Dronescapes 是与*的无人机摄影网站 Dronestegram 和著名摄影编辑Ayperi Karabuda Ecer合作创建的，它是*一本汇集了全球*无人机航拍照片的书。它给了我们从全新的有利位置俯瞰地球的激动人心的机会，无论是从里约热内卢鸟瞰救世主基督，还是从飞行中的老鹰几英寸处拍摄的照片，还是从墨西哥塔穆尔瀑布上空拍摄的令人眩晕的照片，讨论了无人机摄影的到来如何标志着航空摄影历史↑的一个重大转变。Created in collaboration with Dronestegram, the world-leading drone photography website, and Ayperi Karabuda Ecer, a highly renowned photography editor, Dronescapes is the first book to bring together the very best photographs taken by quadcopters around the globe. It grants us the thrilling opportunity to see our planet from entirely new vantage points, whether this is a bird's-eye view of Christ the Redeemer in Rio de Janeiro, a photograph taken inches away from an eagle in mid-flight, or

铁托南斯拉夫共chan主义极简主义狂野世界指南 Spomenik-- Serbo-Croat /斯洛文尼亚语中的纪念碑 - 指的是20世纪60年代至80年代在铁托的南斯拉夫共和国建造的纪念碑，标志着第二次世界大战期间占领的恐怖和轴心国的失败。全国各地都有数百座建筑，从沿海度假胜地到偏远山区。通过这些富有想象力的混凝土和钢铁形式，设想了一个没有种族紧张局势的无阶级，前瞻性的社会主义社会。而不是寻求意识形态一致的苏联的艺术灵感，铁托转向西方和抽象表现主义和极简主义的作品。这使得南斯拉夫能够通过纪念碑发展自己独特的身份，将它们变成政治工具，阐明铁托对新明天的个人愿景。 今天，在该国解体和随后的1990年代南斯拉夫战争之后，一些人被摧毁或被遗弃。许多人遭受了种族紧张局势的后果：一旦被视为希望的象征，他们现在成为怨恨和愤怒的焦点。 本

Already well-established in the fields of fashion, journalistic, and portrait photography in his native Berlin, Bernd Obermann moved to New York City in 1996 to experience the city’s vibrant mix of culture, ethnicity, and race. For the next five years he ventured out of his apartment nearly every day, camera in hand, to explore what New York had to offer. The results of these walks through city streets, parks, and neighborhoods are collected in this paean to a place whose energy and spirit are as palpable as they are memorable. "When I take a photograph of somebody I am also making a photo of a deeper level of myself." Says Obermann, "I believe in acceptance and not in analysis." From the Bronx to the Battery, from poor to rich, young to old, Obermann’s images reflect his own fascination and sense of discovery.

Whether they are of Abu Dhabi, California, Egypt or Emilia, all of the images he produces are lit with a constant physical light and elements that this photographer seems to always have with him the way he does with his camera bag, and through which all he wants to do is observe the world. I find such an aesthetic to be more that of a painter than a photographer somehow. Better yet, that of a post-documentary or neo-pictorialist photographer, who experiences and conceives his work to be the exprssive gesture of an artist for whom the subject is above all the opportunity for a tremendous but constant variation in his view of the world.

Martin Munkacsi was never at a loss for self-confidence and was proud to be the best-paid photographer of his time. One of the most significant photographers of the twentieth century, Munkacsi shaped the beginnings of modern photojournalism and set into motion the previously static medium of photography. Munkacsi combined journalistic accuracy with a highly formal aesthetic standard, and was an outstanding representative of the Neues Sehen, arguably photographys weightiest contribution to advanced art. He defied convention by incorporating motion, dramatic camera angles and whimsy into his work, creating fashion and sports photography that was groundbreaking and unmatched. Munkacsis work unfortunately did not remain intact: scattered throughout the world, it was to an extent lost. Only the Ullstein Archive in Berlin maintains a fairly extensive collection of his lifes work from his days in Hungary and Germany. This second-edition of Martin Munkacsi combines pictures from all Munkacsis artistic phases w

From the camera lucida to the latest in digital image makingand computer manipulation, photographic technology has dramaticallychanged throughout its nearly 200-year history, as succinctlyexplained and powerfully illustrated in "A World History ofPhotography". Thanks to the unique immediacy with which photographycaptures perspective and history, the popularity and use of thecamera spread rapidly around the globe. Today, photography isubiquitous: from newspapers and fashion magazines to billboards andthe film industry, cultures worldwide have embraced this malleableartistic medium for a limitless variety of purposes. NaomiRosenblum's classic text investigates all aspects of photography -aesthetic, documentary, commercial, and technical - while placingphotos in their historical context. Included among the more than800 photographs by men and women are both little-known andcelebrated masterpieces, arranged in stimulating juxtapositionsthat illuminate their visual power. Authoritative and unbiased,Rosenblum's chr

From her virtually sub-tropical climate in the north to her almost sub-antarctic south New Zealand offers a fascinat-ing variety of landscapes:bubbling vol canos geysers and hot springs Alpine mountatin ranges giant lakes and fjords and bathing beaches that are like a scene from paradise. Vom annahernd subtropischen Norden bis zum fast subantarktischen Suden bietet Neuseeland eine faszinierende Landschaftsvielfalt:brodelnde Vulkane Geysire und heiBe Quellen Alpen rie sige Seen und Fjorde dazu traumhafte Badestrande. Du Nord du pays quasiment subtropi cal au Sud preque subantarctique la Nouvelle-Zelande offre un paysage a la diversite fascinante:volcans bouilon nants geysers et sources chaudes lacs et fjords gigantesques les Alpes sans oublier des plages de reve. Desde el norte aproximadamente sub tropical hasta el sur casi subantartico Nueva Zeland ofrece una fascinante variedad en su paisaje:gorgoteantes volcanes geiseres y fuentes de agua caliente Alpes gigantescos lagos fior dos y playas de ens

Previously unpublished colour photographs of London's East End showing a time before great change. When a local photographer was invited to examine 1,000s of David Granick's colour slides in early 2017, he knew he'd seen something special. These images capture the post-war streets of Stepney, Whitechapel, Spitalfields and beyond in the warm hues of Kodachrome film at a time when black and white photography was the norm. Acquired by Tower Hamlets Local History Library Archives in the early 1980s and preserved there safely since, these photographs show an East London on the cusp of social change.

克里斯 多利 - 布朗记录了1986年和1987年期间东伦敦交通堵塞中的40多名司机。这些在各种无聊、沮丧或放松状态下展示的面孔照片既有趣又幽默，他巧妙地捕捉了一个非常特别的情绪和场景。克里斯 多利 布朗是一位英国摄影师，在伦敦东区生活和工作了30年。在他作为摄影师的职业生涯中，他记录了哈克尼及其多元社区生活的许多方面。 Chris Dorley-Brown has documented more than 40 drivers stuck in traffic jams in East London during 1986 and 1987. The images, showing faces in various states of boredom, frustration or relaxation are as fascinating as they are humorous and subtly capture the mood and fashion of a very distinct era. Chris Dorley-Brown is a British photographer who has lived and worked in the East End for the last 30 years. During his career as a photographer he has documented many aspects of life in Hackney and its diverse community.

ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum of Adams ' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students. The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams ' life, document the evolution of his technique, and give voice to his artistic vision. Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams ' vision and lifetime of hard work that a book of this scale can be compiled.

Best known for his striking photographs of people on the fringes of South African society, Roger Ballen makes images that are ambiguous and often disturbing, but also shot through with flashes of dark humour. The photographs in Shadow Chamber blur the boundaries between documentary photography and art forms such as painting, theatre and sculpture, challenging the ways in which we perceive the 'reality' of photography. Ballen's images are completely honest, yet also fabricated. The mysterious, cell-like rooms that Ballen photographs are actual places, but they are unsettling and strange, logical but impossible: their walls are covered with scribbled drawings, stains and dangling wires, the floors are strewn with bizarre props and artefacts. Dogs, rabbits and kittens wander into the frame or are stuffed into unlikely containers. The humans and animals in Ballen's photographs appear isolated and lost, yet strangely empowered at the same time. The resulting images are allegories of lived experiences and surre

The Great LIFE Photographers is the most comprehensive anthology of LIFE photography ever published, featuring the best work of every staff photographer who worked for the famous magazine, and that of a handful of others who shot for LIFE. It was always the photographers who made LIFE great, and this is the most vivid and exciting portrait of those men and women that has ever been produced. The book offers more than 100 portfolios including those of Alfred Eisenstaedt, Margaret Bourke-White, Carl Mydans, Gordon Parks, W. Eugene Smith, Robert Capa, Ralph Morse, Nina Leen, Harry Benson, Philippe Halsman, and Joe McNally, whose work for LIFE in the aftermath of September 11 was in the finest tradition of the magazine. Each portfolio includes a short biography, offering an intimate look at the people behind the lens. Here are the defining moments of the 20th century, including MacArthur wading ashore by Mydans, Capa's D-Day landing at Omaha Beach and, of course, Eisenstaedt's sailor kissing th

During his prolific 60-year career, the godfather of Americanphotography captured iconic images for the Sierra Club and NationalPark Service, wrote best-selling books, campaigned for theenvironment, and even took President Jimmy Carter’s official WhiteHouse portrait. Even so, these make up only a portion of AnselAdams’s portfolio. These rare photographs in The Unseen AnselAdams come from the celebrated collection of the University ofCalifornia. During the 1960s, Adams spent time chronicling theuniversity’s campuses, including images of Berkeley’s majesticcampanile, Santa Cruz’s ferny forests, Santa Barbara’s pristinecoastline, and UCLA’s stern chancellor. Photography aficionadoswill certainly appreciate this fresh look at a master’slesser-known work. Spreads feature beautiful black-and-whitephotographs that are rich in detail and texture, showcasing Adams’sunmistakable style. Though best known for his photographs ofnature, Ansel Adams saw beauty in many forms, including manyman-made struc