“Moonshiners put more time, energy, thought, and loveinto their cars than any racer ever will. Lose on the track and yougo home. Lose with a load of whiskey and you go to jail.” —JuniorJohnson, NASCAR legend and one-time whiskey runner Today’s NASCAR is a family sport with 75 million loyal fans,which is growing bigger and more mainstream by the day. PartDisney, part Vegas, part Barnum Bailey, NASCAR is also amultibillion-dollar business and a cultural phenomenon thattranscends geography, class, and gender. But dark secrets lurk inNASCAR’s past. Driving with the Devil uncovers for the first time the truestory behind NASCAR’s distant, moonshine-fueled origins and paintsa rich portrait of the colorful men who created it. Long before thesport of stock-car racing even existed, young men in the rural,Depression-wracked South had figured out that cars and speed weretickets to a better life. With few options beyond the farm orfactory, the best chance of escape was running moonshine.
A wild, lyrical, and anguished autobiography, in which CharlesMingus pays short shrift to the facts but plunges to the verybottom of his psyche, coming up for air only when it pleases him.He takes the reader through his childhood in Watts, his musicaleducation by the likes of Louis Armstrong, Duke Ellington, andCharlie Parker, and his prodigious appetites--intellectual,culinary, and sexual. The book is a jumble, but a glorious one, bya certified American genius.
The definitive story of one of the greatest dynasties inbaseball history, Joe Torre's New York Yankees. When Joe Torre took over as manager of the Yankees in 1996, theyhad not won a World Series title in eighteen years. In that timeseventeen others had tried to take the helm of America’s mostfamous baseball team. Each one was fired by George Steinbrenner.After twelve triumphant seasons—with twelve straight playoffappearances, six pennants, and four World Series titles—Torre leftthe Yankees as the most beloved manager in baseball. But dealingwith players like Jason Giambi, A-Rod, Derek Jeter, Mariano Rivera,Roger Clemens, and Randy Johnson is what managing is all about.Here, for the first time, Joe Torre and Tom Verducci take readersinside the dugout, the clubhouse, and the front office, showingwhat it took to keep the Yankees on top of the baseball world.
Moody's famous autobiography is a classic work on growing uppoor and Black in the rural South. Her searing account of lifebefore the Civil Rights Movement is as moving as The Color Purpleand as important as And Let Us Now Praise Famous Men. "A history ofour time . . . (and) a reminder that we cannot now relax".--SenatorEdward Kennedy.
The only thing the writers in this book have in common is thatthey've exchanged sex for money. They're PhDs and dropouts, soccermoms and jailbirds, $2,500-a-night call girls and $10 crack hos,and everything in between. This anthology lends a voice to anunderrepresented population that is simultaneously reviled andworshipped. Hos, Hookers, Call Girls, and Rent Boys is a collection of shortmemoirs, rants, confessions, nightmares, journalism, and poetrycovering life, love, work, family, and yes, sex. The editors gatherpieces from the world of industrial sex, including contributionsfrom art-porn priestess Dr. Annie Sprinkle, best-selling memoiristDavid Henry Sterry (Chicken: Self-Portrait of a Young Man forRent), sex activist and musical diva Candye Kane, women and menright off the streets, girls participating in the first-everNational Summit of Commercially Sexually Exploited Youth, and RuthMorgan Thomas, one of the organizers of the European Sex Work,Human Rights, and Migration Conference. Se
Inspired by the fresco cycles that depict the life of St.Francis of Assisi, acclaimed author Valerie Martin tells the lifeof Francesco di Pietro Bernardone in a series of vividly realized“panels” of moments both crucial and ordinary. Drawing from myriadsources and moving in reverse chronological order, she begins inthe dark, final days, with a suffering Francesco on the verge ofdeath, then shows us the unwashed and innocent revolutionary,unafraid to lecture a pope on Christ’s message. We see his mysticalfriendship with Chiara di Offreducci, a nobleman’s daughter whoturns her back on the world to join him, and finally, the frivolousyoung Francesco on the deserted road where his encounter with aleper leads him to an ecstatic embrace of God. Salvation is at oncean illuminating glimpse into the medieval world and an original andintimate portrait of the man whose legend has resonated through thecenturies.
