Succeeds more than any previous book in bringing Ali into focus. . . as a starburst of energy, ego and ability whose like willnever be seen again.-- The Wall Street Journal "Best Nonfiction Book of the Year"-- Time "Penetrating . . . reveal[s] details that even close followers of[Ali] might not have known. . . . An amazing story." -- The NewYork Times On the night in 1964 that Muhammad Ali (then known as Cassius Clay)stepped into the ring with Sonny Liston, he was widely regarded asan irritating freak who danced and talked way too much. Six roundslater Ali was not only the new world heavyweight boxing champion:He was "a new kind of black man" who would shortly transformAmerica's racial politics, its popular culture, and its notions ofheroism. No one has capturedAli--and the era that he exhilarated and sometimes infuriated--withgreater vibrancy, drama, and astuteness than David Remnick, thePulitzer Prize-winning author of Lenin's Tomb (and editor of The New Yorker ). In charting Ali's rise fro

Soon after the fall of the Taliban, in 2001, Deborah Rodriguezwent to Afghanistan as part of a group offering humanitarian aid tothis war-torn nation. Surrounded by men and women whose skills–asdoctors, nurses, and therapists–seemed eminently more practicalthan her own, Rodriguez, a hairdresser and mother of two fromMichigan, despaired of being of any real use. Yet she soon foundshe had a gift for befriending Afghans, and once her professionbecame known she was eagerly sought out by Westerners desperate fora good haircut and by Afghan women, who have a long and proudtradition of running their own beauty salons. Thus an idea wasborn. With the help of corporate and international sponsors, the KabulBeauty School welcomed its first class in 2003. Well meaning butsometimes brazen, Rodriguez stumbled through language barriers,overstepped cultural customs, and constantly juggled the challengesof a postwar nation even as she learned how to empower her studentsto become their families’ breadwinners

A rich evocation of Nabokov's life and times, even as it offersincisive insights into his major works, including LOLITA, PNIN,DESPAIR, THE GIFT and others.

A PRESIDENTIAL DYNASTY. AN ARAB TERRORIST ATTACK. DEMOCRACYUNDER SIEGE. Mario Puzo envisioned it all in his eerily prescient1991 novel, The Fourth K. President Francis Xavier Kennedy is elected to office, in largepart, thanks to the legacy of his forebears–good looks, privilege,wealth–and is the very embodiment of youthful optimism. Too soon,however, he is beaten down by the political process and, disabusedof his ideals, he becomes a leader totally unlike what he has beenbefore. When his daughter becomes a pawn in a brutal terrorist plot,Kennedy, who has obsessively kept alive the memory of his uncles’assassinations, activates all his power to retaliate in a series ofviolent measures. As the explosive events unfold, the world andthose closest to him look on with both awe and horror.

Now in paperback: the third volume of John Richardson’smagisterial Life of Picasso. Here is Picasso at the height of his powers in Rome and Naples,producing the sets and costumes with Cocteau for Diaghilev’sBallets Russes, and visiting Pompei where the antique statuary fuelhis obsession with classicism; in Paris, creating some of his mostimportant sculpture and painting as part of a group that includedBraque, Apollinaire, Miró, and Breton; spending summers in theSouth of France in the company of Gerald and Sara Murphy,Hemingway, and Fitzgerald. These are the years of his marriage tothe Russian ballerina Olga Khokhlova—the mother of his onlylegitimate child, Paulo—and of his passionate affair withMarie-Thérèse Walter, who was, as well, his model and muse. A groundbreaking contribution to our understanding of one of thegreatest artists of the twentieth century.

A gathering ofbrilliant and viciously funny recollections from one of thetwentieth century’s most famous literary enfants terribles. Written in 1980 but published here for the first time, thesetexts tell the story of the various farces that developed aroundthe literary prizes Thomas Bernhard received in his lifetime.Whether it was the Bremen Literature Prize, the Grillparzer Prize,or the Austrian State Prize, his participation in the acceptanceceremony—always less than gracious, it must be said—resulted inscandal (only at the awarding of the prize from Austria’s FederalChamber of Commerce did Bernhard feel at home: he received thatone, he said, in recognition of the great example he set forshopkeeping apprentices). And the remuneration connected with theprizes presented him with opportunities for adventure—of thenew-house and luxury-car variety. Here is a portrait of the writer as a prizewinner: laconic,sardonic, and shaking his head with biting amusement at the w

In The Cubist Rebel, 1907–1916 , the second volume of his Life of Picasso , John Richardson reveals the young Picassoin the Baudelairean role of “the painter of modern life”—a rolethat stipulated the brothel as the noblest subject for a modernartist. Hence his great breakthrough painting, Les Demoisellesd’Avignon , with which this book opens. As well as portrayingPicasso as a revolutionary, Richardson analyzes the morecompassionate side of his genius. The misogynist of posthumouslegend turns out to have been surprisingly vulnerable—more oftensinned against than sinning. Heartbroken at the death of hismistress Eva, Picasso tried desperately to find a wife. Richardsonrecounts the untold story of how his two great loves of 1915–17successively turned him down. These disappointments, as well as hishorror at the outbreak of World War I and the wounds it inflictedon his closest friends, Braque and Apollinaire, shadowed hispainting and drove him off to work for the Ballets Russes in Romeand Naples—

In 1997, Tony Blair won the biggest Labour victory in history to sweep the party to power and end eighteen years of Conservative government. He has been one of the most dynamic leaders of modern times; few British prime ministers have shaped the nation's course as profoundly as Blair during his ten years in power, and his achievements and his legacy will be debated for years to come. Now his memoirs reveal in intimate detail this unique political and personal journey, providing an insight into the man, the politician and the statesman, and charting successes, controversies and disappointments with an extraordinary candour. "A Journey" will prove essential and compulsive reading for anyone who wants to understand the complexities of our global world. As an account of the nature and uses of power, it will also have a readership that extends well beyond politics, to all those who want to understand the challenges of leadership today.

From a hard childhood lived largely in foster homes, she ascended to the highest of Hollywood heights-a screen icon beyond compare. And then she died young under mysterious circumstances, tragically cementing her legend. The life story of Norma Jeane Baker, the girl who would become Marilyn Monroe, is as thrilling, glamorous and dramatic as anything seen on the big screen, and the camera was there to capture every chapter. With intimate, rarely seen photographs of a pretty little child growing up in California during the 1930s right through to the classic imagery of the movie star in the 1950

Marine General Tony Zinni was known as the "Warrior Diplomat"during his nearly forty years of service. As a soldier, hiscredentials were impeccable, whether leading troops in Vietnam,commanding hair-raising rescue operations in Somalia, or-asCommander-in-Chief of CENTCOM-directing strikes against Iraq and AlQaeda. But it was as a peacemaker that he made just as great amark-conducting dangerous troubleshooting missions all over Africa,Asia, and Europe; and then serving as Secretary of State ColinPowell's special envoy to the Middle East, before disagreementsover the 2003 Iraq War and its probable aftermath caused him toresign. This is his story-and that of his beloved Marine Corps-from thecauldron of Vietnam to the realities of the post-9/11 military, astold by none other than Tom Clancy.

Gies recalls how, during WW II, she, her husband and some of their coworkers sheltered her boss Otto Frank, his family and several other Jews in a secret annex of their Amsterdam office building. PW found that although Gold's retelling is "disappointing," Gies's "sincerity, humility and courage emerge . . . and will not fail to inspire." Photos. Copyright 1988 Reed Business Information, Inc.

An erudite history of medicine...a welcome addition to anymedical collection. -- Booklist How does medical science advance? Popular historians would have usbelieve that a few heroic individuals, possessing superhumantalents, lead an unselfish quest to better the human condition. Butas renowned Yale surgeon and medical historian Sherwin B. Nulandshows in this brilliant collection of linked life portraits, thetheory bears little resemblance to the truth. Through the centuries, the men and women Who have shaped theworld of medicine have been not only very human people but alsovery much the products of their own times and places. Presentingcompelling studies of great medical innovators and pioneers,Doctors gives us the extraordinary story of the development ofmodern medicine -- told through the lives of thephysician-scientists whose deeds and determination paved the way.Ranging from the legendary Father of Medicine, Hippocrates, toAndreas Vesalius, whose Renaissance masterwork on anatomy offeredinval

This major study of the composer's life and work follows thecourse of Bach's career in rich detail - from his humble beginningsas an organ tuner and self-taught musician, to his role asKapellmeister and cantor of St. Thomas' Church in Leipzig. Itexplores Bach's relations with the German aristocracy, the Churchand contemporary theological debates, his perfectionism, and hisrole as the devoted head of a large family. The author alsocarefully analyses Bach's innovations in harmony and counterpoint,placing them in the context of European musical and socialhistory.

does eminem matter? On assignment for his first cover story for Rolling Stone, thevery first national cover story on Eminem, Anthony Bozza met ayoung blond kid, a rapper who would soon take the country by storm.But back in 1999, Eminem was just beginning to make waves amongsuburban white teenagers as his first single, “My Name Is,” wentinto heavy rotation on MTV. Who could have predicted that in a mere two years, Eminem wouldbecome the most reviled and controversial hip-hop figure ever? Orthat twelve months after that, Eminem would sit firmly at thepinnacle of American celebrity, a Grammy winner many times over andthe recipient of an Oscar. did eminem change or did america finally figure him out? Whatever You Say I Am attempts to answer this question and manymore. Since their first meeting, Bozza has been given a level ofaccess to Eminem that no other journalist has enjoyed. In WhateverYou Say I Am, original, never-before-published text from Bozza’sinterviews with Eminem a

Thriller takes us back to a time in 1982 when MichaelJackson was king of the charts, breaking the color barrier on MTV,heralding the age of video, and becoming the ultimaterepresentation of the crossover dreams of Motown’s Berry Gordy, whohelped launch Jackson’s career with the Jackson 5. In this incisiveand revealing examination of the making and meaning of Thriller , Nelson George illuminates the brilliant creativeprocess (and work ethic) of Jackson and producer Quincy Jones,deftly exploring the larger context of the music, life, and seismicimpact of Michael Jackson on three generations. All this from agroundbreaking journalist and cultural critic who was there. Georgequestions whether the phenomenon Jackson became is even possibletoday. He revisits his early writings on the King of Pop andexamines not only the stunning success of Thriller but alsoJackson as an artist, public figure, and racial enigma—includingthe details surrounding his death on June 25, 2009.

The first account—prodigiously researched, richly detailed—ofthe last remarkable twenty-five years of the life and art of one ofAmerica’s greatest and most beloved musical icons. Much has been written about Louis Armstrong, but most of itfocuses on the early and middle stages of his long career. Now,Ricky Riccardi—jazz scholar and musician—takes an in-depth look atthe years in which Armstrong was often dismissed as a buffoon?ish,if popular, entertainer, and shows us instead the inventiveness anddepth of expression that his music evinced during this time. These are the years (from after World War II until his death in1971) when Armstrong entertained crowds around the world andrecorded his highest-charting hits, including “Mack the Knife” and“Hello, Dolly”; years when he collaborated with, among others, EllaFitzgerald, Duke Ellington, and Dave Brubeck; when he recorded withstrings and big bands, and, of course, with the All-Stars, hisprimary performing ensemble for more than

I AM AMERICA (AND SO CAN YOU!) is Stephen Colbert's attempt to wedge his brain between hardback covers. In plain conversational language, not to mention the occasional grunt and/or whistle, Stephen explains his take on the most pressing concerns of our culture: Faith, Family, Politics...Hygiene.

In 1955, Garcia Marquez was working for El Espectador, a newspaper in Bogota, when in February of that year eight crew members of the Caldas, a Colombian destroyer, were washed overboard and disappeared. Ten days later one of them turned up, barely alive, on a deserted beach in northern Colombia. This book, which originally appeared as a series of newspaper articles, is Garcia Marquez's account of that sailor's ordeal. Translated by Randolf Hogan.

One climbed to the very top of the social ladder, the otherchose to live among tramps. One was a celebrity at twenty-three,the other virtually unknown until his dying days. One wasright-wing and religious, the other a socialist and an atheist.Yet, as this ingenious and important new book reveals, at the heartof their lives and writing, Evelyn Waugh and George Orwell wereessentially the same man. Orwell is best known for "Animal Farm"and "1984," Waugh for "Brideshead Revisited" and comic novels like"Scoop" and "Vile Bodies." How ever different they may seem, thesetwo towering figures of twentieth-century literature are linked forthe first time in this engaging and unconventional biography, whichgoes beyond the story of their amazing lives to reach the core oftheir beliefs-a shared vision that was startlingly prescient aboutour own troubled times. Both Waugh and Orwell were born in 1903,into the same comfortable stratum of England's class-obsessedsociety. But at first glance they seem to have lived