(Book Jacket Status: Jacketed) Naguib Mahfouz's magnificentepic trilogy of colonial Egypt appears here in one volume for thefirst time. The Nobel Prize--winning writer's masterwork is theengrossing story of a Muslim family in Cairo during Britain'soccupation of Egypt in the early decades of the twentieth century.The novels of "The Cairo Trilogy" trace three generations of thefamily of tyrannical patriarch Al-Sayyid Ahmad Abd al-Jawad, whorules his household with a strict hand while living a secret lifeof self-indulgence. "Palace Walk" introduces us to his gentle,oppressed wife, Amina, his cloistered daughters, Aisha and Khadija,and his three sons-the tragic and idealistic Fahmy, the dissolutehedonist Yasin, and the soul-searching intellectual Kamal.Al-Sayyid Ahmad's rebellious children struggle to move beyond hisdomination in "Palace of Desire," as the world around them opens tothe currents of modernity and political and domestic turmoilbrought by the 1920s. "Sugar Street" brings Mahfouz's vividtapestr

In 1757 Alaung-hpaya stormed Pegu, uniting Burma under his rule. In the same year Frederick the Great of Prussia, fighting in what came to be known as the Seven Years War, defeated his French and Austrian opponents at Rossbach and Leuthen respectively. Both were important campaigns in the history of eighteenth-century warfare. Both are covered in this important and wide-ranging narrative by a leading authority in early modern warfare, which presents a full and fascinating picture of war both in Europe and elsewhere in the world at this time. In eighteenth-century Europe warfare was widespread. Armies fought with flintlocks and bayonets, and in conflicts such as the Wars of European Succession and the Seven Years War success generally lay in speed and decisiveness. The tactical innovations of European leaders such as Marlborough and Frederick the Great made them figures who are still renowned today. Yet the most successful military power in the world at the time was not European but Chinese,

Discover the secrets of written persuasion! "The principles of hypnosis, when applied to copywriting, add a new spin to selling. Joe Vitale has taken hypnotic words to set the perfect sales environment and then shows us how to use those words to motivate a prospect to take the action you want. This is truly a new and effective approach to copywriting, which I strongly recommend you learn. It's pure genius." -Joseph Sugarman, author of Triggers. "I've read countless book on persuasion, but none come close to this one in showing you exactly how to put your readers into a buying trance that makes whatever you are offering them irresistible." -David Garfinkel, author of Advertising Headlines That Make You Rich "I am a huge fan of Vitale and his books, and Hypnotic Writing (first published more than twenty years ago), is my absolute favorite. Updated with additional text and fresh examples, especially from e-mail writing, Joe's specialty, Hypnotic Writing is the most important book on copywriting (yes

Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published. Firmly grounded by the hallmark strengths of all Norton Anthologies—thorough and helpful introductory matter, judicious annotation, complete texts wherever possible—The Norton Anthology of English Literature has been revitalized in this Eighth Edition through the collaboration between six new editors and six seasoned ones. Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

De tous les carrefours importants, le visage à la moustachenoire vous fixait du regard. Il y en avait un sur le mur d'en face.Big Brother vous regarde, répétait la légende, tandis que le regarddes yeux noirs pénétrait les yeux de Winston... Au loin, unhélicoptère glissa entre les toits, plana un moment, telle unemouche bleue, puis repartit comme une flèche, dans un vol courbe.C'était une patrouille qui venait mettre le nez aux fenêtres desgens. Mais les patrouilles n'avaient pas d'importance. Seulecomptait la Police de la Pensée.

A Thousand Splendid Suns is a breathtaking story set against the volatile events of Afghanistan's last thirty years-from the Soviet invasion to the reign of the Taliban to post-Taliban rebuilding--that puts the violence, fear, hope, and faith of this country in intimate, human terms. It is a tale of two generations of characters brought jarringly together by the tragic sweep of war, where personal lives--the struggle to survive, raise a family, find happiness--are inextricable from the history playing out around them. Propelled by the same storytelling instinct that made TheKiteRunner a beloved classic, A Thousand Splendid Suns is at once a remarkable chronicle of three decades of Afghan history and a deeply moving account of family and friendship. It is a striking, heart-wrenching novel of an unforgiving time, an unlikely friendship, and an indestructible love--a stunning accomplishment.

Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published. Firmly grounded by the hallmark strengths of all Norton Anthologies—thorough and helpful introductory matter, judicious annotation, complete texts wherever possible— The Norton Anthology of English Literature has been revitalized in this Eighth Edition through the collaboration between six new editors and six seasoned ones. Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published. Firmly grounded by the hallmark strengths of all Norton Anthologies—thorough and helpful introductory matter, judicious annotation, complete texts wherever possible—The Norton Anthology of English Literature has been revitalized in this Eighth Edition through the collaboration between six new editors and six seasoned ones. Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

Defining the Wind is a wonderfully written account of one man’s crusade to learn about what the wind is made of by tracing the history of the Beaufort Scale and its eccentric creator, Sir Francis Beaufort. It’s as much about the language we use to describe our world as it is an exhortation to observe it more closely.

Part parody and part cautionary tale, Don Quijote is a literary masterpiece. This Norton Critical Edition of Don Quijote is based on Burton Raffel's masterful translation. The Raffel translation comes as close as possible to recreating Cervantes's inimitable prose style-the translation is consistent, fluid, and modeled closely on the original Spanish. Diana de Armas Wilson provides a thought-provoking introduction and explanatory textual annotations. Carefully selected contextual materials bring readers into the creative process that culminated in Don Quijote. Jncluded are other writings by Cervantes published during the period from 1585 to 1616 as well as contemporary works by Ariosto, Avellaneda, Sannazaro, and Montalvo. Patricia Finch and John J. Allen provide a modern account of the novel's influence throughout the ages. Fifteen critical pieces present major interpretations of both the novel and selected episodes. Included are contributions by Jorge Luis Borges, Carlos Fuentes, Michel Foucault, Ja

Originally published in 1895, this outstanding collection of Irish verse was part of Yeats' campaign to establish a tradition of Irish poetry fit for the dawn of a new age in Ireland's history.

A vibrant, new complete Shakespeare that brings readers closerthan ever before possible top Shakespeare's plays as they werefirst acted. The Norton Shakespeare, Based on the Oxford Editioninvites readers to rediscover Shakespeare-the working man of thetheater, not the universal bard-and to rediscover his plays as*s to be performed, not works to be immortalized. Combiningthe freshly edited texts of the Oxford Edition with livelyintroductions by Stephen Greenblatt and his co-editors, glossariesand annotations, and an elegant single-column page (that of theNorton Anthologies), this complete Shakespeare invites contemporaryreaders to see and read Shakespeare afresh. Greenblatt's fullintroduction creates a window into Shakespeare world-the culture,demographics, commerce, politics, and religion of early-modernEngland-Shakespeare's family background and professional life, theElizabethan industries of theater and printing, and the subsequentcenturies of Shakespeare textual editing.

The annotated text of this modern classic. It assiduouslyilluminates the extravagant wordplay and the frequent literaryallusions, parodies, and cross-references. Edited with a preface,introduction and notes by Alfred Appel, Jr.

This Norton Critical Edition, edited by the pioneer of Great Expectations scholarship, presents the most thorough textual edition of the novel (1861) available. The newly established text is based on all extant materials and is accompanied by several textual essays. "Backgrounds" provides readers with an understanding of Great Expectations" inception and internal chronology. A discussion of the public-reading version of the novel is also included. A wonderfully rich "Contexts" section collects thirteen pieces, centering on the novel’s major themes: the link between author and hero and, relatedly, Victorian notions of gentility, snobbishness, and social mobility; the often brutal training, at home and at school, of children born around 1800; and the central issues of crime and punishment. "Criticism" gathers twenty-two assessments of Great Expectations, both contemporary and modern, which offer a range of perspectives on Dickens and his novel.

FROM THE WORLD FAMOUS ROYAL SHAKESPEARE COMPANY, THE FIRSTAUTHORITATIVE, MODERNIZED, AND CORRECTED EDITION OF SHAKESPEARE’SFIRST FOLIO IN THREE CENTURIES. Skillfully assembled by Shakespeare’s fellow actors in 1623,the First Folio was the original Complete Works. It is arguably themost important literary work in the English language. But startingwith Nicholas Rowe in 1709 and continuing to the present day,Shakespeare editors have mixed Folio and Quarto texts, graduallycorrupting the original Complete Works with errors and conflatedtextual variations. Now Jonathan Bate and Eric Rasmussen, two of today’s mostaccomplished Shakespearean scholars, have edited the First Folio asa complete book, resulting in a definitive Complete Works for thetwenty-first century. Combining innovative scholarship with brilliant commentary andtextual analysis that emphasizes performance history and values,this landmark edition will be indispensable to students, theaterprofessionals, and general readers alik

This volume presents the major works of five poets George Herbert, Richard Crashaw, Andrew Marvell, Henri, Vaughan, and Thomas Traherne. While most of the selections are religious poetD', the important secular verse of Man,ell and Crashaw is also included. Eighty poems by Herbert have been selected from The Temple, and two early poems from lsaak Walton's Lives are also included. Crashaw is represented by sixteen poems from Steps to The Temple, Delights of the Muses, and Carmen Deo Nostro: Man,ell by eighteen selections from Miscellaneous Poems; Vaughan by forty-five poems from Silex Scintillans, Parts 1 and II; and Traherne by Twelve poems from the Dobell Folio, The Third Century, and the Burney Manu*. All of the texts have been freshly edited, and spelling has been modernized. "Textual Notes" specifies the procedures followed and gives the reasons for certain new readings. The poems are copiously annotated in order to clarify unfamiliar allusions and images. The Annotated Bibliography covers historica

This Norton Critical Edition seeks to return Keats—one of the most beloved poets of the English language—to his cultural moment by tracking his emergence as a public poet. For this reason, this volume presents the writings in the order of publication rather than composition. Readers can trace the poems through letters, reviews, and related material chronologically interleaved with the texts themselves. This edition offers extensive apparatus to help readers fully appreciate Keats’s poetry and legacy, including an introduction, headnotes, explanatory annotations, and a wealth of contextual documents. “Criticism” includes twelve important commentaries on Keats and his poetry, by Paul de Man, Marjorie Levinson, Grant F. Scott, Margaret Homans, Nicholas Roe, Stuart Sperry, Neil Fraistat, Jack Stillinger, James Chandler, Alan Bewell, and Jeffrey N. Cox.

"What’s the matter? A mine? Some kid step on a mine? A blessure?" "No. Not a mine." We walk in and there’s a mother standing by her child. It’s a little girl. She’s a very beautiful girl with straight black hair, maybe six or eight, big eyes, a bit younger than Smiles and just as lovely. But she’s lying too still under a white sheet on the bamboo bed and her mother is talking in a monotone, staring off to the corner asking for help from Buddha. The little girl is staring at me, tracking every move I make. She’s so weak, all she can do is move her eyes. Sok Samuth approaches the bed and takes down the sheets. It’s very sad what we see. The girl is inhumanly thin and her skin is peeling off. He pulls the sheet up over the girl’s body again and the mother keeps up her monotone plea for Buddha while the little girl follows me, eye to eye. She wants me to make her feel better. I’m thinking, no, not this one. The whole thing was about this one. It was always about this one.

Though generally overlooked during her lifetime, EmilyDickinson's poetry has achieved acclaim due to her experiments inprosody, her tragic vision and the range of her emotional andintellectual explorations.

Late one night, exploring her Father's libra,, a young woman finds an ancient book and a cache of yellowing letters addressed ominouslV to MV dear and unfortunate successor'. Her discoverrT plunges her into a world she never dreamed of a labyrinth Where the secrets of her father's past and her mother's mysterious fate connect to an evil hidden in the depths of history.

Every night for three years the vengeful King Shahriyar sleepswith a different virgin, executing her the next morning. To endthis brutal pattern and to save her own life, the vizier'sdaughter, Shahrazad, begins to tell the king stories of adventure,love, riches and wonder - tales of mystical lands peopled withprinces and hunchbacks, the Angel of Death and magical spirits,tales of the voyages of Sindbad, of Ali Baba outwitting a band offorty thieves and of jinnis trapped in rings and in lamps. Thesequence of stories will last 1,001 nights.