This is the third and final volume ofthe classic Chinese fantasy novel，Joumey to the West. In it the four pil-grims-the Tang Priest Sanzang andhis three powerful disciples， Monkey，Pig and Friar Sand-have to deal withmany more monsters and misfortunesbefore they finally reach their goal：Thunder Monastery in the westernHeaven where the Lord Buddha lives.Even here their troubles are not at anend. The scriptures they are given atfirst are all blank.On this last part of the journey thedemons come in as wide a range ofshapes and kinds as ever. Among themare spider-women who spin webs fromtheir navels， a pride of lion monstersand a terrlble female spirit who carriesthe Tang Priest down into her bottom-less cave to marry him. These and allthe other fiends test to the very limitMonkey's ingenuity， supernatural pow-ers and connections throughout theuniverse. As in earlier volumes， he ishindered as much as helped by theoafish but loveable Pig.The story is told with the zest， im-aglnation and humour that

水浒传是一部长篇英雄传奇，是以宋江起义故事为线索创作出来的。宋江起义发生在北宋徽宗时期，《宋史》的《徽宗本纪》、《侯蒙传》、《张叔夜传》等都有记载。从南宋起，宋江起义的故事就在民间流传，《醉翁谈录》记载了一些独立的有关水浒英雄的传说，《大宋宣和遗事》把许多水浒故事联缀起来，和长篇小说已经很接近。元代出现了不少水浒戏，一批梁山英雄作为舞台形象出现。《水浒传》（上下）是宋江起义故事在民间长期流传基础上产生出来的，吸收了民间文学的营养。《水浒传》（上下）是我国人民*喜爱的古典长篇白话小说之一。它产生于明代，是在宋、元以来有关水浒的故事、话本、戏曲的基础上，由作者加工整理、创作而成的。全书以宋江领导的农民起义为主要题材，艺术地再现了中国古代人民反抗压迫、英勇斗争的悲壮画卷。作品充分

本部古典名著是由现任烟台南山学院外事翻译学院的资深教授朴正阳以人民出版社1985年5月翻译出版。是国内少见的朝文版《金瓶梅》，对不同名族语言文化的交流有很大的促进作用，同时，对少数民族的文学事业也有很大的推动作用。 《金瓶梅》是我国*部文人独立创作的长篇白话世情章回小说，以"禁书"、"奇书"闻名。本书借《水浒传》中武松杀嫂一段故事为引子，写潘金莲未被武松杀死，嫁给西门庆为妾，由此转入小说的主体，通过对西门庆及其家庭罪恶生活的描述，体现当时民间的生活面貌。以市井人物为主要角色，通过多侧面多层次的描写，将明代封建社会的黑暗腐朽暴露得淋漓尽致。在这一点上，《金瓶梅》远胜过《水浒传》。

本书是一本中英文对照的绘本读物。全书用中国画和当代手法描绘了清朝期间，西方洋天文学家刘松龄这位西学东渐的重要人物在乾隆时期所做的几件重要历史事件。全书以时间为序，图文并茂地讲述了刘松龄的一生。本书可以使中外读者通过阅读人物故事，从一个新的角度了解中国，了解中国与西方的文化与文明交流史。

This celebrated Chinese classic novel is a masterpiece of realism written in themiddle of the 18th century. Taking as its background the decline of several relatedbig families and drawing much from his own experiences， the author Can Xueqin（？- c.1763） focused on the tragic love between Jia Baoyou and Lin Daiyu and， inthe meantime， provided a panorama of the lives of people of various levels in thedegenerating empire. But he left the work unfinished （or the last 40 chapterswere lost）. Gao E （c.1738- cA815） completed the work some years later in muchof Gao's spirit and also put in his own revelations， which aroused protractedcontroversy throughout the centuries. Exposing social evils， the book cries outits denunciation against the feudal system. All techniques of literal' merit developedin previous periods were incorporated into the great work with much originality. Itstands out in world literature， ranking with Hamlet and War and Peace. Illustratedwith woodblock prints.

The MONKEY SERIES are picture books based on the ancient Chinese fantasy novel Journey to the West, a story rich in tales about demons and monsters who try to stop the Tang Priest Xuanzang from reaching the Thunder Monastery in India to fetch Buddhist *ures. The real hero of this novel,loved for four hundred years by Chinese readers, is the resourceful, brave and humorous Monkey.

关汉卿是元代（1206-1368）伟大的戏曲家。他的作品十分贴近现实生活，反映了复杂的社会场景与予盾冲突，尤其反映了当时社会生活中女性的命运以及她们对不平命运的抗争。 关汉卿现存剧作约18部，本书精选了能体现关剧特色的8部戏剧。其中《窦娥冤》是关汉卿著名的作品，该剧以“六月飞雪”这种非现实的、夸张的艺术手段，将窦娥的冤情和她对命运的抗争表现得淋淳尽致，成为中国戏剧的悲剧的代表作。《救风尘》的情节十分新颖，剧中侠妓赵盼儿以风月手段勇救风尘姊妹，有浓厚的喜剧色彩。《单刀会》在艺术上很有特色，十分注重对出场人物的铺垫。 关汉卿的戏剧曾被译成多种文字在全世界流传。本书选用的英文译本，系中国著名的文学翻译家杨宪益、戴乃迭夫妇所译。

本书是《中国古典小说名著普及版书系》之一，是明朝末年凌濛初编著的拟话本小说集。成书于明朝天启七年，与《二刻拍案惊奇》合称“二拍”。其内容很复杂，思想倾向也不心相同。故事题材虽多出自前代著述，但经过凌氏的再创作，却表现着晚明的社会现实和时代气息，浸含着凌氏本人的思想观念和愤世俗的不平之气。书中主要是描写商人思想行径、命运遭际的作品和描写婚恋的作品，这些作品都具有认识价值和积极意义。 《初刻拍案惊奇》题材内容方面存在的问题主要有两点。其一是露骨的色情描写。许多作品，如《西山观设度亡魂，开封府备棺追活命》、《乔兑换胡子宣淫，显报施卧师入定》、《奇风情村妇捐躯，假天语幕僚断狱》等都有猥亵描写。这类作品表现出市民的庸俗情趣。其二是浓厚的宗教迷信、因果报应、宿命论思想。《王大使威行部

《我们中国人(2011)》(英文版)由华文等著。 《我们中国人(2011)》(英文版)内容如下： The CommunistParty of China celebrated its 90th birthday on July 1,2011. Through90 years of tremendous changes, China has transformed itself from apoor and weak country into a powerful country in the East. China'space of development has startled the world. This is the result ofcontinuous exploration of the Chinese people under the leadershipof the Communist Party of China. From 2010 through the first halfof 2011, we chose 20 Chinese people and recorded their glory anddreams, laughter and tears in this book. They cannot represent'allChinese people, but in this year, the events they haveexperienced,what they thought, and what they did attracted mediaattention.

This is the third and final volume ofthe classic Chinese fantasy novel，Joumey to the West. In it the four pil-grims-the Tang Priest Sanzang andhis three powerful disciples， Monkey，Pig and Friar Sand-have to deal withmany more monsters and misfortunesbefore they finally reach their goal：Thunder Monastery in the westernHeaven where the Lord Buddha lives.Even here their troubles are not at anend. The *ures they are given atfirst are all blank.On this last part of the journey thedemons come in as wide a range ofshapes and kinds as ever. Among themare spider-women who spin webs fromtheir navels， a pride of lion monstersand a terrlble female spirit who carriesthe Tang Priest down into her bottom-less cave to marry him. These and allthe other fiends test to the very limitMonkey's ingenuity， supernatural pow-ers and connections throughout theuniverse. As in earlier volumes， he ishindered as much as helped by theoafish but loveable Pig.The story is told with the zest， im-aglnation and humour that have

Yuan Longping, the renowned and respected Chinese scientist often taken for a farmer, has found the world a way out of famine. Unde-terred by the prevailing ignorance of heterosis in rice and other self-pollinating plants, he has dedicated himself to research into hybrid rice since the 1960s, and his feats have won him the accolade "father of hybrid rice" and earned him the honor of being made foreign associate of the US National Academy of Sciences Why is Yuan so obsessed by hybrid rice research? How did he manage with such simple conditions, scarce aterials, backward technol-ogy and insufficient information? What global impacts will Yuan and his team have? This book may give the answers.

本书是大名鼎鼎的武侠小说《七侠五义》的英文翻译本。中文本想必大家都已经是烂熟于胸了，但是翻译成英文会是什么样子呢？请看……

Stealing the Golden Bells, tells how Monkey cures the king of Purpuria of his illness. Monkey learns that the queen has been kidnapped by a demon doing harm in the kingdom. He manages to enter the demon's cave, steal his magic golden bells, subdue him and rescue the queen.

一套经典图书，长销不衰——《中译经典文库·中华传统文化精粹：许渊冲英译王维诗选》是国内早的双语读物，影响了几代英语和中华文化爱好者，深受读者喜爱。 一批重量级翻译家，阵容强大——学贯中西的译界泰斗许渊冲、辜正坤、谢百魁、丁往道、罗志野…… 一家优秀出版社，品质卓越——中国对外翻译出版有限公司为联合国提供翻译服务四十多年，出版了很多优秀的中外文化交流图书。

Zhuang Zi was a great thinker, philosopher and man of letters during China's Warring States Period (475 B.C.-221 B.C). He inherited the mantle of Lao Zi, founder of the Taoist school, and his classical work, known as The Book of Zhuang Zi, is an immortal masterpiece of humankind's cultural heritage. The Story of Zhuang Zi book recounts the life and thought of Zhuang Zi in a way accessible to both the general reader and those with a special interest in Chinese culture.

本书从《列异传》、《搜神记》、《幽明录》、《世说新语》等汉魏六朝(公元前206—公元589年)小说中遴选90篇，展示了中国古代小说童年期的大致面貌。 汉魏六朝小说大致可分为三种，类是记叙神、仙、鬼、怪的志怪书，如《列异传》、《搜神记》等等，第二类记叙历史人物事件但掺杂了较多怪诞无稽的内容，有人称它们为杂史杂传，如《燕丹子》、《汉武故事》等等，第三类是记叙当时名士的卓然不群的举止言行的志人书，如《世说新语》等等。这些古小说除杂史杂传的篇幅较长之外，大都是丛残小语，故事粗陈梗概，有的还谈不上是故事。它们文字简古，但文约而事丰，用极简练的文字就可以叙说极复杂的事物。 汉魏六朝小说很早就流传到国外。本书选用的英文译本，系中国著名的文学翻译家杨宪益、戴乃迭夫妇所译。这是当今众多英译本中好的一种

《经典爱情三部曲》由(英)夏洛蒂·勃朗特,(英)简·奥斯丁,(英)艾米著

Stories about immortals have circulated in China since ancient times. After the appearance of Taoism, such stories became popular, as one of the aims of Taoist discipline was to achieve immortality. The more than 100 stories in this book have been selected from Accounts of the Saints, Stories of Immortals and other classics dealing with this subject. Though the stories in this book are short, they are full of the pithy wit and wisdom of this esoteric branch of Chinese cultural tradition.English/Pinyin

《呼兰河传》是萧红的代表作，亦是20世纪中国文学历史记录重要的作品之一，1940年完成于香港。是历经多年漂泊之后的作者，以童年见闻及对于家乡的回忆为题材写作的一部自传式长篇小说。用笔既温馨轻盈，又浑厚凝重。它是抒情小说的典范，以文体的独特、语言的清丽自然为评家所称道，为读者所钟爱。 萧红著的《呼兰河传（全新校订版）》，以1941年上海杂志公司初版本为底本，并参照其他几个版本进行了全新校订。对个别不太好懂的字词，作了注释。另附萧红其他几篇名作——《较为的憧憬和追求》《手》《小城三月》等，可供读者进一步欣赏。

蒙哥马利著的《绿山墙的安妮(精)》讲述了纯真善良、热爱生活的女主人公安妮，自幼失去父母，在朋友和老师的关爱中坚强生活的感人故事。绿山墙农舍的一对兄妹本想从孤儿院领养一个男孩来做帮手，没想到却阴差阳错接来了自幼失去父母的小安妮。安妮的到来使原本沉闷的绿山墙焕发出诱人的生机与活力，也给古老的村庄带来了无穷的欢乐。