By Force of Karma.”the story of a Buddhistmonk；and in H Conservative.”a detail-ed de*ion of a samuraiLonger essays like "The Genius of. Japanese Civilization”and‘.AGlimpse of Tendencies”Shin up the author’s feelings about hisadopted country Hearn aptly called the pieces in this volume“hintsand echoes of Japanese inner life” Although much has changed sincethe days when Hearn fell in love with Japan. These“hints andechoes” still have a remarkable truth about them，for the Japanesespirit，or kokor0,has changed much less than the material conditionsof Japanese life It is Hearn's genius to have perceived what wasquintes sentially Japanese

(Book Jacket Status: Jacketed) A famous legend surrounding thecreation of "Anna Karenina" tells us that Tolstoy began writing acautionary tale about adultery and ended up falling in love withhis magnificent heroine. It is rare to find a reader of the bookwho doesn't experience the same kind of emotional upheaval. AnnaKarenina is filled with major and minor characters who exist intheir own right and fully embody their mid-nineteenth-centuryRussian milieu, but it still belongs entirely to the woman whosename it bears, whose portrait is one of the truest ever made by awriter. Translated by Louise and Aylmer Maude

Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published. Firmly grounded by the hallmark strengths of all Norton Anthologies—thorough and helpful introductory matter, judicious annotation, complete texts wherever possible—The Norton Anthology of English Literature has been revitalized in this Eighth Edition through the collaboration between six new editors and six seasoned ones. Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

For this Sesquicentennial Norton Critical Edition, the Northwestern-Newberry text of Moby-Dick has been generously footnoted to include dozens of biographical discoveries, mainly from Hershel Parker's work on his two-volume biography of Melville. A section of "Whaling and Whalecraft" features prose and graphics by John B. Putnam, a sample of contemporary whaling engravings, as well as, new to this edition, an engraving of Tupai Cupa, the real-life inspiration for the character of Queequeg. Evoking Melville’s fascination with the fluidity of categories like savagery and civilization, the image of Tupai Cupa fittingly introduces "Before Moby-Dick: International Controversy over Melville," a new section that documents the ferocity of religions, political, and sexual hostility toward Melville in reaction to his early books, beginning with Typee in 1846. The image of Tupai Cupa also evokes Melville’s interest in the mystery of self-identity and the possibility of knowing another person’s "q

George Eliot's last and most unconventional novel isconsidered by many to be her greatest. First published ininstallments in 1874-76, "Daniel Deronda" is a richly imagined epicwith a mysterious hero at its heart. Deronda, a high-minded youngman searching for his path in life, finds himself drawn by a seriesof dramatic encounters into two contrasting worlds: the Englishcountry-house life of Gwendolen Harleth, a high-spirited beautytrapped in an oppressive marriage, and the very different lives ofa poor Jewish girl, Mirah, and her family. As Deronda uncovers thelong-hidden secret of his own parentage, Eliot's moving andsuspenseful narrative opens up a world of Jewish experiencepreviously unknown to the Victorian novel.

The Romance of the Three Kingdoms is Lo Kuan-chung'sretelling of the events attending the fall of the Han Dynasty in220 A.D., one of the most tumultuous and fascinating periods inChinese history. It is an epic saga of brotherhood and rivalry, ofloyalty and treachery, of victory and death. As important forChinese culture as the Homeric epics have been for the West, thisfourteenth-century masterpiece continues to be loved and readthroughout China as well as in Japan, Korea, and Vietnam.