In celebration of Hollywood's legendary actresses from the 1930sto the present, Assouline, together with Elle magazine, presentsThe Allure of Beauty: Women in Hollywood. From Marilyn Monroe andMarlene Dietrich to Anita Ekberg and Julia Roberts, each page ofthis vibrant anthology radiates with provocative images ofunforgettable faces and moments that have forever changed the placeof women in Hollywood - as well as in our culture. Elle magazinefilm critic Karen Durbin delves into the history of Hollywood,highlighting females who have proven their femininity, strength,and talent. The glitzy narrative accompanies a carefullyresearched, sexy selection of photography that captures theindividuality of each women. AUTHOR: Karen Durbin is the filmcritic for Elle magazine and contributor to The New York TimesSunday Arts Leisure section, for which she created and writesa regular feature on breakthrough performances in forthcomingmovies. She was the film critic of Mirabella magazine and editor inchief of The Village V

The secret to taking great “people pictures” is to observe your subjects, connect with them, and use your camera to its best advantage. Here’s how to work with lighting, location, angle, composition, physical characteristics, environment, and countless other variables, including the unique challenges of photographing babies, group activities, and action. Learn to capture facial expressions, tell a story with a series of candids, add interest to large-group shots, and more. Apply these techniques and watch your subjects come to life.

The Great LIFE Photographers is the most comprehensive anthology of LIFE photography ever published, featuring the best work of every staff photographer who worked for the famous magazine, and that of a handful of others who shot for LIFE. It was always the photographers who made LIFE great, and this is the most vivid and exciting portrait of those men and women that has ever been produced. The book offers more than 100 portfolios including those of Alfred Eisenstaedt, Margaret Bourke-White, Carl Mydans, Gordon Parks, W. Eugene Smith, Robert Capa, Ralph Morse, Nina Leen, Harry Benson, Philippe Halsman, and Joe McNally, whose work for LIFE in the aftermath of September 11 was in the finest tradition of the magazine. Each portfolio includes a short biography, offering an intimate look at the people behind the lens. Here are the defining moments of the 20th century, including MacArthur wading ashore by Mydans, Capa's D-Day landing at Omaha Beach and, of course, Eisenstaedt's sailor kissing th

A handsome photographic tribute to The Ramble, the untamed?wild garden? of Central Park in New York City. For many NewYorkers, Central Park is Manhattan?s crown jewel and what makes thecity livable year round. For tourists, this urban oasis is amust-see destination on any sightseeing visit. For acclaimedphotographer Robert McCabe, Central Park is defined by its Ramble?adensely forested 38 acres replete with stunning lake vistas,enormous granite boulders, a canopy of trees, winding paths andstreams, and ornate and rustic bridges. McCabe?s photographs in TheRamble in Central Park have captured this wooded labyrinth in itsoff-the-beaten-path glory in its most photogenic seasons. TheRamble in Central Park is primarily organized by four regions,supplemented by one large map by Christopher Kaeser of the entirearea and four close-ups of each area. The text is a series ofessays by writers including The New Yorker?s E. B. White and C.Stevens. Topics cover the history of the park?s creation byFrederick Law Olmst

In 1950, Robert Frank left his job as a photographer in NewYork to travel through Europe with his family. That summer hearrived in Valencia, Spain, which was at the time a humble, bleakplace enduring the austere conditions of the postwar period likethe rest of the country. The pictures Frank took of Valencia depictthe daily life of a fishing village. His portrayal is so naturaland clear that further verbal explanation seems superfluous; theysimply reflect, in the photo graphers words, the humanity of themoment. The photographs in this book, many of which have never beenpublished before, allow dignity to override poverty. Robert Frank,a key figure in photographic history, was born in Zurich in 1924and immigrated to the United States in 1947. He is best known forhis seminal book The Americans, first published in 1959, which gaverise to a distinct new form in the photobook, and his experimentalfilm Pull My Daisy (1959). Franks other projects include the booksBlack White and Things (1954) and The Lines of

When Diane Arbus died in 1971 at the age of forty-eight, shewas already a significant influence—even something of alegend—among serious photographers, although only a relativelysmall number of her most important pictures were widely known atthe time. The publication of Diane Arbus: An Aperture Monograph in1972—along with the posthumous retrospective at The Museum ofModern Art—offered the general public its first encounter with thebreadth and power of her achievements. The response wasunprecedented. The monograph of eighty photographs was edited anddesigned by the painter Marvin Israel, Diane Arbus’s friend andcolleague, and by her daughter Doon Arbus. Their goal in making thebook was to remain as faithful as possible to the standards bywhich Diane Arbus judged her own work and to the ways in which shehoped it would be seen. Universally acknowledged as a classic,Diane Arbus: An Aperture Monograph is a timeless masterpiece witheditions in five languages and remains the foundation of herinternat

This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took him to the Ukraine and Romania. The photos evidence brief stops at the side of the road and present subjects that fall into two distinct categories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or small and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were road casualties. The similarity between each composition the landscape format, the colourful centred arrangement, the consistent distance between photographer and subject belies a deeper message: the produce suggests sustenance, growth and while the memorials are signs of tragedy and grief. Karpaten / Carpathians is thus not only a collection of travel photos, but a reflection of the human need to shape events, and a succinct story of life and death both realities along the metaphorical road on which we all travel. Born in 1938 in Appenzell, Switzerl

Martin Munkacsi was never at a loss for self-confidence and was proud to be the best-paid photographer of his time. One of the most significant photographers of the twentieth century, Munkacsi shaped the beginnings of modern photojournalism and set into motion the previously static medium of photography. Munkacsi combined journalistic accuracy with a highly formal aesthetic standard, and was an outstanding representative of the Neues Sehen, arguably photographys weightiest contribution to advanced art. He defied convention by incorporating motion, dramatic camera angles and whimsy into his work, creating fashion and sports photography that was groundbreaking and unmatched. Munkacsis work unfortunately did not remain intact: scattered throughout the world, it was to an extent lost. Only the Ullstein Archive in Berlin maintains a fairly extensive collection of his lifes work from his days in Hungary and Germany. This second-edition of Martin Munkacsi combines pictures from all Munkacsis artistic phases w

During his prolific 60-year career, the godfather of Americanphotography captured iconic images for the Sierra Club and NationalPark Service, wrote best-selling books, campaigned for theenvironment, and even took President Jimmy Carter’s official WhiteHouse portrait. Even so, these make up only a portion of AnselAdams’s portfolio. These rare photographs in The Unseen AnselAdams come from the celebrated collection of the University ofCalifornia. During the 1960s, Adams spent time chronicling theuniversity’s campuses, including images of Berkeley’s majesticcampanile, Santa Cruz’s ferny forests, Santa Barbara’s pristinecoastline, and UCLA’s stern chancellor. Photography aficionadoswill certainly appreciate this fresh look at a master’slesser-known work. Spreads feature beautiful black-and-whitephotographs that are rich in detail and texture, showcasing Adams’sunmistakable style. Though best known for his photographs ofnature, Ansel Adams saw beauty in many forms, including manyman-made struc

Life in motion: The forerunner of the moving image English photographer Eadweard Muybridge (1830?1904) is a pioneer in visual studies of human and animal locomotion . In 1872, he famously helped settle a bet for former California governor Leland Stanford by photographing a galloping horse. Muybridge invented a complex system of electric shutter releases that captured freeze frames?proving conclusively, for the first time, that a galloping horse lifts all four hooves off the ground for a fraction of a second. For the next three decades, Muybridge continued his quest to fully catalog many aspects of human and animal movement, shooting hundreds of horses and other animals, ?as well as nude or draped subjects engaged in various activities such as running, walking, boxing, fencing, and descending a staircase (the latter study inspired Marcel Duchamp ?s famous 1912 painting). This book traces the life and work of Muybridge, from his early thinking about anatomy and movement to his latest photogr

The photographic act is an event that occurs in real timewith irrevocable consequences.The end result can be modified thoughpost-production,but it is necessarily dependent upon,and influencedby,the image that was recorded in the camera.