法国印象派绘画虽然在有些人看来分别存有或片面追求光学的客观主义，或把科学原理与艺术创作有机结合，以及自我表现的个体主义倾向等，但在西方传统绘画的历史性超越、对西方现代主义艺术的精神启迪等方面，提出了许多关键性的问题并进行了有益的探索性实验。因此可以说，法国印象派绘画扭转了西方美术的发展方向，开启了美术的新纪元。
修订一部深受读者欢迎的音乐通史，目的不是推倒重写，而是提高它的时代性。看惯前几版的读者，会觉得此书不论外貌或者内容改动甚大，但章次和范围基本未变。收名中加上“西方”一词，说明我们意识到西欧和南北美洲的音乐体系不过是世界文明的诸音乐体系之一。本书范围的又一局限在于只谈“艺术音乐”；而必须承认，“艺术音乐”这一概念本身便十分含糊。通俗音乐、爵士乐以及诸如此类的品种确已有相当高深的技巧，但不能期望本书同等对待西方音乐的这一广大支系（如今已成为独立的研究课题），常规的音乐史教程也未必能等同视之，而本书不过是一本常规音乐史的手册。
修订一部深受读者欢迎的音乐通史，目的不是推倒重写，而是提高它的时代性。看惯前几版的读者，会觉得此书不论外貌或者内容改动甚大，但章次和范围基本未变。收名中加上“西方”一词，说明我们意识到西欧和南北美洲的音乐体系不过是世界文明的诸音乐体系之一。本书范围的又一局限在于只谈“艺术音乐”；而必须承认，“艺术音乐”这一概念本身便十分含糊。通俗音乐、爵士乐以及诸如此类的品种确已有相当高深的技巧，但不能期望本书同等对待西方音乐的这一广大支系（如今已成为独立的研究课题），常规的音乐史教程也未必能等同视之，而本书不过是一本常规音乐史的手册。
Off Beat presents photographs taken in New York City in 2008and 2009, when A-chan began working with black and white film. Theimages were made in the same wandering spirit as those in VibrantHome, also to be published this season by Steidl. A-chan exploredthe streets of New York, allowing her compositions to revealthemselves rather than searching for pre-determined motifs. Pigeonsperched on a branch, the lyrical geometry of serviettes on a table,or the play of shapes created by a bus silhouetted against traffic:such is the material of A-chan's restless, charming vision.
Andreas Gurskys new Bangkok series forms the basis of this book. Gurskys photos depict the dark, moving water of Thailands Chao Phraya river, whose shimmering surface possesses the qualities of abstract painting. Indeed these photos are reminiscent of some of the most recognisable examples of Modernist Abstraction such as the work of Hans Arp, but they also echo the more hostile patterns of military camouflage. Seductively beautiful on the first glance, it is only in time that the rubbish of civilisation becomes recognisable floating on the surface of the river the flotsam of a threatening reality moving upon colourful reflections. Gursky alludes to the ecological problems that jeopardise Bangkok, and which shortly after these images were made, culminated in the widespread flooding that devastated great parts of Thailand. Andreas Gursky, born in 1955 in Leipzig, is one of the most important contemporary photographers. He studied at the Folkwangschule in Essen, and at the Kunstakademie Du?sseldorf under
Bollywood movies are glorious, colorful spectacles of romance,action, drama, song, and dance. The biggest film industry in theworld, Bollywood puts out some nine hundred movies a year, whichare watched by passionate fans around the globe. Stephen Alter--awriter who grew up in India and has inside access toBollywood--acts as translator and tour guide in this firsthand lookinto the world of Bombay films. Following the making of a Bollywoodversion of Othello, he explores the enormous popularity of Hindimovies and reveals the actors, directors, musicians, and feats ofartifice that make them so compelling and unique. From the blessingceremony performed each time a movie starts shooting to the secretsbehind the song- and-dance extravaganzas, Fantasies of a BollywoodLove-Thief is a beguiling introduction to the rituals and cultureof a moviemaking industry so similar to and yet utterly differentfrom our own.
Design is the single most important factor in creating asuccessful photograph. The ability to see the potential for astrong picture and then organize the graphic elements into aneffective, compelling composition has always been one of the keyskills in making photographs. Of course, digital photography hasbrought a new, exciting aspect to design first because the instantfeedback from a digital camera allows immediate appraisal andimprovement; and second because image-editing tools make itpossible to alter and enhance the design after the shutter has beenpressed. This has had a profound effect on the way digitalphotographers take pictures. The Photographers Eye shows how anyonecan develop an eye for seeing great digital photos. The bookexplores all the traditional approaches to composition and design,but crucially, it also addresses the new digital technique ofshooting in the knowledge that a picture will later be edited,manipulated, or montaged to result in a final image that may bevery different from the one
修订一部深受读者欢迎的音乐通史，目的不是推倒重写，而是提高它的时代性。看惯前几版的读者，会觉得此书不论外貌或者内容改动甚大，但章次和范围基本未变。收名中加上“西方”一词，说明我们意识到西欧和南北美洲的音乐体系不过是世界文明的诸音乐体系之一。本书范围的又一局限在于只谈“艺术音乐”；而必须承认，“艺术音乐”这一概念本身便十分含糊。通俗音乐、爵士乐以及诸如此类的品种确已有相当高深的技巧，但不能期望本书同等对待西方音乐的这一广大支系（如今已成为独立的研究课题），常规的音乐史教程也未必能等同视之，而本书不过是一本常规音乐史的手册。
The work of German photographer Louisa Marie Summer is driven by her interest in discovering the inner workings of other peoples lives. She is eager to look at what is beyond the surface and questions with her camera what she sees. Louisas photographs share her experience with Jennifer, a young second-generation Puerto Rican woman, whom one day Louisa approached in South Providence. Jennifer lives with her native American partner and their four children in a run-down three-bedroom apartment at or near the lower end of the socio-economic ladder. South Providence is an urban neighborhood with a large African-American and Hispanic population, high unemployment and crime rates, and where many families live well below the poverty line. Over time Louisa and the family developed a close relationship based on mutual understanding, respect, and trust. Accordingly, Louisas photographs, captured over a year, provide an intimate view into the daily life of Jennifers family. They illustrate how a 26 year old mother
Birds have been a source of fascination and mystery for humans throughout the world, and throughout time.The Encyclopedia of Birds reveals in striking detail the rich variety of bird life,from the exotic to the common that we can see everyday in our locality; birds whose songs and silhouettes in flight we often take for granted. But you will also find, photographed close-up with stunning clarity, occasional visitors to these shores, together with images of birds from all over the world.Splendidly illustrated, featuring more than 400 species in a highly informative text,The Encyclopedia of Birds offers a window on the world of the extraordinary diversity of birds on our planet.
The classic Photofile series brings together the best work ofthe world's greatest photographers in an attractive format and at areasonable price. Handsome and collectible, the books each containsome sixty reproductions, plus a critical introduction and abibliography. With his focus on the "disagreeable beauty" of the anomalous andthe transgressive, Joel-Peter Witkin's images are edgy anddisturbing. Influenced by artists from Giotto to the Surrealists,by daguerreotypes and the work of Bellocq, his portraits andcomplex tableaux incorporating corpses, hermaphrodites, masks, andmutilation provoke and challenge the viewer. 64 illustrations incolor and duotone.
This is the long-awaited compendium of LewisBaltz's writings from 1975 until 2007, drawn from his criticalwriting for magazines such as Art in America, the Times LiterarySupplement, L'Architecture d'Aujourd'hui, and Purple. The bookincludes Baltz's texts on Edward Weston, Walker Evans, RobertAdams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff,Barry Le Va, Jeff Wall, Félix González-Torres, John McLaughlin,Slavica Perkovic and Krzysztof Wodiczko, among others. Thisimportant publication gives Baltz's literary output the standing itdeserves and offers a unique insight into some of history's leadingphotographers.
Hechenblaikners intimate knowledge of the subject, the greatperseverance and patience he brings to bear when pursuing how eventculture and mass tourism have mutilated the former mountain farmerscountry, make him the most expressive documentarian of todaysAlpine reality. Tobia Bezzola Have fun reads a sign on a ski run, aphotograph of which opens Winter Wonderland. And fun we haveexploring these images of Hechenblaikners native Tyrol includingmasses of fans at a ski event, fireworks illuminating slopes atnight, ski lifts in the off-season navigating rocky outcrops, andrubbish in the snow after a day of revelry. This book is adocumentation of this landscape and an ironic look at theperversion of Alpine culture that shapes it in the interest ofcommerce.
American Dreaming presents a vision of America from 1990 to1995. Spagnoli took these photographs with a small Leica camera inthe classic manner of street photography and then selected smalldetails from the negatives. The resulting images of gestures,signs, faces and objects are freed from their original contexts andreconfigured. Spagnolis subject is the build-up to the First GulfWar, but we see these social and political events at best obliquelyas Spagnolis version of history is primarily subjective andfragmentary. American Dreaming is the second of Spagnolis books ina trilogy about the personal experience of history, the first beingDaguerreotypes (2006).
Over a period of fifteen years Joel Sternfeld travelled across America and took portrait photographs that form in Douglas R. Nickels words an intelligent, unscientific, interpretive sampling of what Americans looked like at the centurys end. Unlike historical portraits which represent significant people in staged surroundings, Sternfelds subjects are uncannily normal: a banker having an evening meal, a teenager collecting shopping carts in a parking lot, a homeless man holding his bedding. Using August Sanders classic photograph of three peasants on their way to a dance as a starting point, Sternfeld employed a conceptual strategy that amounts to a new theory of the portrait, which might be termed The Circumstantial Portrait. What happens when we encounter the other in the mist of a circumstance? What presumptions, if any, are valid? What, if anything, can be known of the other from a photographic portrait? A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He ha
