ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum ofAdams' work in a single volume for the first time, offering thelargest available compilation from his legendary photographiccareer. Beautifully produced and presented in an attractivelandscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to ageneral gift-book audience as well as Adams' legions of dedicatedfans and students. The photographs are arranged chronologically into five majorperiods, from his first photographs made in Yosemite and the HighSierra in 1916 to his work in the National Parks in the 1940s up tohis last important photographs from the 1960s. An introduction andbrief essays on selected images provide information aboutAdams'life, document the evolution of his technique, and give voice tohis artistic vision. Few artists of any era can claim to have produced four hundredimages of lasting beauty and significance. It is a testament toAdams' vision and lifetime of hard work that a book of this scalecan be compiled. ANSEL

Revised and thoroughly updated, this practical guide tophotographing people is better than ever! What is the color of skin? You may think you know, until youenter the world of digital photography and try to reproduce whatyou see. Differences in software, lighting, computercalibration—everything has an impact on color. And that’s allbefore you get into differences between people in terms of skintypes, ethnicities, age, gender, and more! Hollywood-basedphoto-illustrator Lee Varis guides you step-by-step through themaze. This new edition covers the very newest trends and techniques inphotographing, lighting, and editing skin—and offers plenty oftips, examples, and valuable advice from the author’s ownprofessional experience in the field. Shows you how to digitally capture all skin types: male,female, young, old, different skin tones and ethnicities, withmakeup or without, wrinkled, tattooed, and more Covers a wealth of topics in addition to photo editing, such ashow to obtain model releases a

Revised and updated, the new edition of the best-selling classic: over 500,000 copies of previous editions in print worldwide Every new generation of digital cameras offers more photographic possibilities, and the options can be baffling. This completely updated edition of Michael Freemans best-selling Complete Guide to Digital Photography introduces all the knowledge youll need to cut to the chase and create perfect photographs every time. You'll gain a thorough understanding of how today's cameras work, an introduction to digital editing techniques that make the most of the technology's capabilities, and a grounding in photography's all the expertise that Michael Freeman has gained in his successful career as a professional assignment photographer. With over 600 examples, a no-nonsense, jargon-busting glossary of terms and a full index for easy reference, it is an indispensable onestop source of photographic information and expertise.

San Francisco has long been one of America's most attractive cities, "a gleaming jewel of the West Coast surrounded on three sides by water." Its hilly streets provide gorgeous glimpses of San Francisco Bay and The Golden Gate Bridge and its neighborhoods reveals a mosaic of a city whose residents are an anthology of the world. Whether he's photographing the street life of bustling Chinatown or gays of the Castro, the gentrifying Mission or faux-Bohemian North Beach, aerial views or interior settings, this third generation San Franciscan renowned for his photographic essays captures it all in this superb collection of photographs of the city he loves.

Birds have been a source of fascination and mystery for humans throughout the world, and throughout time.The Encyclopedia of Birds reveals in striking detail the rich variety of bird life,from the exotic to the common that we can see everyday in our locality; birds whose songs and silhouettes in flight we often take for granted. But you will also find, photographed close-up with stunning clarity, occasional visitors to these shores, together with images of birds from all over the world.Splendidly illustrated, featuring more than 400 species in a highly informative text,The Encyclopedia of Birds offers a window on the world of the extraordinary diversity of birds on our planet.

The Great LIFE Photographers is the most comprehensive anthology of LIFE photography ever published, featuring the best work of every staff photographer who worked for the famous magazine, and that of a handful of others who shot for LIFE. It was always the photographers who made LIFE great, and this is the most vivid and exciting portrait of those men and women that has ever been produced. The book offers more than 100 portfolios including those of Alfred Eisenstaedt, Margaret Bourke-White, Carl Mydans, Gordon Parks, W. Eugene Smith, Robert Capa, Ralph Morse, Nina Leen, Harry Benson, Philippe Halsman, and Joe McNally, whose work for LIFE in the aftermath of September 11 was in the finest tradition of the magazine. Each portfolio includes a short biography, offering an intimate look at the people behind the lens. Here are the defining moments of the 20th century, including MacArthur wading ashore by Mydans, Capa's D-Day landing at Omaha Beach and, of course, Eisenstaedt's sailor kissing th

Where palm trees sway golden sunsets surf the ocean and sidewalks marked with stars stroll through motion picture dreams Sequoias mountains and deserts speak wonders while a diverse population characterizes the land California is the Golden State. Palmen wiegen sich im Wind goldene Sonnenuntergange schimmern auf dem Ozean und Wege voller Sterne erlauben durch Film-Traume zu wandern Wundervolle Riesenmammutbaume Berge und Wusten ein Land fur das die Bevolkerungsvielfalt typisch ist Dies alles ist das Goldene Kalifornien. Las palmeras balanceadas por el viento las doradas puestas de sol refulgiendo sobre la superficie del oceano y los cami nos repletos de estrellas nos permiten pasear por suenos de pelicula Maravillosas secuoyas gigantes montanasy desiertos u pais caracterizado por la variedad de sus habitantes Todo esto es la Dorada California. Les palmiers se courbent au vent les cou chers du soleil couleur or scintillent sur lo cean et des chemins etoiles nous permet tent de traverser des reves

Already well-established in the fields of fashion, journalistic, and portrait photography in his native Berlin, Bernd Obermann moved to New York City in 1996 to experience the city’s vibrant mix of culture, ethnicity, and race. For the next five years he ventured out of his apartment nearly every day, camera in hand, to explore what New York had to offer. The results of these walks through city streets, parks, and neighborhoods are collected in this paean to a place whose energy and spirit are as palpable as they are memorable. "When I take a photograph of somebody I am also making a photo of a deeper level of myself." Says Obermann, "I believe in acceptance and not in analysis." From the Bronx to the Battery, from poor to rich, young to old, Obermann’s images reflect his own fascination and sense of discovery.

Sidestepping the tragic figure presented in other books,"Marilyn Monroe: Platinum Fox" provides a light-hearted andhumorous look at a legend like no other! Sixty years after herimage first flickered on the screen, Marilyn Monroe remains theultimate Hollywood star, a face and name more recognizable thancurrent performers. What remains to be explored about 'Marilyn'?Here we celebrate what first made her a star. Profusely illustratedwith colour and black and white stills from the 20th Century Foxarchives - some of which will be seen for the first time in thisbook - "Marilyn Monroe: Platinum Fox" focuses on quintessentialMarilyn in classics like "Gentleman Prefer Blondes", "The SevenYear Itch" and her other Fox films. The text is filled withbehind-the-scenes stories, memorable movie quotes, film facts,trivia, plotlines, character profiles and highlights of the mostMarilyn moments.

Best known for his striking photographs of people on the fringes of South African society, Roger Ballen makes images that are ambiguous and often disturbing, but also shot through with flashes of dark humour. The photographs in Shadow Chamber blur the boundaries between documentary photography and art forms such as painting, theatre and sculpture, challenging the ways in which we perceive the 'reality' of photography. Ballen's images are completely honest, yet also fabricated. The mysterious, cell-like rooms that Ballen photographs are actual places, but they are unsettling and strange, logical but impossible: their walls are covered with scribbled drawings, stains and dangling wires, the floors are strewn with bizarre props and artefacts. Dogs, rabbits and kittens wander into the frame or are stuffed into unlikely containers. The humans and animals in Ballen's photographs appear isolated and lost, yet strangely empowered at the same time. The resulting images are allegories of lived experiences and surre

In 1950, Robert Frank left his job as a photographer in NewYork to travel through Europe with his family. That summer hearrived in Valencia, Spain, which was at the time a humble, bleakplace enduring the austere conditions of the postwar period likethe rest of the country. The pictures Frank took of Valencia depictthe daily life of a fishing village. His portrayal is so naturaland clear that further verbal explanation seems superfluous; theysimply reflect, in the photo graphers words, the humanity of themoment. The photographs in this book, many of which have never beenpublished before, allow dignity to override poverty. Robert Frank,a key figure in photographic history, was born in Zurich in 1924and immigrated to the United States in 1947. He is best known forhis seminal book The Americans, first published in 1959, which gaverise to a distinct new form in the photobook, and his experimentalfilm Pull My Daisy (1959). Franks other projects include the booksBlack White and Things (1954) and The Lines of

Whether they are of Abu Dhabi, California, Egypt or Emilia, all of the images he produces are lit with a constant physical light and elements that this photographer seems to always have with him the way he does with his camera bag, and through which all he wants to do is observe the world. I find such an aesthetic to be more that of a painter than a photographer somehow. Better yet, that of a post-documentary or neo-pictorialist photographer, who experiences and conceives his work to be the exprssive gesture of an artist for whom the subject is above all the opportunity for a tremendous but constant variation in his view of the world.

‘The Bitter Years’ was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its 50th anniversary. The show featured 209 images by photographers who worked under the aegis of the US Farm Security Administration (FSA) in 1935–41 as part of Roosevelt’s New Deal. The Great Depression of the 1930s defined a generation in modern American history and was still a vivid memory in 1962. The FSA, set up to combat rural poverty, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography – testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms. The Bitter Years celebrates some of the m

The photography community has been among the earliest and most enthusiastic adopters of Apple’s revolutionary iPad. With its crystal-clear display, powerful graphical capabilities and intuitive interface, it’s certainly an effective way to show off photographs. But what else can it do? In this, the first book on the subject, Ben Harvell explains how the iPad is revolutionising the way that pro photographers work. There are powerful photo editing applications, easy-to-use photo sharing and display programs, and useful tethered-shooting this book explains all, and will be a must-read for digital photographers everywhere.

The photographic act is an event that occurs in real timewith irrevocable consequences.The end result can be modified thoughpost-production,but it is necessarily dependent upon,and influencedby,the image that was recorded in the camera.