《StudyOnTheChinaModel:AnalysisofEconomicDevelopmentPathofChina》讲述了：ThisbookinfrontofyouisonethatItriedtoanalyzetheeconom-icdevelopmentpathinChinaafteritsopening-up.IhavebeenengagedinthePartyconstructionworkanditstheo-reticalstudyforalongtime.ButwhydoIstudyeconomy？WhydidIwritethisbook？

In 1960 the government of Trinidad invited V. S. Naipaul torevisit his native country and record his impressions. In thisclassic of modern travel writing he has created a deft andremarkably prescient portrait of Trinidad and four adjacentCaribbean societies–countries haunted by the legacies of slaveryand colonialism and so thoroughly defined by the norms of Empirethat they can scarcely believe that the Empire is ending. In The Middle Passage , Naipaul watches a Trinidadian movieaudience greeting Humphrey Bogart’s appearance with cries of “Thatis man!” He ventures into a Trinidad slum so insalubrious that thelocals call it the Gaza Strip. He follows a racially chargedelection campaign in British Guiana (now Guyana) and marvels at theGallic pretension of Martinique society, which maintains thefiction that its roads are extensions of France’s routesnationales. And throughout he relates the ghastly episodes ofthe region’s colonial past and shows how they continue to informits language, politics, a