Dronescapes 是与*的无人机摄影网站 Dronestegram 和著名摄影编辑Ayperi Karabuda Ecer合作创建的，它是*一本汇集了全球*无人机航拍照片的书。它给了我们从全新的有利位置俯瞰地球的激动人心的机会，无论是从里约热内卢鸟瞰救世主基督，还是从飞行中的老鹰几英寸处拍摄的照片，还是从墨西哥塔穆尔瀑布上空拍摄的令人眩晕的照片，讨论了无人机摄影的到来如何标志着航空摄影历史↑的一个重大转变。Created in collaboration with Dronestegram, the world-leading drone photography website, and Ayperi Karabuda Ecer, a highly renowned photography editor, Dronescapes is the first book to bring together the very best photographs taken by quadcopters around the globe. It grants us the thrilling opportunity to see our planet from entirely new vantage points, whether this is a bird's-eye view of Christ the Redeemer in Rio de Janeiro, a photograph taken inches away from an eagle in mid-flight, or
铁托南斯拉夫共chan主义极简主义狂野世界指南 Spomenik-- Serbo-Croat /斯洛文尼亚语中的纪念碑 - 指的是20世纪60年代至80年代在铁托的南斯拉夫共和国建造的纪念碑，标志着第二次世界大战期间占领的恐怖和轴心国的失败。全国各地都有数百座建筑，从沿海度假胜地到偏远山区。通过这些富有想象力的混凝土和钢铁形式，设想了一个没有种族紧张局势的无阶级，前瞻性的社会主义社会。而不是寻求意识形态一致的苏联的艺术灵感，铁托转向西方和抽象表现主义和极简主义的作品。这使得南斯拉夫能够通过纪念碑发展自己独特的身份，将它们变成政治工具，阐明铁托对新明天的个人愿景。 今天，在该国解体和随后的1990年代南斯拉夫战争之后，一些人被摧毁或被遗弃。许多人遭受了种族紧张局势的后果：一旦被视为希望的象征，他们现在成为怨恨和愤怒的焦点。 本
ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum of Adams ' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students. The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams ' life, document the evolution of his technique, and give voice to his artistic vision. Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams ' vision and lifetime of hard work that a book of this scale can be compiled.
Revised and thoroughly updated, this practical guide tophotographing people is better than ever! What is the color of skin? You may think you know, until youenter the world of digital photography and try to reproduce whatyou see. Differences in software, lighting, computercalibration—everything has an impact on color. And that’s allbefore you get into differences between people in terms of skintypes, ethnicities, age, gender, and more! Hollywood-basedphoto-illustrator Lee Varis guides you step-by-step through themaze. This new edition covers the very newest trends and techniques inphotographing, lighting, and editing skin—and offers plenty oftips, examples, and valuable advice from the author’s ownprofessional experience in the field. Shows you how to digitally capture all skin types: male,female, young, old, different skin tones and ethnicities, withmakeup or without, wrinkled, tattooed, and more Covers a wealth of topics in addition to photo editing, such ashow to obtain model releases a
During his prolific 60-year career, the godfather of Americanphotography captured iconic images for the Sierra Club and NationalPark Service, wrote best-selling books, campaigned for theenvironment, and even took President Jimmy Carter’s official WhiteHouse portrait. Even so, these make up only a portion of AnselAdams’s portfolio. These rare photographs in The Unseen AnselAdams come from the celebrated collection of the University ofCalifornia. During the 1960s, Adams spent time chronicling theuniversity’s campuses, including images of Berkeley’s majesticcampanile, Santa Cruz’s ferny forests, Santa Barbara’s pristinecoastline, and UCLA’s stern chancellor. Photography aficionadoswill certainly appreciate this fresh look at a master’slesser-known work. Spreads feature beautiful black-and-whitephotographs that are rich in detail and texture, showcasing Adams’sunmistakable style. Though best known for his photographs ofnature, Ansel Adams saw beauty in many forms, including manyman-made struc
It's simple question,but there's no simple answer-indeed,each of the 280 photographs in this wonderful book offers its own,unique answer,distilling subject,setting,and cerative skill into a single arresting moment that cap-tures the viewer's imagination.And though we may find this elusive quality hard to define,we recognze is imme-diately and instinctively. William Albert Allard,one of the essayists in the book,writes,A fine portrait has the potential to tell something about the spirit of the subject that can be sensed by someone half a world and a different language away.something universal and simple:This is another person in our world and I'd like you to meet him or her. Culled from National Geographic's extraordinary archive,this collection spans more than a century and explores every cornetr of the globe and every aspect of the portraitist's art.The pictures here represent both the special visions of some of the world's finest photographers and the universal appeal of our shared humanity in all i
