Dronescapes 是与*的无人机摄影网站 Dronestegram 和著名摄影编辑Ayperi Karabuda Ecer合作创建的，它是*一本汇集了全球*无人机航拍照片的书。它给了我们从全新的有利位置俯瞰地球的激动人心的机会，无论是从里约热内卢鸟瞰救世主基督，还是从飞行中的老鹰几英寸处拍摄的照片，还是从墨西哥塔穆尔瀑布上空拍摄的令人眩晕的照片，讨论了无人机摄影的到来如何标志着航空摄影历史↑的一个重大转变。Created in collaboration with Dronestegram, the world-leading drone photography website, and Ayperi Karabuda Ecer, a highly renowned photography editor, Dronescapes is the first book to bring together the very best photographs taken by quadcopters around the globe. It grants us the thrilling opportunity to see our planet from entirely new vantage points, whether this is a bird's-eye view of Christ the Redeemer in Rio de Janeiro, a photograph taken inches away from an eagle in mid-flight, or

铁托南斯拉夫共chan主义极简主义狂野世界指南 Spomenik-- Serbo-Croat /斯洛文尼亚语中的纪念碑 - 指的是20世纪60年代至80年代在铁托的南斯拉夫共和国建造的纪念碑，标志着第二次世界大战期间占领的恐怖和轴心国的失败。全国各地都有数百座建筑，从沿海度假胜地到偏远山区。通过这些富有想象力的混凝土和钢铁形式，设想了一个没有种族紧张局势的无阶级，前瞻性的社会主义社会。而不是寻求意识形态一致的苏联的艺术灵感，铁托转向西方和抽象表现主义和极简主义的作品。这使得南斯拉夫能够通过纪念碑发展自己独特的身份，将它们变成政治工具，阐明铁托对新明天的个人愿景。 今天，在该国解体和随后的1990年代南斯拉夫战争之后，一些人被摧毁或被遗弃。许多人遭受了种族紧张局势的后果：一旦被视为希望的象征，他们现在成为怨恨和愤怒的焦点。 本

From the camera lucida to the latest in digital image makingand computer manipulation, photographic technology has dramaticallychanged throughout its nearly 200-year history, as succinctlyexplained and powerfully illustrated in "A World History ofPhotography". Thanks to the unique immediacy with which photographycaptures perspective and history, the popularity and use of thecamera spread rapidly around the globe. Today, photography isubiquitous: from newspapers and fashion magazines to billboards andthe film industry, cultures worldwide have embraced this malleableartistic medium for a limitless variety of purposes. NaomiRosenblum's classic text investigates all aspects of photography -aesthetic, documentary, commercial, and technical - while placingphotos in their historical context. Included among the more than800 photographs by men and women are both little-known andcelebrated masterpieces, arranged in stimulating juxtapositionsthat illuminate their visual power. Authoritative and unbiased,Rosenblum's chr

During his prolific 60-year career, the godfather of Americanphotography captured iconic images for the Sierra Club and NationalPark Service, wrote best-selling books, campaigned for theenvironment, and even took President Jimmy Carter’s official WhiteHouse portrait. Even so, these make up only a portion of AnselAdams’s portfolio. These rare photographs in The Unseen AnselAdams come from the celebrated collection of the University ofCalifornia. During the 1960s, Adams spent time chronicling theuniversity’s campuses, including images of Berkeley’s majesticcampanile, Santa Cruz’s ferny forests, Santa Barbara’s pristinecoastline, and UCLA’s stern chancellor. Photography aficionadoswill certainly appreciate this fresh look at a master’slesser-known work. Spreads feature beautiful black-and-whitephotographs that are rich in detail and texture, showcasing Adams’sunmistakable style. Though best known for his photographs ofnature, Ansel Adams saw beauty in many forms, including manyman-made struc

This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took him to the Ukraine and Romania. The photos evidence brief stops at the side of the road and present subjects that fall into two distinct categories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or small and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were road casualties. The similarity between each composition the landscape format, the colourful centred arrangement, the consistent distance between photographer and subject belies a deeper message: the produce suggests sustenance, growth and while the memorials are signs of tragedy and grief. Karpaten / Carpathians is thus not only a collection of travel photos, but a reflection of the human need to shape events, and a succinct story of life and death both realities along the metaphorical road on which we all travel. Born in 1938 in Appenzell, Switzerl

Baby Talk The Anne Geddes phenomenon Baby as bunny, baby as sunflower, babies upon a carpet of feathers. With her unique portraits of infants, Anne Geddes has become one of the world?s most widely known and loved photographers . Her portfolio has become a brand in itself, with posters, puzzles, apps, calendars, and clothing items all inspired by her baby photography. Like no photographer before, Geddes strives to capture the beauty, purity, and vulnerability of young children and to embody within an image her deeply held belief that each and every child must be ?protected, nurtured and loved.? Since its inception in 1992, The Geddes Philanthropic Trust has designated significant funds from the range of Anne Geddes products to help prevent child abuse and neglect in countries around the world. This Geddes retrospective offers access to her complete archive, reaching back to the late 1980s. With many previously unseen images , it honors not only a whimsical and endearing aesthetic but its underlying

‘The Bitter Years’ was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its 50th anniversary. The show featured 209 images by photographers who worked under the aegis of the US Farm Security Administration (FSA) in 1935–41 as part of Roosevelt’s New Deal. The Great Depression of the 1930s defined a generation in modern American history and was still a vivid memory in 1962. The FSA, set up to combat rural poverty, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography – testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms. The Bitter Years celebrates some of the m

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The Great LIFE Photographers is the most comprehensive anthology of LIFE photography ever published, featuring the best work of every staff photographer who worked for the famous magazine, and that of a handful of others who shot for LIFE. It was always the photographers who made LIFE great, and this is the most vivid and exciting portrait of those men and women that has ever been produced. The book offers more than 100 portfolios including those of Alfred Eisenstaedt, Margaret Bourke-White, Carl Mydans, Gordon Parks, W. Eugene Smith, Robert Capa, Ralph Morse, Nina Leen, Harry Benson, Philippe Halsman, and Joe McNally, whose work for LIFE in the aftermath of September 11 was in the finest tradition of the magazine. Each portfolio includes a short biography, offering an intimate look at the people behind the lens. Here are the defining moments of the 20th century, including MacArthur wading ashore by Mydans, Capa's D-Day landing at Omaha Beach and, of course, Eisenstaedt's sailor kissing th