At the end of herbestselling memoir "Eat, Pray, Love", Elizabeth Gilbert fell inlove with Felipe -- a Brazilian-born man of Australian citizenshipwho'd been living in Indonesia when they met. Resettling inAmerica, the couple swore eternal fidelity to each other, but alsoswore to never, ever, under any circumstances get legally married.(Both survivors of difficult divorces. Enough said.) But providenceintervened one day in the form of the U.S. government, who -- afterunexpectedly detaining Felipe at an American border crossing --gave the couple a choice: they could either get married, or Felipewould never be allowed to enter the country again. Having beeneffectively sentenced to wed, Gilbert tackled her fears of marriageby delving completely into this topic, trying with all her might todiscover (through historical research, interviews and much personalreflection) what this stubbornly enduring old institution actuallyis. The result is "Committed" - a witty and intelligentcontemplation of marriage that de
Elizabeth Taylor passed away on March 23, 2011 in Los Angelesat the age of 79. For decades, Elizabeth Taylor has been a part of our lives. Nowacclaimed biographer J. Randy Taraborrelli looks past the tabloidversion of Elizabeth's life and offers the first‐ever fullyrealized portrait of this American icon. You'll meet hercontrolling mother who plotted her daughter's success from birth,see the qualities that catapulted Elizabeth to stardom in 1940sHollywood, understand the psychological and emotional underpinningsbehind the eight marriages, and, finally, rejoice in Elizabeth'smost bravura performance of all: the new success in family,friendships, and philanthropy she achieved despite substance abuseand chronic illness. It's the story of the woman you thought youknew, and now can finally understand.
More a biography of Mozart's music than a study of the man himself, Sadie's final opus—he died this year after publishing some 30 books—should delight musicologists but puzzle general readers. Not only is the music Sadie's primary interest, he does not believe it reveals anything, necessarily, about its composer. Indeed, he reminds readers not to impose contemporary values on Mozart's era. "Romantic eyes," for example, might see certain minor-key compositions as expressions of Mozart's grief over his mother's death, but Sadie argues that there's "no real reason to imagine that he used his music as [a] vehicle for the expression of his own personal feelings." Likewise, modern critics expect to see a certain type of progress in Mozart's oeuvre, with subsequent works building and elaborating former ones, in ways alien to Mozart on his contemporaries. Sadie is deft at situating various styles of musical composition in their cultural context: preferences for serious vs. comic opera, shorter vs. longer works, e
Modern views of Columbus are overshadowed by guilt about pastconquests. Credit for discovering the New World, we are told,belongs to its original inhabitants rather than any European, andColumbus gave those inhabitants nothing apart from death, diseaseand destruction. Yet for the Old World of Europe the four voyagesof Columbus brought revelation where before there had been onlymyths and guesswork. People had thought it was only the greatdistance that made it impossible to reach Asia sailing west fromSpain. No one had predicted that a vast continent stood in the way.And indeed, for Columbus himself, the revolution of understandingwas too much to comprehend. He had counted on a new route to Asiathat would bring him glory, riches and titles, and the thought ofan unknown and undeveloped continent held no attractions. Thetrials and disappointments of the great explorer are graphicallydetailed in this biography first published in 1828, when WashingtonIrving was America's most famous writer.
